Miniature Still-life Photography

'Light Stories', 2016 Edition 1/10 plus 2 Artist Proof, 20x24cm, Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signature label and certif...

'Ranunculus Butterfly’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large forma...

'Ranunculus Butterfly no.2’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée prin...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

These days are also bringing "full windows", happily full with books. Done during a city walk. Hope you like the look, limited edition of 15. Signed by the author.

Untitled 2019, 20x24cm, Edition of 1/10. Digital C-Print based a Polaroid Collage. Hand-signed and numbered by the artist on the back with Certificate. Not mounted. Josey Cary Pol...

1964, Mrs Leland Hayward, better known as Pamela Churchill Harriman, who later became US Ambassador to France, at her antiques shop 'The Jansen Shop', New York City. Complimentary d...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

The Blue Hour, 2016, Edition 1/10 plus 2 Artist Proof, 20x43cm, digital C-Print based on a diptych of 2 original Polaroids on Hahnemuhle photo rag paper, not mounted . Signature labe...

11 x 14 inch image is an edition of 45. Four other sizes are available. Story of "The Rising" The final surrender to the fire that burns away that which is not part of our true selv...

Sepia Toned Landscape of Net in Water and Reflection from Tonga 17 x 17, edition 5 of 25 Silver Gelatin Print, unframed David Halliday's series consists of sepia-toned still lives ...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

The picture evoked sun, good mood and happiness, taken during a hot summer day. Will be printed on fine art paper, signed, with gallery certificate. Framing available as well.

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

'Trailer life', 2020 20x24cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL20...

Carla van de Puttelaar's photographs allow the eye to touch skin on many levels. Although her primary subject is often the female body, in recent years she has also begun to examine...

Weston created 2S after his return to America from two extended stays in Mexico between 1923 and 1927. Throughout 1927 he took twenty-six still life images of shells, including Nauti...

A pair of limited edition ceramic plates incorporating Robert Mapplethorpe’s Cala Lily and Poppy Flower photographic images. This set is new, ...

Picture done during a nostalgic evening. Could be also delivered framed, smaller size as well, price upon request, signed by the author. Limited to 5.

All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks Contemporary close-up view of a cream colored rose with on a crisp black background. P...

Archival digital scanograph 18 x 13 inches, edition of 225 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

11 x 14 inch image is an edition of 45. Three other sizes available. Mina Afshari was born in Tehran, Iran. Her life and art are shaped by her journey from oppression to freedom. Gr...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. Blue Gum trees, native to Australia, have survived for millennia by adapting and thriving in a climate where wildfires are common. Now invasive in many parts of the world, this 'gasoline tree' is a dangerous fire hazard, especially in the face of climate change, which is expected to make wildfires more common. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

Titled and dated with artists reference number and stamped on the back of the mount and signed by Cole Weston. This piece was loaned to Art in Embassies...

This image may be available in a larger size. Please contact us. Story of "The Bird Ate the Loquat": My friend had given me a loquat branch from her tree and I found the imperfectio...

This is a hand-printed photograph using the 170-year-old cyanotype process. This is a negative (reversal of the dark and light tones) of the original photograph of a branch of a magn...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

11 x 14 inch image is an edition of 45. Four other sizes are available. Mina Afshari was born in Tehran, Iran. Her life and art are shaped by her journey from oppression to freedom....

'Lycoris’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Printed on Hahnemühle photo r...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. The Wollemi Pine, thought to be extinct, was known only from 200-million-year-old fossils until 1994, when the 100 ft trees were discovered living happily in the impenetrable forests of New South Wales. The personification of longevity and adaptability, this beautiful tree is critically endangered. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

11 x 14 inch image is an edition of 45. Four other sizes are available. Story of "Delphinium": A unique beauty that doesn’t make sense. Seeking value from the outside is to ask tho...

Weston created 2S after his return to America from two extended stays in Mexico between 1923 and 1927. Throughout 1927 he took twenty-six still life images of shells, including Nauti...

This is a photogravure by John Dugdale offered by CLAMP in New York City. 1999 Signed, titled, and numbered in pencil, verso Photogravure (Edition of 50) 15 x 13.5 inches (38.1 x...

Hand printed by the artist. Signed in pencil on verso. Unique / Rare Obtain from the artist.

Wonderland Orange Poppy (Mid-Fire Black + Gray) 2022 Signed and numbered on label, verso Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs) 18 x 12 ...

Time Zero Flowers - 2018 20x20cm, 
 Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2018...

This is a photogravure by John Dugdale offered by CLAMP in New York City. 1999 Signed, titled, and numbered in pencil, verso Photogravure (Edition of 50) 15 x 13.5 inches (38.1 x...

'Black Hellebore No.4’ London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and back and comes with a Certificate of Authenticity. Carefully placed in a secure cardboard package and shipped with an insured express delivery service. Please feel free to contact if you have any questions. About the artist: Ugne Pouwell is a fine art photographer originally from Lithuania. Today she makes most of her creative work in London, United Kingdom. Her main focus is black-and-white landscape and floral photography. Mainly using a large format 4x5 Linhof camera to express the timeless beauty of the subject in focus. Many of the influences come from 20th-century photography. She processes her work from start to finish: film processing, scanning and printing. Her work is mainly printed on the world's oldest paper-producing houses Hahnemühle and Awagami and some more exclusive work on organic linen and cotton fabrics. Paper and canvas choices are mainly based on organic feeling also adding more special feeling to her work. 2016 Ugne finished her studies at the University of Westminster Photography and Digital Imaging Technologies. She continued her practice by applying scientific knowledge to her everyday work in fine art photography. Awards: 2023 Black Spider Awards, Honourable mention in Still Life 2022 Black Spider Awards, Honourable mention in Still Life 2022 IPA International Photography Awards, Honourable mention in Analogue / Film Fine Art 2021 Mono Visions...

'Black Hellebore No.3’ London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front...

Deep Inside III #1 is a Giclée Print on Cotton paper print which is available in this size in a limited edition of 10 + 2 Artist Proofs. Capturing the limpid liquid forms of water ...

This floral landscape photo has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian ph...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. Ferns are some of the oldest plants on earth. Ferns embody resilience. Many forms have come and gone since they first appeared on the planet; 10,000 species exist today, in tropical, temperate and arctic regions. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

'Snake Necklace by Elsa Peretti' Platinum/Palladium on vellum paper over silver leaf Handmade photographic reproduction on sensitised paper Edition of 5 , plus 2 AP ( Medium Size ...

'Ranunculus Butterfly’ London, United Kingdom 2023. Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to withstand the ...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

This is a photogravure by John Dugdale offered by CLAMP in New York City. 1999 Signed, titled, and numbered in pencil, verso Photogravure (Edition of 50) 15 x 13.5 inches (38.1 x...

With a varied career as both an artist and art director, Cy has collaborated with many of America’s best photographers. His works are close, intimate portraits of almost infinite dep...

Hot Flash Camellias (Smokey Gray) 2022 Signed and numbered on label, verso Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs) 18 x 8 x 1.5 inches ...

This image measures 9 3/4 x 2 inches, on a 10 x 8 inch sheet. It is signed and date by the artist on verso, and notated "Paris." The print was made no later than 1971. This elegant ...

Gelatin silver print mounted to archival board Signed and dated, verso 9 x 9 inches (Edition of 15) 15 x 15 inches (Edition of 15) This artwork is offered by ClampArt, located in ...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Rebecca Skinner’s “Still” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of a vintage meat grinder sits on a...

Archival pigment print Signed, titled, dated, and numbered, verso 13.5 x 13.5 inches (Edition of 10) 30 x 30 inches (Edition of 5) This photograph is offered by ClampArt, located ...

Rebecca Swanson, Pure Poppy II, Limited Edition Photograph, 15x15. It is available with Plexifacemount or white frame . This stunning image is filled Pink and green. This is an ed...

Signed and editioned mount recto. Titled, editioned and dated on Artist’s Choice stamp on mount verso. Also available larger in smaller editions outside of the book and print set. Pl...

Rosemary Ellis Windows XIV Original proof photograph for Windows in the Outlooks and Insights series published by Bodley Head, by Rosemary & Charlotte Ellis. Silver Gelatin Photograp...