Marie Craig

"Wolemi Pine 2", contemporary, yellow, trees, forests, cyanotype, photograph

2018

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. Ferns are some of the oldest plants on earth. Ferns embody resilience. Many forms have come and gone since they first appeared on the planet; 10,000 species exist today, in tropical, temperate and arctic regions. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. Blue Gum trees, native to Australia, have survived for millennia by adapting and thriving in a climate where wildfires are common. Now invasive in many parts of the world, this 'gasoline tree' is a dangerous fire hazard, especially in the face of climate change, which is expected to make wildfires more common. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

Marie Craig's "Newnes Oven 3" is an original deep blue photograph of an old coal oven obscured by leaves. This piece was created using cyanotype, an early photographic process which ...

Marie Craig's "Sign City Galore" is an original deep blue photograph of an old buildings obscured by leaves. This piece was created using cyanotype, an early photographic process whi...

Marie Craig's 'Buckeye’ is an original deep blue photograph of leaves from the Bottlebrush Buckeye tree. This piece was created using cyanotype, an early photographic process which u...

Marie Craig's "Dilexit 4" is an original deep blue photograph of an old cathedral with superimposed leaves and branches. This piece was created using cyanotype, an early photographic...

"Proxima" Photography 45" x 30" inch Edition 1/7 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Shot with a 35mm analogue camera. ...

"Starburst" Photography 30" x 45" inch Edition 1/7 by Larsen Sotelo FRAMED Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Shot with a 35mm analogue c...

"UNTITLED (Blue Erase)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials ...

"UNTITLED (Red Dot)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials dir...

"UNTITLED (Horizon)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials dir...

"UNTITLED (Zig)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials directl...