Contemporary Still-life Photography
CONTEMPORARY STYLE
Used to refer to a time rather than an aesthetic, Contemporary art generally describes pieces created after 1970 or being made by living artists anywhere in the world. This immediacy means it encompasses art responding to the present moment through diverse subjects, media and themes. Contemporary painting, sculpture, photography, performance, digital art, video and more frequently includes work that is attempting to reshape current ideas about what art can be, from Felix Gonzalez-Torres’s use of candy to memorialize a lover he lost to AIDS-related complications to Jenny Holzer’s ongoing “Truisms,” a Conceptual series that sees provocative messages printed on billboards, T-shirts, benches and other public places that exist outside of formal exhibitions and the conventional “white cube” of galleries.
Contemporary art has been pushing the boundaries of creative expression for years. Its disruption of the traditional concepts of art are often aiming to engage viewers in complex questions about identity, society and culture. In the latter part of the 20th century, contemporary movements included Land art, in which artists like Robert Smithson and Michael Heizer create large-scale, site-specific sculptures, installations and other works in soil and bodies of water; Sound art, with artists such as Christian Marclay and Susan Philipsz centering art on sonic experiences; and New Media art, in which mass media and digital culture inform the work of artists such as Nam June Paik and Rafaël Rozendaal.
The first decades of the 21st century have seen the growth of Contemporary African art, the revival of figurative painting, the emergence of street art and the rise of NFTs, unique digital artworks that are powered by blockchain technology.
Major Contemporary artists practicing now include Ai Weiwei, Cecily Brown, David Hockney, Yayoi Kusama, Jeff Koons, Takashi Murakami and Kara Walker.
Find a collection of Contemporary prints, photography, paintings, sculptures and other art on 1stDibs.
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Style: Contemporary
Spring A
By Doris Mitsch
Located in New York, NY
This is a photograph of pink flowers against a black background by Doris Mitsch, offered by CLAMP in New York City.
40 x 32 inches
(Edition of 7)
25 x 20 inches
(Edition of 7)
17....
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Cavallini 02 - Signed limited animal edition print, Black and white, wild horse
Located in Sant Cugat del Vallès, Barcelona
Cavallini 02 - Signed limited edition archival pigment print, 2015 - Edition : 2 of 5
The last wild horses , Sardegna altiplano della Giara, Italy
Personal book project.
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity.
Signed + numbered by artist with certificate of authenticity.
Archival pigment print available sizes :
40 x 27 cm / 15,75 x 10,63 in - Edition of 10
60 x 40 cm / 23,62 x 15,75 in. - Edition of 5
Laurent Campus...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Black and White, Giclée, Pigment, Archival Pigment
Hive, Santa Fe, NM, 2005
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
Early 2000s Contemporary Still-life Photography
Materials
Silver Gelatin
Confidence is not pride, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Please inquire about the framing from the exhibition,
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. The opening reception will be held on Wednesday, January 29, 2019 from 6pm to 8pm. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice.
Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind.
Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
"Drift 35" Photography 20" x 30" Edition of 10 by Rowan Daly
By Rowan Daly
Located in Culver City, CA
"Drift 35" Photography 20" x 30" Edition of 10 by Rowan Daly
Digital print on Ultra Smooth Fine Art Paper
Unframed - ships rolled in a tube
DRIFT
Behind the scenes of the natio...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Digital, Archival Pigment
"Aces", New York, 2007
By Tina West
Located in Hudson, NY
Framing charges includes
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconven...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Is that you that you see, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin ...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Suffer your way with wisdom, 2019
By Tina West
Located in Hudson, NY
These two additional interior shots of the installation are currently in our exhibition. Using Tucker Robbins furniture and lighting .
This listing is for the unframed photograph. ...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Tulip Thijs Boots (Misty Gray)
Located in New York, NY
Tulip Thijs Boots (Misty Gray)
2023
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
16 x 20 x 1.5 inches
Thi...
Category
2010s Contemporary Still-life Photography
Materials
Pigment
White & Yellow Ranunculus (Clear)
Located in New York, NY
White & Yellow Ranunculus (Clear)
2022
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
18 x 12 x 1.5 inches
T...
Category
2010s Contemporary Still-life Photography
Materials
Pigment
Purple Matthiola & Bishop’s Flower (B+W Checkered)
Located in New York, NY
Purple Matthiola & Bishop’s Flower (B+W Checkered)
2023
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
18 x ...
Category
2010s Contemporary Still-life Photography
Materials
Pigment
Wonderland Orange Poppy (Clear)
Located in New York, NY
Wonderland Orange Poppy (Clear)
2022
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
16 x 12 x 1.5 inches
Th...
Category
2010s Contemporary Still-life Photography
Materials
Pigment
Tulip Thijs Boots (Miami Green)
Located in New York, NY
Tulip Thijs Boots (Miami Green)
2023
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
13.5 x 9 x 1.5 inches
T...
Category
2010s Contemporary Still-life Photography
Materials
Pigment
Redundant Fundamentalist, 2014
By Tina West
Located in Hudson, NY
Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a group show of gallery artists curated especially for the new gallery space, Gallery II at 82 Mason Circle at the Lofts at Beacon.
The gallery at the Beacon Lofts is located on the 12-acre property of a 19th century textile mill, just along the banks of Fishkill Creek. Drawing on the industrial design of the live/work lofts themselves, the space makes use of reclaimed brick...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Photographic Film, Mixed Media
Identity is an obstacle to overcome 1, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Please inquire within.
A NEW COLLABORATION
Tina West + Tucker Robbins 2020
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. The opening reception will be held on Wednesday, January 29, 2019 from 6pm to 8pm. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice.
Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind.
Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka Table” is an Acadian side-table found nearby that was named by the Bamun carvers of Cameroon who likened its circular design to snake walking. Together, West and Robbins make for an installation that invites audiences to sit down and connect to the fine art objects in a manner different from what they are regularly accustomed to at the Robin Rice Gallery.
In speaking of her influences, West cites Josef Sudek as an early inspiration on her work for how he made evocative black and white photographs out of everyday happenings. Sudek himself once remarked, “I like to tell stories about the life of inanimate objects, to relate something mysterious.” This statement resonates well within West’s own work as she demonstrates a similar gift for finding the beauty in the banality of things overlooked. Her work also shares a kindred spirit with the eccentric assemblages of disparate images made by Joseph Cornell and the experimental platinum prints of Jan Groover...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Passion lies at the edge of uncertainty, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Please inquire about framing.
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special n...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Scary Baby
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Silver Gelatin
Phone Bank
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Silver Gelatin
Jean-Luc Mylayne, N°476, Décembre 2006 – Mars 2007 - Contemporary Photography
Located in Hamburg, DE
Jean-Luc Mylayne (French, b. 1946)
N°476, Décembre 2006 – Mars 2007, 2020
Medium: Inkjet print on paper
Dimensions: 50 x 40 cm
Edition of 25: Hand-signed and numbered, verso
Conditio...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Inkjet
"West Hallway", contemporary, abandoned, door, blue, red, purple, color photo
Located in Natick, MA
Rebecca Skinner’s “West Hallway” is a 24 x 16 inch color photograph of a hallway in an abandoned building. The purple - blue door in the foreground is riddled with peeling paint, as ...
Category
2010s Contemporary Still-life Photography
Materials
Metal
"Gas & Gasoline", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper, Pigment
"Martha Stewart Living Magazine, Australian Tree", California, 2005
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
Early 2000s Contemporary Still-life Photography
Materials
Photographic Paper
"Eddie's Kitchen", Cuba, 1994
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
1990s Contemporary Still-life Photography
Materials
Photographic Paper
Gerber Daisy 4, Color Photograph, Limited Edition, Framed, Botanical, Floral
Located in Riverdale, NY
Gerber Daisy 4, archival pigment print photograph, printed on Fine Art paper by Tim Nighswander. It is 24x24, framed in a white frame to 32x32 with a UV plexiglass. It is a limited...
Category
2010s Contemporary Still-life Photography
Materials
Paper, Archival Pigment
Untitled #106 by Jo Ann Callis, 1980, Vintage C-Print, Still Life Photography
Located in Denton, TX
Untitled #106 by Jo Ann Callis presents a black bird hovering over a table with a layered strawberry cake. The raven flies over the table setting, with it's wing cutting across the center of the image. The bird appears to gaze downward, perhaps looking at the slice of cake as it's next meal.
This vintage c-print measures 24 x 20 inches, and is presented matted with a silver metal frame, measuring 28.38 x 23.38 x 1.13 inches. This photograph is signed and dated in ink on the verso. This photograph was acquired from the Atlantic Richfield Company.
Jo Ann Callis was born in Cincinnati, OH and relocated to Los Angeles in 1961. She enrolled at UCLA in 1970 where she began taking classes with Robert...
Category
1980s Contemporary Still-life Photography
Materials
Color
Lychee
By Mark Drew
Located in Hudson, NY
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Digital Pigment
Lillies Photo by Thomas Blagden Jr., Original
Located in New York, NY
Thomas Blagden Jr.
Lillies, c. 20th/21st Century
Photograph
Sight: 13 1/4 x 19 in.
Framed: 20 1/8 x 26 1/4 x 1 3/8 in.
Signed lower right: Blagden Jr.
Titled verso
For over four de...
Category
20th Century Contemporary Still-life Photography
Materials
Color
Ice - Color photography, Limited edition print , Large scale photograph
By Sam Thomas
Located in Sant Cugat del Vallès, Barcelona
Ice - Limited edition pigment print - Limited Editions of 15
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity.
Signed + numbered by artist with certificate of authenticity.
Archival pigment print available sizes :
60 x 71 cm / 19,68 x 29,53 in. - Edition of 15
89 x 105 cm / 27,56 x 41,34 in. - Edition of 15
Sam Thomas is a French photographer/visual artist.
With a graphic design background and a classical approach, her personal work explores her environment and encounters , not hesitating to mix techniques.
Comfortable in her own darkroom to hand print her photographs as with the creation of purely digital artworks.
Style :
Color photography, 21st century, Archival pigment print, Contemporary , Aesthetic photo, Mouvement, , Oversize, Oversized, Large scale photograph
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Paper, Color, Pigment, Archival Pigment, Digital Pigment, Photo...
Macaw #1 - Animal signed limited edition bird contemporary fine art print, Black
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
" Macaw #1 ” - Signed limited edition archival pigment print - Edition of 3
Oversize print
This sequence of a Green Winged Macaw in flight is cap...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment, Paper, Photogr...
"Mala", 2011
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
Shippi...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Life and death - Signed limited edition still life fine art print, contemporary
By Peter Ridge
Located in Sant Cugat del Vallès, Barcelona
Life and Death Still Life - Strelitzia reginae - Birds of Paradise
Posed in a Moroccan hand made vase
Signed limited edition archival pigment print, Edition of 5
This is an Arch...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
"Dartmoor Pony, in Haytor Rock, Dartmoor", Devon, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Silver Gelatin
Dragonfly- Signed limited edition nature print, Color photo, insect, Yellow
Located in Sant Cugat del Vallès, Barcelona
Dragonfly - Signed limited edition archival pigment print - Edition of 8
Photography and Bichromate print : 2016
Pigment print : 2020
Several negatives was used to create a ...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment, Photographic P...
Cloud Horses, New Mexico, 2002
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
"Exotic Aroma of Memory", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Waiting At The Bar - Still Life Black and White Film Photographic Print Framed
By Pia Clodi
Located in Zürich, CH
Waiting At The Bar - Still Life Black and White Photographic Print Framed
Like many of Pia Clodi’s works, this black and white photograph evokes a human presence, even when one cann...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Photographic Film, Photographic Paper, Black and White, Polaroid
Macaw #4 - Animal signed limited edition bird contemporary fine art print, Red
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
" Macaw #4 ” - Signed limited edition archival pigment print - Edition of 10
Green-Winged Macaws are monogamous and pair for life. They mate once in a lifetime, remaining and travelling together even out of the breeding season. Their beaks are powerful, allowing them to easily crack hard shelled nuts like the Brazil nut. The beak of the Green-Winged macaw can generate a pressure of 2000 pounds per square inch.
Animal photography is about being ready for the split-second moment when it happens. This takes a certain amount of production. The studio set-up, the lighting and the camera settings can all be planned but the magic moment is seldom planned. It just happens naturally and you need to be prepared. Whether you capture it will depend on patience, concentration and reflex.
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lignin-free, Museum quality for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity.
Signed + numbered by artist with certificate of authenticity.
Please note that prices increase as editions sell.
Archival pigment print available sizes :
106 x 69 cm / 41.5 x 27” - Edition of 10
152.4 cm x 101.63 cm / 60 x 39,76 in - Edition of 3
Tim Platt specialises in creating minimal stylised studio portraits of birds and animals, which he describes as beauty shots. A frozen moment in time allows us to observe the world in suspension and will often reveal a graphic beauty that might otherwise flash by in the blink of an eye and remain unnoticed.
Whether observing the magnified eye of a bullfrog, or an eagle captured at several thousandths of a second in mid-flight, he is fascinated by the level of detail that can be revealed in a large format print. It is the stillness of a photograph that gives us time to pause and marvel at the myriad levels of detail in Nature’s grand design and allows us to reflect on the wonderful diversity of life on Earth.
Styles:
Color photography, 21st century, Archival pigment print, Animal, Portrait, Beauty, Fine Art , Parrot, Colourful, Red, Black, animal photographer, animal photography, bird, bird photography...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Macaw #6 -Animal signed limited edition bird contemporary fine art print, Green
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
" Macaw #6 ” - Signed limited edition archival pigment print - Edition of 10
Green-Winged Macaw in flight. These large parrots can be mistaken for a Scarlet Macaw as their plumage is mainly red from the front. They are the second largest parrots next to the Hyacinth Macaw...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Hawaiian Hangover by Patty Carroll, 2023, Archival Pigment Print, Photography
Located in Denton, TX
Hawaiian Hangover by Patty Carroll is a 22 x 22 inch archival pigment print, available in an edition of 15. This photograph features a mannequin wearing colorful Hawaiian patterned c...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Verdi In Front Of a Book
By Gladys
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 21.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
C Print
" Macaw #2 ” - Signed limited edition fine art print
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
" Macaw #2 ” - Signed limited edition archival pigment print - Edition of 10
Green Winged Macaws are monogamous and pair for life. They become inseparable, so wherever they go t...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper, Pigment
Life and death- Free delivery- Signed limited still life art print, Contemporary
By Peter Ridge
Located in Sant Cugat del Vallès, Barcelona
Life and Death Still Life - Strelitzia reginae - Birds of Paradise
Posed in a Moroccan hand made vase
Signed limited edition archival pigment print, Edition of 5
This is an Arc...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Giclée, Pigment, Archival Pigment, Color
Animal signed limited edition bird contemporary fine art print, Blue- Macaw #8
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
" Macaw #8 ” - Signed limited edition archival pigment print - Edition of 10
The iconic Blue and Gold Macaw is a sociable and playful large parrot which is is mainly blue and yellow in colour. It’s beak is black and very powerful. The bird has white skin, with it’s face having nearly no feathers apart from a few black ones spaced apart from each other forming a striking striped patterns around the eyes. Other distinct details are a black ‘chin strap’ and lime-green feathers on the forehead.
Animal photography is about being ready for the split-second moment when it happens. This takes a certain amount of production. The studio set-up, the lighting and the camera settings can all be planned but the magic moment is seldom planned. It just happens naturally and you need to be prepared. Whether you capture it will depend on patience, concentration and reflex. This is seldom more true than when capturing birds in flight. The human eye can’t process the speed at which birds fly. The only way we can fully appreciate the beauty of feathered flight is to watch it in slow motion or freeze it at several thousandths of a second.
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lignin-free, Museum quality for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity.
Signed + numbered by artist with certificate of authenticity.
Please note that prices increase as editions sell.
Archival pigment print available sizes :
106 x 85 cm / 41.5 x 33.5” - Edition of 10
129 x 103.2 cm/ 51 x 40.55 in - Edition of 3
Tim Platt specialises in creating minimal stylised studio portraits of birds and animals, which he describes as beauty shots. A frozen moment in time allows us to observe the world in suspension and will often reveal a graphic beauty that might otherwise flash by in the blink of an eye and remain unnoticed.
Whether observing the magnified eye of a bullfrog, or an eagle captured at several thousandths of a second in mid-flight, he is fascinated by the level of detail that can be revealed in a large format print. It is the stillness of a photograph that gives us time to pause and marvel at the myriad levels of detail in Nature’s grand design and allows us to reflect on the wonderful diversity of life on Earth.
categories :
Color photography, 21st century, Archival pigment print, Animal, Portrait, Slow motion, Beauty, Fine Art , Parrot, Colourful, blue, yellow, bird in flight, animal photographer, animal photography, bird, bird photography...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Renucula
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Macaw #3- Animal signed limited edition bird contemporary fine art print, Blue
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
Macaw #3 - Signed limited edition archival pigment print - Edition of 10
The Green-Winged Macaw can be mistaken for a Scarlet Macaw as from the front it is almost entirely red. It is distinguished by a greenish band of feathers below the shoulders and wings. The green band transitions to dark blue on the wings, and there is light blue on the rump and on the tail feathers.
Animal photography is about being ready for the split-second moment when it happens. This takes a certain amount of production. The studio set-up, the lighting and the camera settings can all be planned but the magic moment is seldom planned. It just happens naturally and you need to be prepared. Whether you capture it will depend on patience, concentration and reflex. This is seldom more true than when capturing birds in flight. The human eye can’t process the speed at which birds fly. The only way we can fully appreciate the beauty of feathered flight is to watch it in slow motion or freeze it at several thousandths of a second.
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lignin-free, Museum quality for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity.
Signed + numbered by artist with certificate of authenticity.
Please note that prices increase as editions sell.
Archival pigment print available sizes ( Image size , the white margin is not counted):
106 x 69 cm / 41.5 x 27” - Edition of 10
152.4 cm x 101.63 cm / 60 x 39,76 in - Edition of 3
Tim Platt specialises in creating minimal stylised studio portraits of birds and animals, which he describes as beauty shots. A frozen moment in time allows us to observe the world in suspension and will often reveal a graphic beauty that might otherwise flash by in the blink of an eye and remain unnoticed.
Whether observing the magnified eye of a bullfrog, or an eagle captured at several thousandths of a second in mid-flight, he is fascinated by the level of detail that can be revealed in a large format print. It is the stillness of a photograph that gives us time to pause and marvel at the myriad levels of detail in Nature’s grand design and allows us to reflect on the wonderful diversity of life on Earth.
categories :
Color photography, 21st century, Archival pigment print, Animal, Portrait, Slow motion, Beauty, Fine Art , Parrot, Colourful, Red, Blue, Green, Black, bird in flight, animal photographer, animal photography, bird, bird photography...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Helianthus Tuberose Butterflies X-Ray Photography on Dibond Lambda Print Nature
Located in Utrecht, NL
Helianthus Tuberose Butterflies X-Ray Photography on Dibond Lambda Print Nature - Perspex Front UV Resistant
The photography of Arie van ’t Riet is a merger of his scientific background, being an engineer and physicist, and his passion and love for flora and fauna. His focus is on the essence of nature. This process takes a sense of beauty, but also technical knowledge and insight. The animals (found dead) he uses, are placed in an optimal position together with plants and other crops. This setup, called a Biorama, is placed for a X-ray and by radiation fixated on film. For this work van ’t Riet received a special permit. Because he is specialised in working with this equipment he is able to make a picture in just one take. This is complicated because, for example, a thin leaf needs another approach than a fat...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Lambda
Residence, Snowstorm, New Jersey
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Macaw #1 -Animal signed limited edition bird contemporary fine art print, Blue
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
" Macaw #1 ” - Signed limited edition archival pigment print - Edition of 10
This sequence of a Green Winged Macaw in flight is captured in a sin...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
"The Shape of Time", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Pigment
"Cityscape", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
"Pressure Gauge", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper, Pigment
"Kodak", New York, 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by unconventional methods, West employees coincidence as a means of production. Reminiscent of Josef Sudek’s Still Lifes, West’s images are painterly, presenting themselves as either single entities or still-life constructions and assemblages. Many of her photographs created themselves around the objects – whether fishhooks, a mysterious container or firecrackers—West is able to recall a once-forgotten image as a beautiful snapshot of nostalgia and warmth.
A photographer by trade, West considers herself a still-life imagist. A unifying thread of simplicity exists throughout her work – illustrated though her use of a single light source, timeless and seemingly meaningless objects and shadows – a combination that evokes a sense of wonder and awe at the images that seem to have sprung from nothing.
From Kansas City, Tina West discovered photography while studying sculpture. Living in New York since 1989, she is a commercial photographer working for clients such as Knopf Books, Vintage Books, Simon & Schuster, Citibank, Atlantic Records, Elle Magazine and Scientific American Magazine.
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Still life, color, camera, Kodak...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Joshua Rocks
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
If the...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
"Cummins Steam Pump", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper, Pigment
Rembrandt Still Lives 10
Located in New York City, NY
20" x 16" on a 24" x 20" paper
Edition of 30
40" x 32" on a 48" x 40" paper
Edition of 5
Signed and editioned in pencil on recto. Titled and dated in pencil on verso
Framed.
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Pigment
Café- Signed limited edition still life print, Black white, France
Located in Sant Cugat del Vallès, Barcelona
Café - Signed limited edition archival pigment print, 2003 - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-fr...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Paper, Black and White, Archival Pigment, Giclée, Pigment, Phot...
Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris, Botany
Located in New York, NY
Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and numbered by artist.
Custom sized print available upon request.
Framing...
Category
2010s Contemporary Still-life Photography
Materials
Color, Archival Pigment
Contemporary still-life photography for sale on 1stDibs.
Find a wide variety of authentic Contemporary still-life photography available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add still-life photography created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of red, purple, blue, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Chad Kleitsch, Tyler Shields, Isabelle Menin, and Patty Carroll. Frequently made by artists working with Pigment Print, and Archival Pigment Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Contemporary still-life photography, so small editions measuring 0.5 inches across are also available. Prices for still-life photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $150 and tops out at $61,000, while the average work sells for $2,500.