Land Photography

Daniel Mansur WALD 1, 2019 60 x 88.5 inches 150 x 225 cm Also available in: 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archival Pigm...

Araquém Alcântara Campinarana, Rio Negro, The Amazon, Brazil, 2007 70 x 105 cm 27.5 x 41 inches Edition of 10 Also available: 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 c...

Rodrigo Katayama Nature Abstraction #12, Elephant (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Framed

Daniel Mansur Brumadinho Tree, 2015 40 x 60 inches 100 x 150cm Also available in: 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archiva...

Brazilian Rainforest 40 x 60 inches - Edition of 10 Archival Pigment Print Unframed ABOUT THE ARTIST: Born in São Paulo, Sérgio Ranalli manages to combine journalistic objectivity ...

Edition of 7 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to land. I am fascinated with the quality of light and the spatial imme...

Araquém Alcântara The Amazon Forest II, Alta Floresta, Mato Grosso, Brazil, 2005 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Ed...

Araquem Alcantara Tropical Rainforest, Sao Miguel Arcanjo, Brazil, 2015 27 x 40 inches - Edition of 10 40 x 60 inches - Edition of 10 47 x 71 inches...

David Burdeny One eyed Lion, Maasai Mara, Kenya, Africa, 2019 Archival Pigment Print Signature Label Framed. Ask us for framing options.

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

This is a limited edition fine art photography of the beautiful English countryside featuring the Lake District, capturing the light and quiet tranquility of the landscape. Gallery f...

Edition of 3 Signature Label on verso, framed.

A high angle view of people swimming next to the ketch 'Traveler II' , Stocking Island, Bahamas, 1964. Slim Aarons Chromogenic Lambda print Printed La...

Bare-throated Tiger Heron by Cheryl Medow is an archival pigment print, available in an edition of 10. This photograph features a bare-throated tiger heron perched on a branch, overlooking a river with lush vegetation. The paper size is 25 x 20 in., and the image size is 20 x 16 in. This photograph is signed and numbered in pencil, and blind stamp on print margin. It's also signed, titled, dated, and print type in pencil on print verso. This photograph is available in multiple sizes. Cheryl Medow's background in the arts is diverse, but interconnected. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico. With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives. There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan along with National Geographics Sunday Stills, Sunday, July 12, 2015 and an article in Inspire Adobe Photoshop For The Birds by Alyssa Coppelman in August. In 2016, Medow was included in the SLIDESHOW Night at the Annenberg Space for Photography in Century City, California. She received the Juror's Award at PhotoPlace Gallery in Middlebury Vermont for Great Blue Heron With Chicks Revisited and her print will be exhibited from March 23 through April 22 and White Ibis With Fish will be part of the Online Gallery Annex at PhotoPlace. Medow was a finalist in the 89th Annual International Competition at The Print Center in Philadelphia given the Olcott Family Award. She is also a finalist at the LensCulture Earth Awards 2015. In 2015, Medow's images were exhibited at The G2 Gallery in Venice, CA and at Flock: Birds On The Brink / Ganna Walksa Lotusland, curated by Nancy Gifford...

Araquém is a strong supporter of Brazil's natural heritage, particularly the Amazon Rainforest and the Atlantic Forest. It is also pointed out by critics as one of the precursors of ...

Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...

Print detail: Painting like photographic print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) Shipping: The print on glass would be packed and into wooden crate for artwork protection and shipped with professional art shippers. About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

Arbol De Vida Mexico, 2022 31" x 55" / Edition of 15 - $7,500 Also available: 24" x 42.5" / Edition of 20 - $4,500 40" x 71" / Edition of 10 - $12,5...

A Reed-Cutter at Work [Plate XXV from the Album, Life and Landscape on the Norfolk Broads], 1886 Vintage Platinum/Palladium Print Mount 16 1/8 x 11 3/8 inches; Image 11 1/8 x 8 inches Titled and variously numbered in pencil on mount verso The English photographer, Peter Henry Emerson...

“Amber Crossroads” The Delta Series Mexico, 2022 31 × 46.5 in / Edition of 15 - $7,500 Also available: 24 × 36 in / Edition of 20 - $3,500 40 × 60 in / Edition of 10 - $12,500 6...

“Gaia’s Lungs” from the Delta Series Mexico, 2022 Available sizes: 24 × 36 in / Edition of 20 31 × 46.5 in / Edition of 15 40 × 60 in / Edition of 10 - $12,500 60 × 90 in / Editio...

Edition 2 out of 25. Archival pigment print Paper size: 22 x 17 in., Image size: 20 x 16 in. Signed, titled, dated and numbered in pencil on print verso by Keith Carter Series: Ghost...

Edition of 10 Signed, titled, dated and numbered by Esteban Pastorino Diaz Paper size: 16 x 20 in., Image size: 12 x 16 in. Esteban Pastorino Diaz is a South American photographer, ...

"Drift 26" Landscape Photography 30" x 20" Edition of 10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of the nation, our lone navigator reflects on the grandeur of a land both ethereal and familiar. Not unlike the archetypal tumbleweed, the wayfaring drifter goes where the wind takes him. Through the highways and secret byways of a mythic American landscape, this iconic series encourages us to ask ourselves just who we are, and who we aim to be. Rowan Daly Rowan Daly is a Los Angeles based photographer with a BA in Political Science from the University of North Florida. His work ranges from album covers to videography, editorial and photography. He has photographed for Tyga, Nick Jonas...

Signed, titled, dated, and print date. Paper size: 20 x 24 in. Image size: 16 x 20 in. "At least twice a year, Ridley ventures to Big Bend with his 8 x 10 view camera capturing stunning, expansive black and white images of the Rio Grande River, including the Chisos Mountain range, Dog Canyon, Emory Peak, Pine Canyon, Cattail Falls, and Punta de la Sierra...

"Silence" is a limited edition of a black and white photograph by the contemporary artist Tadeusz Zych from the Black and White States series. The photo was taken during a trip to Fr...

A view of the Anchorage Hotel on Dickenson Bay, Antigua in the West Indies, 1960. Built by a Scottish couple, formerly resident in Africa, the hotel complex features Zulu-style cotta...

A view of the Anchorage Hotel on Dickenson Bay, Antigua in the West Indies, 1960. Built by a Scottish couple, formerly resident in Africa, the hotel complex features Zulu-style cotta...

Black-headed Lapwing by Cheryl Medow features a black and white colored bird standing in a field of tiny yellow flowers. A stream of water leads back to the distant ocean, where another bird is seen flying over a barren tree. Black-headed Lapwing is listed as a 25 x 20 inch archival pigment print, with the image size measuring 20 x 16 inches. This size is available in an edition of 10. This photograph is signed and numbered in pencil, and blind stamp on print margin and signed, titled, dated, and print type in pencil on print verso by Cheryl Medow More sizes are available with varying edition sizes. Santa Barbara art photographer Cheryl Medow creates images that entice the viewer to enter her world, both real and imagined. Cheryl Medow's background in the arts is diverse, but interconnected. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico. With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives. There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan...

RISAKU SUZUKI (*1963, Japan) Water Mirror 15,WM-283 2015 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 4/5 Framed ‘Water Mirror’is a condensation of a...

Edition of 3 Signed and numbered in pencil, and blind stamp on print margin by Cheryl Medow Signed, titled, dated, and print type in pencil on print verso by Cheryl Medow Archival pi...

Dae-Soo Kim works in Paris and Seoul, while approaching this series with sensitivity and delicacy. In Korea the bamboo plants grow up to 30 meters high, while possessing a high symb...

Brian Kosoff, an accomplished master of the photographic process, spent most of his life in photography and still considers himself a student of the medium. As a teenager, he was in...

Dae-Soo Kim works in Paris and Seoul, while approaching this series with sensitivity and delicacy. In Korea the bamboo plants grow up to 30 meters high, while possessing a high symb...

Edition of 50 Signed, titled and dated Series: From Uncertain to Blue Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figu...

Hand Printed by artist Dry Mounted on Mat Over Matted 8ply Print Date 2000 Signed in pencil

51 x 63 inch type-c print, framed to 52 x 66 inches. Edition 7. Signed, titled, dated and editioned on label verso. Other sizes available - please inquire. In a persistent search fo...

c. 44 x 55 inch archival pigment print. Edition of 15 (includes several different sizes - please inquire). Signed, titled, dated and editioned on frame label provided. Luca Campigo...

Edition 11 out of 25 Archival pigment print Paper size: 17 x 22 in., Image size: 16 x 20 in. Signed, titled, dated, and numbered in pencil on print verso by Keith Carter Series: Ghostlight Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure, animals, and meaningful objects. He began photographing new and unknown realities using East Texas natives as subjects. This population and background setting spoke to the folklore, religious, and cultural motifs Carter was visually exploring. Since his start in Texas, his work continues to push imaginative realms while reaching prestigious artistic and technical status. In 1970, Carter earned a Business Management degree from Lamar University and began his career as a commercial photographer while working on personal projects. These personal projects have become a strong and highly sought after collection that have become twelve published monographs. Carter currently teaches photography at Lamar University as a Distinguished Faculty Lecturer. He travels worldwide providing photography lectures and workshops for artists. Carter’s fine art photography collections...

Edition of 25 Signed and numbered in black ink on print margin by Peter Brown. 20 x 24 in. Series: West of Last Chance Available in additional sizes, limited to a single edition of ...

Signed, dated and marked "$600" on the back of the mount.

South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown presents a sublime scene. A calm river cuts through the green grass field, leading to a tree in the distance. White fluffy clouds fill the bright blue sky. The prairie field is painted with a soft glowing light, creating a tranquil scene. South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown is listed as a 16 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25 and is signed and numbered in black ink on print margin. South Texas: Cash Creek is from Peter Brown's series, Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Original digital art on photographic DIBON paper Jean-Claude ByandB is a French artist born in 1949 who lives and works in Saint Cyr sur Loire in France. His artistic research was m...

Irving Park Tree, Study 2, Portland, Oregon, USA by Michael Kenna presents a sublime scene. A single tree stands alone in the park, framed by the bright le...

Edition of 10 C-Print 17.875 x 17.875 Framed in natural wood Michelle Buhler has a BFA from the University of Utah. She has studied photography at the International Center of Photography and cinematography at New York University. She currently lives in Idaho. Education: New York University, Cinematography, New York, New York, 2011 International Center of Photography, Advanced Color Photorgraphy with Liz Deschenes, New York City, 2007 University of Utah, BFA Photography, Salt Lake City, Utah, 2003 Articles and Awards 2012 Honorable Mention in the 2012 First Edition of Hey Hot Shot, Jen Bekman Gallery, NYC 2012 The Stone Mind, Open House: Art on Iowa by Justin Roth 2003 Red Magazine...

Edition of 25 Archival pigment print Paper size: 22 x 17 in. Image size: 16 x 16 in. Signed, titled, dated and numbered in pencil on print verso by Keith Carter Series: Ghostlight K...

The photograph is sold unframed, only the art print. Printed on Hahnemuhle Fine Art Baryta 325 gsm paper, the most premium quality fine art paper which delivers the most accurate...

Nature displays itself in a beautiful and abstract way. The Royal Poinciana tree is art by God. Signed, dating and numbered 3/15 recto, unframed, ot...

Edition of 15 Archival pigment print Paper size: 30 x 41 in., Image: 25 x 36 in. Signed, titled, dated, and numbered by Jeanine Michna-Bales Series: The Four Moments of the Sun: Hidd...

Archival pigment print

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...

Traditional C-Print, edition 1/10

Tracitional C-Print, edition 1/10

Traditional C-Print, edition 1/10

Traditional C-Print, edition 1/10

Mentawai Climbing a Gigantic Tree, Siberut Island, West Sumatra, Indonesia, 2008 - Sebastião Salgado Stamped with photographer's copyright blind stamp Signed, inscribed on reverse Si...

Abstract Nature shot. Beautiful swamp shot in Texas. About the artist: Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing b...

African Buffalo Herd in the Okavango Delta, Botswana, 2007 Sebastião Salgado Stamped with photographer's copyright blind stamp Signed, inscribed on reve...