Araquém Alcântara

Rio Negro (detail 1), The Amazon, Brazil

2006

JOAQUIM NABUCO Geometria carioca, Rio sem cor#10, Rio de Janeiro, Brazil, 2018 40 x 60 inches Edition of 15 Archival Pigment Print UNFRAMED Limited edition print. Signed, numbered,...

JOAQUIM NABUCO Geometria carioca, Rio sem cor 6, Rio de Janeiro, Brazil, 2018 36 x 63 inches Edition of 15 Archival Pigment Print UNFRAMED Limited edition print. Signed, numbered, ...

JOAQUIM NABUCO Geometria carioca, Rio sem cor#31, Rio de Janeiro, Brazil, 2018 36 x 60 inches Edition of 15 Archival Pigment Print UNFRAMED Limited ed...

JOAQUIM NABUCO Geometria carioca, Rio sem cor 24, Rio de Janeiro, Brazil, 2018 40 x 40 inches Edition of 15 Archival Pigment Print Limited edition print. Signed, numbered, and date...

Gondolas, Venice, Italy 60 x 60 inches Edition of 3 Archival Pigment Print Framed

Araquém is a strong supporter of Brazil's natural heritage, particularly the Amazon Rainforest and the Atlantic Forest. It is also pointed out by critics as one of the precursors of ...

Crowd for Crosby, Stills, and Nash Tickets Taken outside the Fillmore East, May 1970, NYC Limited edition print Numbered and signed by photographer.

`Shadow Within` Norway/USA 2010-2013 110 cm. x 150 cm. (47 in. x 59 in.) Edition 3 + 1 a.p. 100 cm x 150 cm. Edition 3 + 1 a.p. Archival ink cotton paper (archival pigment prin...

`Shadow Within` Norway/USA 2010-2013 110 cm. x 150 cm. (47 in. x 59 in.) Edition 3 + 1 a.p. Archival ink cotton paper (archival pigment print) `Shadow Within`explores Man`s r...

'Into the Beyond' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Painted pools of light dance across the richly layered mountainscape of t...

A stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...

Original title: Silver Path, Twilight #35 by Jasper Goodall A silver path winds its way through twisted, towering beech trees; an invitation to step int...