Road Photography

Angie Jennings Innuendo Material: Archival Pigment Print Date: 2012 Dimensions: 4 x 6 in. Signed and numbered by hand Edition: 15 COA provided Angie has been doing photographic work for over 30 years. Her images can depict stories in a single image or a series of images. Her main focus is street documentary and portrait photography. Currently she has been exploring the abstract with the Avant-garde artists of the 40s as her inspiration. She has exhibited extensively with in Kansas City but also around the US and China. Photography, Contemporary art, photographers, women photographers...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

Artwork # 1 on 5 sold in perfect condition Limited Edition of 5 + 2 AP : Fiat Lux. Religiously parked under the watchful gaze of the Blessed Virgin, the ca...

I guess my work is kind of a love letter to the past and that freedom that we had, but also an acknowledgment of the anxiety that I feel, that is real, about not being able to let ou...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

'Malone Street', the American open road leading to snow capped mountains in Keeler, California. This artwork is part of Richard Heeps' 'Dream in Colour' series. This artwork is a li...

Approach Road to Bonneville Salt Flats. The iconic photograph of an open road in America, leading to the famous Bonneville Speedway. This artwork is a limited edition of 25, gloss p...

Suburbia II - 2004 40x40cm, Edition of 10, Archival C-Print based on the Polaroid, Not mounted. Signature label and Certificate. Artist Inventory No. 20955.01. This project "S...

Radio silence - 2020 20x25 cm, Edition 2/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL202...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

ABOUT THIS ARTIST: Tropico Photo is the collaborative work of Forrest Aguar and Michelle Norris. Forrest loves pairing shapes and lines to create captiva...

Alabama Street, 2019 by Ying Chen From the series "Lost In Transition". Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unframed The artwork employs collage to fuse the ornate features of traditional architecture with stark modernist geometry. This duality within the piece highlights the city's journey through time, symbolizing the transformation from its historic roots to its contemporary identity. The interplay of shapes and the layering of eras challenge the viewer to consider the narrative of change and continuity in the city's evolution, emphasizing that in the midst of progress, fragments of the past persist, creating a rich tapestry of history and modernity. _____________ Ying Chen was born in Tokyo, Japan, to Chinese parents living in Japan. She grew up and spent her early childhood in Japan until the age of seven, then spent her youth in China. Now Chen has graduated from SCAD with her bachelor's degree and is currently enrolled in the SCAD graduate photo department. Since 2018, her focus has been on photo collages. Using a collection of photos...

Bryan Atkinson Bullock Family Chapel Archival Pigment Print Year: 2024 Visible Size: 7.5 x 9.5 inches Framed: 13 x 17 inches Signed: On Label COA provided *White frame with standard...

This is a 39.5 x 59 inches archival giclée black and white print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. Signed and numbered in the back. An edition of 10 and an edition of 20, smaller in size, are also available. This photograph is part of J. L. Fievet’s CV series, shot during the early months of 2020, during which New York City was in total lock down because of the Covid-19 emergency. Fievet spent day in and day out roaming the streets, documenting the breathtaking change that transformed the city. Fievet’s iconic photographs tried to seize the stark contrast between the surreal aspect of NYC empty streets with the resiliance of New Yorkers who kept pursuing normalcy within a unique situation. This joyful portrait...

Downtown LA (Stranger than Paradise)- 1998 58x57cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the orig...

Out on the road - 2020 Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL2019-856...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Race Track is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer...

large scale original photograph with "frameless" glass face mounting from a series of conceptual motivational messages on classic Americana billboard signs in the iconic landscape of...

Gerald Berghammer - Limited Edition 2/9 Silver Gelatin Prints, Selenium Toned, Printed 2019 Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archival ...

'Hutong' photographed in China in 2013. Richard is well known for capturing places on the brink of change before they disappear and this is a classic example, the modernisation of Be...

Tullio Abbate 1983 by Slim Aarons Slim Aarons Limited Estate Edition Tullio Abbate, of Abbate Boats, at the back of yacht as it is moored at a property on the shores of Lake Como,...

Paris Culture Vultures from the Paris In Colour Series 1956-61 By Peter Cornelius Giant oversize 152 x 101 cm / 60 x 40 inches paper size Printed 202...

Edition of 5 in format 50x80 cm Photograph on Hahnemuhle Paper ; Digigraphie technology , Limited edition, 50x80 cm + 5 cm white margin The photo is signed and stamped on the front ...

Col d´Allos, Département Alpes-de-Haute-Provence.

Farm House and Shelf Cloud, limited edition photograph, signed, archival ink In his epic landscape photography, Mitch Dobrowner is drawn towards nature at its most sublime. Influenced during his early years in New York by the images of Minor White and Ansel Adams, Dobrowner now captures rolling deserts and the vast expanses of the Great Plains...

Black and white fine art landscape panorama photography. Cypress tree avenue along a path in stormy weather in Tuscany, Italy. Archival pigment ink print, edition of 9. Signed, title...

I remember something - 2006, 50 × 108 cm, Edition of 3 plus 2 Artist Proofs. printed on Canson Baryta Prestige mounted on Dibond. Signed on back with Certificate. About myself I w...

Palm Tree Restaurant II (Stranger than Paradise) - 1999 Edition of 6/10, 58x56cm. Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper, based on the ...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the n...

Radio silence - 2020 48x60cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL202...

Marfa ( Donald Judd ) by Frank Schott Donald Judd's art studio, from a series of impressions captured in his home town Marfa, Texas 27 x 40 inches / 68cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183m edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

Cushing Home 1966 by Slim Aarons Slim Aarons Limited Estate Edition A fashion show at the Colony Hotel in Palm Beach, Florida, 1961. unframed c type print printed 2023 20 x 20" ...

Pete Townshend Soho Pete Townshend in a Soho backstreet London, 1980 Photo by Martyn Goddard Printed 2024. Signed limited edition photograph; edition of 25 in this size. 20×24 in...

Wander And Get Lost - 2016, 40 x 40 cm, edition 2/10, digital C-Print based on a Polaroid, hand-numbered and signed on the back by artist. Not mounted. Artist Statement “Since my childhood days I always loved taking photos, but for unknown reasons instant film never really caught my attention. After I saw the works of a friend who happened to be a gifted Polaroid photographer, I was totally mesmerized and the desire to shoot with instant film constantly grew in me. But for as long as I can think music has always been my main preoccupation. I somehow always feel the need to create, but my focus shifted more and more from making music to instant photography and it grew into something much more fulfilling and pure. Sometimes, these two passions even come together when I am able to provide my photos for album artworks – this makes me incredibly happy. As I always have been very introverted and reclusive I often drift off into my own inner world. The dreamlike landscapes and surreal atmospheres in my work are the visualization and the result of these imaginations. Another influence on my photography is my essential need to travel the world. But I am not interested in documenting the places I see like they are but rather love to create otherworldly scenes by adding the dreamlike texture of instant film, serving me as a needful escape from reality.” Artist Biography Julia Beyer is an analogue photographer from Germany. She mainly works with instant film to express her inner visions that often show dreamlike landscapes and surreal atmospheres. After being more known for her musical endeavors as the singer of the dreampop band Chandeen, she began to delve into this photographic art form in 2014 and since then expands her portfolio continuously. Her work has been published in various international print and online publications. Since 2017, she is a member of the renowned "12:12 Project", a worldwide collective of female Polaroid photographers. Selected Press and Publications: Feature in “Photodarium” Calendar 2016, 2017 and 2018 (Germany) Print feature in Monochrome Mag issue four: Instant (Australia) Print feature in Double Exposure Zine, Issue 2 // Vacancy (USA) Shoot Film UK, Issue #001 “Overexposed” (UK) Feature in The Impossible Project Magazine Artwork photography...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistica...

Danger, Danger - 2017 Edition 1/7 plus 2 Artist Proofs. Based on a Polaroid, Digital C-print, Not mounted. Signed on the back and with certificate. Artist inventory PL2017-159 Kir...

Roadsign and Field is a stunning Colour Print on Hahnemuehle Paper in an Edition of 20 in this size by photographer Michael Ormerod. All prints are produced to order. Lead times bet...

The distance between you and me (2011)
 80 x 106 cm, Edition 1/3 plus 2 Artist Proofs. Photography printed on Canson Barita 310gr. Signed on back with Certificate. Not mounted. A...

Passing Under by Erik Pawassar 27 x 40 inches (69 x 102cm) edition of 25 signed 48 x 71 inches (122 x 180cm) edition of 7 signed archival fine art pigment print signed & numbered...

"Hotel Las Vegas" - Cervia - Ravenna is a black and white vintage photo, realized in 1970s. The photo depicts n. 32 SMI-SOL copper tubes on the roofs, for heating the hotel. Good c...

Mojave Airfields (The Last Picture Show) - 2005 - 128x126cm, Edition 1/5 - Analog C-Print, hand-printed by the artist, based on a Polaroid. Mounted on Aluminum with matte UV-Prot...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

Digital C-print Signed and numbered, verso 16 x 20 inches (Edition of 15) 24 x 30 inches (Edition of 10) 30 x 37.5 inches (Edition of 5) This photograph is offered by ClampArt, l...

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Woodingdean 1 ‘ who was captured on fi...

Mountain Ridge (Stranger than Paradise) - 1999 44x59cm, Edition 1/10, analog C-Print, hand-printed by the artist, based on a Polaroid. Artist inventory Number 535.01. Not mounted....

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Deserted Dreams, 2017 - Edition of 7, 2 Artist Proofs Archival Print based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2017-143. Not mou...

Beverly Hills Hotel 1957 by Slim Aarons printed 2023 Slim Aarons Limited Estate Edition Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957 unfram...

Self Service - 2017, Edition of 7 plus 2 Artist Proofs. Archival C-print, based on an original Polaroid, not mounted. Signed on the back and with certi...

Stefanie Schneider's Mini 'Blue Bridge' from the series: Stranger than Paradise. signed in front, not mounted. Digital Color Photographs based on a Polaroid. Polaroid sized open E...

The truth is out there - 2019 Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL2...

Klosters 1963 by Slim Aarons Slim Aarons Limited Estate Edition Skiers pass by the Hotel Chesa Grischuna in Klosters, 1963 unframed c type print pri...

Gerald Berghammer - Limited Edition 1/9. Silver Gelatin Prints, Selenium Toned, Printed 2019. Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archiva...

Artworks sold in perfect condition : Set # 2 composed of 5 Gallery Print 30x40 cm This is an exceptional offer that we are presenting today. For almost four years, here on 1stdibs, a...