Scenery Photography

Lantern in the forest. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the e...

In The Spyfrost Project, photographer David Trautrimas hypothesizes the origins of iconic modern appliances by reassembling them into top secret, Cold War era military outposts. Thes...

This is # 1/5 Fine Art Print Limited Edition 70 cm x 100 cm VADOR THE SPACE SHOW is the first exhibition of photographs by Stefan Darte which is currently being held in Brussels in t...

"Gleam" In this award-winning, best-selling image, the rich cream-colored sunrise in the Pacific Northwest was enlightening and inspiring. Inspired by this once-in-a-lifetime sunri...

Center Dome, limited edition photograph, signed and numbered, archival ink Dobrowner presents landscapes with sublime complexity – imagery poised between permanence and flux, his im...

Ferry passenger taking the air in his thermal underwear on the deck of a ferry heading up the Yangste River – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding ...

Giacomo and Stefania Mantegazza welcome guests arriving by boat at their villa, La Casinella, on Lake Como, 1983. Brilliant green trees contrast with the vivid orange, reds and turquoise of the architecture. Four boats can are afloat on the deep blue of the lake. Slim Aarons Giacomo Montegazza, Villa La Casinella, Lake Como Slim Aarons Estate Edition Stamped and hand numbered by the Slim Aarons Estate. Chromogenic Lambda print from the original transparency Printed Later Certificate of Authenticity included Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Now in his 70s, Giacomo Mantegazza...

Dobrowner presents landscapes with sublime complexity – imagery poised between permanence and flux, his images at once capturing seemingly eternal geological formations and the ever-changing complexion of weather. For Dobrowner, these swirling skies and monolithic mountains inspire a reverence and respect for our vast, wondrous, and sometimes perilous planet. While photographing, Dobrowner keeps the words of Edward Abbey...

Loneliness - Signed limited edition archival pigment print, 2011 - Edition of 8 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes : 42 x 90 cm/ 16.53 x 35.43 in- Edition of 8 56 x 120 cm / 22.04 x 47.24 in- Edition of 8 Laurent Campus is an Italian freelance producer and photographer. In addition to an academic training in international trade, he has forged a solid musical, pictorial and cinematographic culture which led him gradually and naturally to the photography he has been practicing for more than twenty years full-time professionally. Its customers are brands that have supported the film industry for many years ( L'Oréal, Renault, DIOR, GENERAL MOTORS, FranckProvost, FranceTV, Canal +, EPSON, CANON, FESTIVAL DE CANNES, HFPA, VUELING, CARL F. BUCHERER , IWC, ParisMatch,…) as artists (filmmakers, actors, musicians) or producers and distributors. He has gravitated for more than 20 years at the heart of French and international cinema. Cinema photographer and reporter, making of : “Cannes Film Festival official” photographer "Official Golden Globes ceremony” photographer SONY Spain Photo...

Lantern in the forest. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the e...

"Coastal Rays" In this best-selling print, the mist of the Pacific Northwest lends a textural effect to the air and light. Experience the photographic journey through the cultura...

Edition of 5 (Also available in 10 x 16 inch edition of 5) Colleen Fitzgerald's series, "Stamina," provides new approaches to conventional subjects by utilizing the materials and to...

Listing includes free shipping for unframed prints and 14-day return policy. Ian Ruhter Tunnel View, Yosemite 30 x 40 inch archival pigment print Edition...

Patricia Galagan’s photography often concerns the aftermath of upheaval in the landscape. Her work has been shown at Blue Sky Gallery in Portland, Oregon, the New Mexico Museum of Ar...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in perfect condition from a limited edition of 12 ex- Composition from an assembly of 6 ...

Paula Newton Burr Oaks Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal blac...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in perfect condition Composition from an assembly of 7 shots made in February 2013. The ...

Black and white fine art panorama seascape - cityscape - landscape photography. Impressive skyline of Dubai with the port and the skyscrapers at night. Archival pigment ink print, ed...

Archival pigment print Signed and numbered, verso 20 x 24 inches (Edition of 5) $3,335 30 x 40 inches (Edition of 3) $4,200 40 x 50 inches (Edition of 2) $6,500 This photograph is...

Dobrowner presents landscapes with sublime complexity – imagery poised between permanence and flux, his images at once capturing seemingly eternal geological formations and the ever-changing complexion of weather. For Dobrowner, these swirling skies and monolithic mountains inspire a reverence and respect for our vast, wondrous, and sometimes perilous planet. While photographing, Dobrowner keeps the words of Edward Abbey...

Clay Lipsky's Atomic Overlook re-contextualizes a legacy of atomic bomb tests. In an attempt to keep a nuclear threat feeling contemporary and omnipresent, Lipsky introduces archival...

Black and white fine art panorama landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editi...

Edward Ranney is an internationally recognized photographer who has photographed the natural and man-altered landscape for over forty years. The Andean coastal desert of southern...

Panoramic view from the entrance of the Josaphat park in Brussels made from 12 pictures Pigment photographic paper - photography & fine art print © Jean Pierre De Neef The technique of assembling several images allows the production of a new very heavy file, the large number of pixels obtained offers a very detailed image And precise in the nuances of colors. We get an effect close to 3D and clarity giving a striking transparency effect. Artwork sold in perfect condition from a limited edition of 12 ex Jean-Pierre De Neef came to photography like a new convert to religion, convinced that it would lend meaning to his life. His path took him first to a photographic laboratory, having once been a Cibachrome expert, regularly visited by French art photographers who made their way to Brussels to consult him. Well-versed in modern high performance techniques, nowadays Jean-Pierre De Neef produces art photos for several internationally known photographers whose works can be found in galleries and fairs the world over. Twelve years ago Jean-Pierre De Neef’s encounter with François Bayle, art critic and curator of the works of various photographers for Brussels Art Edition, enabled him to pursue his passion in new fields. He was at the side of the Italian photographer Fabrizio La Torre (Rome 1921, Brussels 2014) in the last few years of his life, who entrusted him with detailed instructions for digitising his archives and explained to him the results he was seeking. Jean-Pierre De Neef with his refined technical skills, and François Bayle with his creativity made up a team which was perfectly equipped to stage a number of well-received exhibitions of the work of Fabrizo La Torre - Museum of Ixelles (Brussels 2011), Principality of Monaco, an excellent Retrospective,(2014) and Bangkok (2019), which involved the presentation of the photos taken in Thailand between 1956 to 1961. Similar restoration work was performed on the photographic archives of the German photographer Jörg Krichbaum (d. 2002 in Brussels) and the remarkable photos of Rome...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

A frozen morning in the highlands of Scotland and the sun battles to emerge from the mists. James Sparshatt’s black and white landscapes have an ethereal beauty. They are moments w...

Huge and exquisite, intensely vivid Archival Pigment print - signed and numbered by photographer on front - this paper size - edition of 5 only this size. 60 x 40" inches / 152 x 10...

Panoramic cityscape made from 6 pictures Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Capital of the former cou...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

NEW WORK by prominent landscape photographer Mitch Dobrowner. JUST RELEASED, JAN 2018 Dobrowner presents landscapes with sublime complexity – imagery poised between permanence and f...

The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, scho...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

Fishermen at dawn on Lake Inle in Burma in total harmony with their surroundings. – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he...

Abruzzo, located in southern Italy, is known as the ‘green region of Europe’ because of the system of parks and nature reserves covering more than one-third of its territory. It has one of the highest biodiversity indexes in Europe, and one of the richest areas of flora in the world. In Abruzzo, Michael Kenna found a cultural identity that elsewhere, for the most part, has been lost to globalization and instant communication. Kenna photographed medieval ruins, ancient villages and a countryside rich in traditional cultivation. As curator Vincenzo de...

Burning Field V (The Last Picture Show) - 2004 20x20cm, Edition 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inventor...

Abruzzo, located in southern Italy, is known as the ‘green region of Europe’ because of the system of parks and nature reserves covering more than one-third of its territory. It has ...

Hailing from the picturesque city of Zaragoza, nestled near the Pyrenees, Carlos Blanchard's journey into the realm of photography was influenced by the rich tapestry of his upbringi...

'Nirvana' The pool at Villa Nirvana, Acapulco, Mexico. Old Acapulco can be seen across the bay, 1st February 1972. A simply stunning scene; showing stylish guests enjoying the Mex...

"I create glowing, jellied scale models of urban sites, transforming ordinary physical surroundings into something unexpected and ephemeral. Lit from below, the molded shapes of the ...

Disney's Sequoia Lodge is a colour vintage photo, realized in the Early 1990s. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

A sand storm blows across a gravel pit in South Africa. – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comforta...

Summer by Monica Denevan - Photography, Silver Gelatin Print with Wooden Frame Monica Denevan studied photography at San Francisco State University. She has travelled extensively ...

Fishermen at dawn on Lake Inle in Burma in total harmony with their surroundings. – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he...

June Lake on the Eastern Escarpment of the Californian Sierra Maestre range. Hours before sunrise the frozen lake was buffeted by winds. The ice cracked and ...

The calm serenity of a frozen forest at night. An image of silence. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the echoes of a half-remembered symphony. Poetical visions of paths and glades, ancient woods reflected in flood waters, nature revealed in its almost mythological beauty. Cawston’s images from the UK, Europe and America, convey a deeply-felt reverence for the natural world. – A larger format bespoke edition is also available on request. This custom edition of 3 pieces is produced to a client’s specifications. Typically this is for pieces greater than 150cm and up to 230cm on the longest side. Please contact us for further details. Edition of 15 Presentation: Photographic print with acrylic face mount Signed by the Artist Certificate of Authenticity from the gallery Location: Mammoth...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

Ferry passenger taking the air in his thermal underwear on the deck of a ferry heading up the Yangste River – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding ...

Black and white fine art panorama landscape photography. Archival pigment ink print, limited edition of 9. Cherry Tree avenue at the edge of the cornfield, Weinviertel, Austria. All ...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in perfect condition from a limited edition of 12 ex- Composition from an assembly of 8 ...

Lantern in the forest. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the e...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Black and white fine art landscape panorama photography. Cypress tree avenue along a path in stormy weather in Tuscany, Italy. Archival pigment ink print, edition of 9. Signed, title...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Minimalist aerial landscape photograph of trees in a snowy white field Archival digital print, Edition of 25 (#121) Image size 23.5 x 29 inches with 2 inch border, made to order Also available in the following sizes: Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs a barren orchard and popular trees in a snowy white field above Sodus, New York. The shadows from the trees cast a dramatic shadow against the white field while the brown colored paved road provides a striking contrast in composition. When seen from above, the aerial landscape photograph looks like a minimalist abstract canvas. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...

Autumn colours as silver birch prepare to shed their leaves – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost i...

Artist: Stuart Klipper (American, 1941-) Title: Betataken, Anasazi Places Year: 1980 Medium: C Print (Chromogenic print) Size: 12 x 38 inches image, 16 x 44 inches sheet, 18 x 45 inches matted, 20 x 45 framed Signature: Signed, titled, dated on the mat and on reverse Condition: Very good This photograph depicts the Anasazi settlement of Betataken in New Mexico. It is a chromogenic print, also called a C-print on Kodak paper. It is from Klipper’s series called Anasazi Places done in 1980 under the auspices of the National Endowment for the Humanities. The photograph is in very good condition. The mat is in very good condition. The bronze metal frame and Plexiglas are in fair to good condition with some small scratches. Stuart Klipper was born in the Bronx in 1941. He then lived in Stockholm, Sweden, moved to Minneapolis in 1970 and currently resides there. He has made six visits to Antarctica to photograph, and has also worked in Greenland, Iceland, Svalbard, Alaska and Lapland (in the area irradiated by the Chernobyl disaster). Other major forays have taken him across Northern Australia; the deserts of Israel and Sinai; the tropical rain forests of Costa Rica, Patagonia and Tierra del Fuego; and Sri Lanka and Pakistan. He has logged many thousands of miles at sea, photographing on all of the Earth's oceans... and seas. For over 30 years, he has made photographs in all 50 states, distilling and crystallizing the defining characteristics of American regions. Other undertakings include extensively photographing the First World War cemeteries and memorials of the Western Front, major physics and astronomy research installations throughout the U.S. and the Anasazi ruins of the Southwest. His photographs have been exhibited in, and collected by, major museums in the U.S. and overseas; foremost, the Museum of Modern Art, the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Minneapolis Institute of Arts, the Walker Art Center, The Jewish Museum, the Israel Museum, the Victoria and Albert Museum, the Kunsthalle Bonn and the Moderna Museet. He has been the recipient of several major grants, including two each from the Guggenheim Foundation and the Bush Foundation, and three each from the McKnight Foundation and the Minnesota State Arts Board. He is a recipient of the U.S. Navy's Antarctic Service Medal. He was also visiting professor, Art Department, Colorado College, 1978 to 2008. Solo exhibitions • Disparate Geographies, Schmidt Dean Gallery in Philadelphia, 1998. • Sixteen polar photographs, Arktis -Antarktis, the Kunsthalle des Deutschesrepublic, Bonn, Germany. 1998 • Cardinal Points, at the University of Iowa Museum of Art. (Photographs from polar regions: Antarctica and Greenland, the tropical rain forests, the desert regions of Israel and the Sinai, the agricultural Great Plains)-- an exhibition catalogue was published. 1998 • At Sea Near the Poles, at the Spencer Gallery, Wickford, R.I. 1999 • Antarctica 99/00, Yancey Richardson Gallery, NYC, 2000 • Selected Antarctic Work, Berler Gallery, Washington D.C., 2001 (Also shown in Denver and Christchurch, N.Z. • Selected American photographs, The Center for American Places, Harrisonburg, Va., 2001 • Photographs from the Arctic and Antarctica, Smith-Dean Gallery, Phila., PA, 2001 • Wyoming, Univ. of Wyoming Museum Art, Minneapolis Institute of Art, 2001/02 • In the Australian Outback, Gallery 360, Minneapolis, 2002 • The United States, Candace Perich Gallery, Katonah, NY, 2002 • Rock art, bush fire, termite mounds and other aspects of the outback of the Top End of Australia, Gallery 360, Mpls.,2002 • Portraits about Pakistan, 1987, Icebox Gallery, Mpls., 2002 • Antarctic 1: Views Along Antarctica’s First Highway, Center for Land Use Interpretation, Los Angeles, 2002 • The Louisiana Purchase, Groveland Gallery, Minneapolis & Olson-Larsen Gallery, Des Moines, 2003 • Selected photographs, Medtronics Corp. corporate headquarters, Minneapolis, 2006 • Antarctica, Electrolift Artworks, Minneapolis, Minn. 2006 (+ other venues) • 20 Years of photographing Louisiana, The Ogden Museum, New Orleans, 2008 • Antarctic Photographs, City Museum of Charleston, S.C., 2009 • Local Places – Remote Terrains, Olson Larsen Gallery, Des Moines, Iowa, 2009 • The Dead Sea Region, Israel, The Basilica of St. Mary, Minneapolis, 2010 Group exhibitions • Photography of New York City, Minneapolis Institute of Art. 1998 • Sea Change, The Center for Creative Photography, Univ. of Arizona, Tucson. (An eponymous book was published in conjunction with the exhibition and is in national distribution), 1998/99 • American farms and farming, Candace Perish Gallery, Katonah, NY. (Traveled to Washington D. C.), 1998/99 • Views from the Edge of the World, Marlborough Gallery, NYC. 1999 • Claiming Title: Australian Aboriginal Artists and the Land, St, Olaf & Carleton Colleges, Northfield, Minn., 1999 • The Infinite and the Intimate; Waterscapes of Stuart Klipper and Frank Gohlke, Dorsky Gallery, N.Y.C. 1999 • An Eclectic Focus: Photographs from the Vernon Collection ( + catalogue), Santa Barbara Museum of Art, 1999 • Aqua, Gallerie Thierry Marlat, Paris, France 1999 • Restructuring the Prairie, Grinnell College, 1999 • The Mural as Muse, Deutsches Bank Gallery, NYC, 2000 • earth sky, Jackson Fine Art, Atlanta, GA, 2000 • Western Panoramas, Huntington Museum, Sta. Barbara, CA, 2001 • I Love New York (W. T. C benefit), NYC, 2001 • Melodrama, inaugural show, ARTIUM, Vitoria, Spain, 2002 • Contemporary Desert Photography...

The series 'Trespassing' explores encounters between human and nature. Human made objects are placed into a natural landscape, where their interactions with the natural elements are ...