Window Photography

David Drebin Chromogenic Print Mounted and Framed Available in two sizes: 30 x 37.5 inches (Edition of 10) 48 x 60 inches (Edition of 7) David Drebin’s photographs occupy a singu...

Edition 1 of 10 (This photograph was taken in the Balearci Islands, Spain.)

Stamped with Odette Arnaud and Cecil Beaton stamps on the reverse Silver gelatin print, printed circa 1950

(This photograph was taken Spain).

Baroque Facade of an Italian Palazzo in soft pastel hues, photographed by Florian Innerkofler in 2022. All prints are limited edition. Available in multiple sizes. High-end framing ...

Ed. of 6. A wide range of environments and character types are explored in the works of Miami Beach-based Dean West. The Australian-born artist is best known for his intricate and h...

DAVID DREBIN Diamond Dust series 39 x 59 inches (100 x 150 cm) Edition of 7 also available in: 31 x 46.5 inches (80 x 120 cm) Edition of 10 Chromogenic Print with Diamond Dust Mo...

Born in Liverpool, England, Julian Lennon began his artistic trajectory at a young age with an inherent talent for playing musical instruments. Those talents would soon broaden into ...

Gelatin silver print 11 x 14 inches; signed in pencil on recto

EMMA SUMMERTON (*1970, Australia) Hydrea #002 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

Signed on reverse Digital chromogenic print 16 x 20 inches (edition of 15) 32 x 40 inches (edition of 10) 40 x 50 inches (edition of 5) Alec Soth (born 1969) is a leading contempor...

Window View, Chateau D'Haroue, Lorraine, France, 2013 - Michael Kenna signed, dated and numbered on mount signed, dated, inscribed with title and stamped with photographer's copyrig...

Emma SUMMERTON (*1970, Australia) AC View, 2008 Archival pigment print on Hahnemühle Paper 100 x 120 cm (39 3/8 x 47 1/4 in.) Edition of 5, plus 2 AP; Ed. no. 2/5 Print only Australian born Emma Summerton (*1970) graduated from the National Art School in Sydney, where she studied fine arts majoring in Photography. Summerton moved to London in 1998, where she worked as an assistant to artist Fiona Banner...

Uffizi - Scalone Lorenese, Florence 2009 The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his...

Helen Graham "Collided", 2018 Inkjet Print on Museo Silver Rag Year: 2019 Dimensions: 20" x 13" inches Unframed Photography has always been a way for Hel...

Gelatin silver print Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. Over the course of more than two decades, Bruce Crats...

Gelatin silver print Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. Over the course of more than two decades, Bruce Cratsley (1944-1998) produced a personal and highly poetic body of work with the dominant theme being the mysteries of light and shadow. Cratsley's images of inanimate objects, urban street scenes, and portraits of his friends and lovers, possess a metaphysical peculiarity reminiscent of Eugène Atget, André Kertész, or Cratsley's mentor and friend, Lisette Model. Cratsley's work is in numerous public and private collections, including the Metropolitan Museum...

Chromogenic print Signed, titled, dated, and inscribed, verso 20 x 20 inches, image This artwork is offered by ClampArt, located in New York City.

Williamsburg 1 is a contemporary urban color photograph by Susan Daboll. Daboll makes use of the borough's bold lines and colors to craft a thoughtful composition. SUSAN DABOLL is ...

Williamsburg 9 is a contemporary urban color photograph by Susan Daboll. Daboll makes use of the borough's bold lines and colors to craft a thoughtful composition. SUSAN DABOLL is ...

Wynn Bullock (1902 – 1975) was born in Chicago and raised in South Pasadena, California. His early career was as a singer, and following high school he moved to New York where he performed in the chorus of Irving Berlin’s Music Box Revue and later with the show’s Road Company. During the mid-1920s, while performing in Europe, he became fascinated with artworks by Cezanne, Man Ray, and Lazlo Moholy-Nagy. Bullock once wrote, “My first ambition was to become a concert singer….But interpreting others’ creative work did not satisfy my own creative impulses and so I turned to photography.” Bullock bought a simple box camera and launched into amateur picture making. In 1938 Bullock enrolled at the Los Angeles Art Center School. Three years later, his work was showcased in one of the Los Angeles County Museum of Art's early solo photography exhibitions. During the 1940s, he conducted pioneering research to control the effect of solarization (a darkroom process for altering an image) and was awarded patents in the U.S., Canada, and Great Britain for a “Photographic Process for Producing Line Image.” Bullock was deeply inspired by fellow photographer Edward Weston, who he met in 1948, and Weston’s work motivated him to investigate straight photography. Throughout the 1950s, Bullock clarified his unique point of view, establishing a deep, direct connection with nature. A lifelong learner, he also read widely in the areas of physics, general semantics, philosophy, psychology, Eastern religion, and art. Bullock came into the public spotlight when Museum of Modern Art curator Edward Steichen chose two of his photographs for the 1955 Family of Man exhibition. When the exhibition was shown at the Corcoran Gallery in Washington, D.C., his photograph Let There Be Light, was voted most popular. The second, Child in Forest, became one of the exhibition’s most memorable images. By the end of that decade, his work was widely exhibited and published worldwide and in 1957, he was honored with a medal from the Salon of International Photography. During the early 1960s, Bullock departed from the black-and-white imagery for which he was known and produced a major body of work, Color Light Abstractions, which expressed his belief that light is a great force at the heart of all being. Further image-making innovation included alternative approaches including extended time exposures, photograms, and negative printing. During the 1960s and 1970s Bullock expanded his influence through other roles. In 1968, he became a trustee and chairman of the exhibition committee during formative years at Friends of Photography in Carmel, California. He taught advanced photography courses at Chicago’s Institute of Design during Aaron Siskind’s sabbatical and at San Francisco State College at John Gutmann’s invitation. In the last decades of his life, he lectured widely, participated in many photographic seminars and symposia, and was a guest instructor for the Ansel Adams Yosemite...

Gelatin Silver Print

Uffizi - Scalone Lorenese, Florence 2009 The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his...

Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous f...

Skylight, limited edition, archival pigment ink print, signed and number Storytelling comes naturally for photographer Keith Carter whose East Texas roots have greatly influenced hi...

signed, dated and numbered on mount signed, dated, inscribed with title and stamped with photographer's copyright ink stamp on reverse sepia toned silver gelatin print, printed 2013 ...

Lace Factories, Study 5, Calais, France, 1998 - Michael Kenna (Black and White) signed, dated and numbered on mount signed, dated, inscribed with title and stamped with photographer'...

Esko Mannikko

Signed on front of the mount. Edition number and date on back of the mount. Edition of 50. May be available in various sizes. Please contact the gallery as prices and availability ar...

Image: Abandoned hospital. Tubmanberg, Domi County. Tim Hetherington photographed the experience of war from the perspective of the individual. During the Liberian Civil War, Hethe...

Signed and with edition number on front of print. Edition of 10 in this size.

Signed, stamped, dated and numbered on the back of the print. Edition of 15.

From the "Horizon" series. Archival digital pigment print. Available a few various sizes: 24 x 30 inches (edition of 15) 32 x 40 inches (edition of 7) 40 x 50 inches (edition of...

3 panels Ed. of 12

From the "Horizon" series. Archival digital pigment print. Available a few various sizes: 24 x 30 inches (edition of 15) 32 x 40 inches (edition of 7) 40 x 50 inches (edition of...

Archival Pigment Print Edition 1/5 Signed, titled, editioned on verso