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Alberto BurriCretto Nero D - etching and aquatint with embossing By Alberto Burri - 19711971
1971
About the Item
etching and aquatint with embossing on Rosaspina paper from a series of 8 Cretti (7 black and 1 white). Hand signed lower right.
Edition of 90 prints, plus 15 artist's proofs in Roman numerals.
Artist's Proof, printed and published by Stamperia 2RC-Rome.
Excellent condiion.
Dimensions with frame: 86.8 x 116 cm.
Ref. Burri Grafica Completa, by Chiara Sarteanesi, p.67.
Alberto Burri (Città di Castello, 12 March 1915 – Nice, 15 February 1995) is an Italian painter, among the most important of the twentieth century. With his technique he anticipated movements such as poor art and new realism, through the use of new and avant-garde materials such as tar, iron, mould, wood, earth and glue for the creation of his material paintings. His works are an example of informal art, a movement born at the end of the 40s that rejects figurative and abstract art in favor of a new communication of matter, but what is surprising about Burri the artist is that his work It is self-taught. Burri's artistic career was born in a particular moment, the artist studied medicine and decided to focus on art only during a period of imprisonment in Texas during the Second World War.
- Creator:Alberto Burri (1915-1995, Italian)
- Creation Year:1971
- Dimensions:Height: 26.78 in (68 cm)Width: 37.8 in (96 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1431391stDibs: LU650313309512
Alberto Burri
Alberto Burri was born in a small town in Umbria, Italy, called Città di Castello. At the age of 25 he graduated with a degree in medicine from Università degli Studi di Perugia. He served as a physician in World War II, where his unit was captured in Tunisia in May 1943 and imprisoned in a prisoner-of-war camp in Texas. Following his release, Burri abandoned medicine and never practiced again. Instead, he took up painting.
Burri set up his first studio in Rome following his repatriation to Italy in 1946. His first solo exhibition was at the Galleria La Margherita in 1947. Burri exhibited with the Rome Art Club and was influenced by the growing Futurist use of multi-material art among his Italian contemporaries. Growing in popularity for his experimental use of pigment and resin - as well as his incorporation of burlap bags and household linens to make his famous Sacchi (sacks) and Bianchi (whites) – Burri began to exhibit in the United States from 1953. His fist exhibition in the USA was at the Allan Frumkin Gallery, Chicago, and the Stable Gallery in New York. Burri’s incorporation of raw material into his art pushed the boundaries between painting and sculpture. His ingenuity only increased over time, and there seemed to be no distinction between artistic materials and simply materials that he harnessed and moulded into art. He developed unprecedented techniques such as painting with combustion to make torched wood veneer works (Legni). steel (Ferri) and overlays of melted and charred plastic (Combustoioni Plastiche).
From 1963-1991 Burri spent the winters in Los Angeles with his wife, American dancer Minsa Craig. Here, Burri ventured into Minimalism, painting black and white fields of induced craquelure that make up his famed Cretti monochromatic collection. His Grande Cretto (1985-89) is of course at the heart of this moment as a Land art work built over the ruins of Gibellina, the Sicilian town destroyed by the Belice earthquake sequence. In 1978, Burri designed his own museum in his birth town’s Palazzo Albizzini, which opened in 1981, with works from his last series, the Cellotex, on permanent display from 1990. Since Burri’s death in 1995, in Nice, France, Burri has been the subject of many retrospectives, most notably Alberto Burri: The Trauma of Painting at the Solomon R. Guggenheim Museum (2015-2016). His work is held at the Tate, Museum of Modern Art (MoMA), San Francisco Museum of Modern Art and has been included at the Venice Biennale International Exhibitions and the Biennale de Lyon.
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