Skip to main content
1 of 3

Alex Katz
Rose Bud

2019

You May Also Like
  • High Mountains (Blue & Orange), Contemporary Digital, Abstract Wood Frame
    By Kalee Appleton (American)
    Located in Austin, TX
    Kalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...
    Category

    2010s Contemporary Abstract Prints

    Materials

    Wood, Archival Pigment

  • Moon Dream (Pink & Blue), Contemporary Digital, Abstract Wood Frame
    By Kalee Appleton (American)
    Located in Austin, TX
    Kalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...
    Category

    2010s Contemporary Abstract Prints

    Materials

    Archival Pigment, Wood

  • 17 Waterfalls, Contemporary Digital, Abstract Wood Frame
    By Kalee Appleton (American)
    Located in Austin, TX
    Kalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...
    Category

    2010s Contemporary Abstract Prints

    Materials

    Archival Pigment, Wood

  • Stratosphere I - large format photograph of abstract liquid water cloudscapes
    By Christian Stoll
    Located in San Francisco, CA
    large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the bo...
    Category

    21st Century and Contemporary Contemporary Color Photography

    Materials

    Archival Paper, Photographic Paper, Archival Pigment, Giclée

  • de Young - tactile elements of iconic San Francisco museum architecture
    By Frank Schott
    Located in San Francisco, CA
    DE YOUNG by Frank Schott an hommage to the architectural details of Herzog DeMeuron's famous de Young Museum in San Francisco's Golden Gate Park 29 x 40 in...
    Category

    21st Century and Contemporary Contemporary Color Photography

    Materials

    Archival Paper, Photographic Paper, Archival Pigment

  • Untitled (Flag)
    By Robert Longo
    Located in New York, NY
    Untitled (Flag), 2013 Archival pigment print 26 1/4 × 43 in (66.7 × 109.2 cm) Edition of 36
    Category

    2010s Contemporary Abstract Prints

    Materials

    Archival Pigment

Recently Viewed

View All