Calder #1 , 100% Silk Scarf designed by Alexander Calder, Estate authorized

2001

Alexander Calder (after) Paper Ball, 2001 100% silkscreen on silk scarf 33 inches × 35 inches - fully opened (unfolded) Unframed Published by Powerball, with special authorization from the Estate of Alexander Calder In 1949 Calder was commissioned by the New York firm Laverne Originals to create two designs for use as fabric and wallpaper. This design - Paint Ball, a beautiful silk scarf...

Kenneth Noland Untitled Whitney Museum Limited Edition Silk Scarf, 1999 Artist designed scarf in colors on 100% Silk in original Whitney Museum packaging with artist's printed name a...

RICHARD PAUL LOHSE Modulare Ordnungen (one plate), 1976 Silkscreen on velincarton (thin board) Pencil signed and numbered 62/100 on the front Vintage Geneva, Switzerland-made frame w...

RICHARD PAUL LOHSE Penetration of Four Interlaced Colour Groups (Durchdringung von vier verschränkten Farbgruppen), 1970 Color Silkscreen on velincarton (thin board) Edition 32/50 P...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

Artist: Josef Albers Title: Portfolio 1, Folder 9, Image 1 from Portfolio: Formulation: Articulation Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition Size: 1...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...