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Ben NicholsonFive Circles - Abstract British Circles Modernism1934/1962
1934/1962
$5,200
£3,978.41
€4,549.93
CA$7,404.35
A$8,019.80
CHF 4,247.64
MX$97,027.53
NOK 53,399.40
SEK 49,779.59
DKK 33,980.96
About the Item
This original woodcut is hand signed in pencil by the artist with his initials “BN” at the lower left margin.
It is also dated “34” [1934] next to the signature.
It is also hand numbered in pencil from the edition of 300, at the lower left margin, verso.
This woodcut was published in a limited edition of 300 impressions by Kestner Gesellschaft Hannover Art Museum from the original woodblock that was used in 1934.
It was originally issued in the album “23 Gravures” by Orobitz Paris, 1934, in an edition of 30-50 impressions.
The paper bears the ink stamp of Kestner-Gesellschaft, Hannover and the Zollamt Hannover, verso.
Literature: Cristea, A. & Lewison, J. (2007) Ben Nicholson Prints 1928-1968. London Alan Cristea Gallery
Reference: Cristea 33
Condition: Very good condition. Soft handling creases in the left margin, far from the image. Two minor marks in the lower left margin.
- Creator:Ben Nicholson (1894 - 1982, British)
- Creation Year:1934/1962
- Dimensions:Height: 13.75 in (34.9 cm)Width: 17.68 in (44.9 cm)
- More Editions & Sizes:Edition of 300Price: $5,200
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU18016300962
Ben Nicholson
Ben Nicholson, one of Britain’s most influential modernist painters, was the son of renowned artist William Nicholson. His early career was shaped by extensive travels during the 1920s with his first wife, Winifred Roberts, living between Cumberland, London, Paris, and Switzerland. Initially experimenting with a post-Cézanne style, Nicholson later embraced a more consciously "primitive" approach to landscape painting in 1927, influenced by his encounter with the work of Alfred Wallis. Between 1931 and 1939, while living in London, Nicholson became closely associated with leading artists and critics such as Henry Moore, John Piper, Naum Gabo, and Herbert Read. Encounters with European modernists, including Hans Arp, Constantin Brâncuși, Piet Mondrian, and Jean Hélion, profoundly shaped his artistic direction. By the late 1930s, he had developed the highly abstract style for which he is best known.
In 1931, Nicholson met sculptor Barbara Hepworth, who would become his second wife. During World War II, they relocated to St Ives with Gabo and Adrian Stokes, contributing to the town’s emergence as a centre for modernist art. By the 1950s and 1960s, Nicholson had gained an international reputation, his work celebrated for its purity of form and pioneering abstraction.
Following the war, he lived in London, Cambridge, and Switzerland at various times. In later years, he married for a third time, to photographer Felicitas Vogler, continuing to refine his artistic vision until his death in 1982.
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