Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Historic limited edition 1960s retrospective poster British Council Pop Op Art

1978

$2,000
$2,50020% Off
£1,498.63
£1,873.2920% Off
€1,756.83
€2,196.0420% Off
CA$2,800.99
CA$3,501.2320% Off
A$3,139.43
A$3,924.2820% Off
CHF 1,643.53
CHF 2,054.4220% Off
MX$38,738.63
MX$48,423.2920% Off
NOK 20,645.83
NOK 25,807.2920% Off
SEK 19,434.28
SEK 24,292.8620% Off
DKK 13,106.09
DKK 16,382.6120% Off
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

After Bridget Riley Bridget Riley Works 1959-1978: A Major Retrospective Exhibition, 1978 in collaboration with five international museums Published by the Fine Arts Council UK Offset lithograph 33 1/2 × 23 1/2 inches Edition of 500 Unframed Bridget Riley Biography Riley was born at Norwood, London, the daughter of a businessman. Her childhood was spent in Cornwall and Lincolnshire. She studied at Goldsmiths' College from 1949 to 1952, and at the Royal College of Art from 1952 to 1955. She began painting figure subjects in a semi-impressionist manner, then changed to pointillism around 1958, mainly producing landscapes. In 1960 she evolved a style in which she explored the dynamic potentialities of optical phenomena. These so-called 'Op-art' pieces, such as Fall, 1963 (Tate Gallery T00616), produce a disorienting physical effect on the eye. Riley taught children for two years before joining the Loughborough School of Art, where she initiated a basic design course in 1959. She then taught at Hornsey School of Art, and from 1962 at Croydon School of Art. She worked for the J. Walter Thompson Group advertising agency from 1960, but gave up teaching and advertising agency work in 1963-4. Group shows include Young Contemporaries, London, 1955; Diversion, South London Art Gallery 1958; an Arts Council Touring Exhibition, 1962; Tooth's Critics Choice Exhibition, selected by Edward Lucie-Smith, 1963; John Moores' Exhibition, Liverpool, 1963; The New Generation, Whitechapel Gallery 1964; Movement, Hanover Gallery, London, 1964; Painting and Sculpture of a Decade 1954-1964, Tate Gallery, 1964; and Op Art, touring Ireland in 1967. Her numerous European and American exhibitions include The Sixties Collection Revisited, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1978. Riley was awarded the AICA Critics Prize in 1963 and also that year a John Moores', Liverpool Open Section prize. In 1964 she was awarded a Peter Stuyvesant Foundation Travel bursary to the USA. In 1968 she won an International Painting Prize at the Venice Biennale. Her first solo exhibition was held at Gallery One in 1962 with a second solo show the following year. Other solo shows were held at Nottingham University, 1963; Richard Feigen Gallery, New York and Feigen Palmer Gallery, Los Angeles, 1965; Museum of Modern Art, New York, with US tour, 1966; Venice Biennale, British Pavilion (with Phillip King), 1968; Hayward Gallery, London, 1971; National Gallery, Prague, 1971; Hayward Gallery and Kunsthalle Nuremberg, 1992; Kettle's Yard, Cambridge, 1995; and Waddington Galleries, London, 1996. -Courtesy Tate Gallery
  • Creation Year:
    1978
  • Dimensions:
    Height: 33.5 in (85.09 cm)Width: 23.5 in (59.69 cm)
  • Medium:
  • Movement & Style:
  • After:
    Bridget Riley (1931, British)
  • Period:
  • Condition:
    Good vintage condition with some overall creasing and handling (see photos).
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1745213900192

More From This Seller

View All
Bridget Riley Hand Signed Offset lithograph print UK, Abstraction British Op Art
By Bridget Riley
Located in New York, NY
Bridget Riley Flashback (Hand Signed), 2009 Offset Lithograph (hand signed by Bridget Riley) 27 × 27 inches Boldly signed in black marker on the front by Bridget Riley Unframed Signe...
Category

Early 2000s Op Art Abstract Prints

Materials

Lithograph, Offset

Roland Garros French Open tennis Paris offset print (Hand signed by Sean Scully)
By Sean Scully
Located in New York, NY
Sean Scully Roland Garros French Open tennis tournament, Paris, France (Hand signed by Sean Scully), 2001 Offset lithograph poster (hand signed by Sean Scully) 29 3/4 inches (vertica...
Category

Early 2000s Abstract Abstract Prints

Materials

Lithograph, Offset

Sam Francis McGovern '72 Poster (Hand signed by Sam Francis) Abstract lithograph
By Sam Francis
Located in New York, NY
Sam Francis McGovern '72 Poster (Hand signed by Sam Francis), 1972 Photo offset poster (hand signed by Sam Francis) Signed in blue ink on the front by Sam Francis with Sam Francis co...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Offset, Lithograph

Kind of Blue (Hand signed and dated card depicting his sculpture)
By Richard Deacon
Located in New York, NY
Richard Deacon Kind of Blue (Hand Signed and Dated card), 2005 Offset lithograph postcard Boldly signed and dated 9-01-05 by the artit above the image of the sculpture 5 4/5 × 4 1/...
Category

Early 2000s Contemporary Abstract Prints

Materials

Postcard, Lithograph, Offset

James Siena at PACE poster Hand signed by James Siena complex linear abstraction
By James Siena
Located in New York, NY
James Siena at PACE Gallery, 2019 Offset lithograph exhibition invitation (Hand signed by James Siena) 19 1/2 × 14 1/2 inches Unframed This exquisite fold...
Category

2010s Abstract Geometric Abstract Prints

Materials

Offset, Graphite, Pencil, Lithograph

Peter Halley, Jablonka Galerie Köln rare abstract exhibition print (Hand Signed)
By Peter Halley
Located in New York, NY
Peter Halley Jablonka Galerie, Köln (Hand Signed), 1990 Offset lithograph (Hand Signed by Peter Halley) 26 1/2 × 30 inches (ships rolled in a tube 37 x 6 x 6) Signed by Peter Halley ...
Category

1990s Abstract Geometric Abstract Prints

Materials

Lithograph, Offset, Permanent Marker

You May Also Like

VASARELY CENTER NY, Zussau Gold, Vintage 1970s Op-Art, Geometric Optic Illusion
By Victor Vasarely
Located in Union City, NJ
VICTOR VASARELY VASARELY CENTER NY Vintage original vintage Op-art poster published by VCNY (Vasarely Center New York), New York, 1978. Poster size - 32 x 24 inches, unframed, unsi...
Category

1970s Op Art Abstract Prints

Materials

Offset, Lithograph

Agam Silkscreen Jerusalem Lithograph Hand Signed Israeli Kinetic Op Art Print
By Yaacov Agam
Located in Surfside, FL
Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...
Category

1980s Op Art Abstract Prints

Materials

Lithograph, Screen

Agam Silkscreen Jerusalem Lithograph Hand Signed Israeli Kinetic Op Art Print
By Yaacov Agam
Located in Surfside, FL
Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...
Category

1980s Op Art Abstract Prints

Materials

Lithograph, Screen

Agam Silkscreen Mod Judaica Lithograph Hand Signed Israeli Kinetic Op Art Print
By Yaacov Agam
Located in Surfside, FL
Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...
Category

1980s Op Art Abstract Prints

Materials

Lithograph, Screen

Agam Silkscreen Mod Judaica Lithograph Hand Signed Israeli Kinetic Op Art Print
By Yaacov Agam
Located in Surfside, FL
Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...
Category

1980s Op Art Abstract Prints

Materials

Lithograph, Screen

Agam Silkscreen Mod Judaica Lithograph Hand Signed Israeli Kinetic Op Art Print
By Yaacov Agam
Located in Surfside, FL
Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...
Category

1980s Op Art Abstract Prints

Materials

Lithograph, Screen