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Medium: Offset
After Picasso Exhibition Poster, "Mostra di Picasso, " depicting Guernica - 1953
Located in Roma, IT
Rare and giant vintage poster of Pablo Picasso Exhibition Milan, Palazzo Reale, 1953. Limited edition of 1,000 copies, most of which lost or badly damaged overtime. Mounted on canv...
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1950s Cubist Offset More Prints

Materials

Offset

Original Hell's Angels '69 vintage motorcycle movie poster half-sheet
Located in Spokane, WA
Original Hell's Angels '69 vintage half-sheet movie poster. Original horizontal half sheet movie poster from 1969: Hell's Angeles '69. The film stars the original Oakland Hell's Angeles with Tom Stern, Jeremy Slate, Conny Van Dyke; Steve Sandor, Sonny Barger, Terry the Tramp. Am American International Release original. 'For a wild, wicked weekend and the deadliest gamble ever dared!. The left-hand side features the famous landmark hotel signs from Flamingo Sahara, Caesars Palace...
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1960s American Modern Offset More Prints

Materials

Offset

Original 1950 'The Sundowners' vintage movie poster half sheet
Located in Spokane, WA
Original vintage movie poster: "The Sundowners" is a 1950 American film directed by George Templeton. Horizontal half sheet U. S. Movie poster. The Sundowners is a 1950 American ...
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1950s American Modern Offset More Prints

Materials

Offset

Tracey Emin, Take This To The Stranger, Offset Lithograph Print, 2013
Located in London, GB
Tracey Emin, c, Offset Lithograph Print, 2013 Offset lithograph printed in blue ink on pale blue paper Edition of unknown size Excellent condition (this artwork has never been framed or displayed). 11.42 x 8.27 in (29.0 x 21.0 cm) Released in 2013 and produced by Manchester International Festival and Manchester Art Gallery, in collaboration with Independent Curators International (ICI), New York. The event was initiated by curator Hans Ulrich...
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21st Century and Contemporary Young British Artists (YBA) Offset More Prints

Materials

Lithograph, Offset

Jonas Wood, Large Shelf Still Life, Poster, 2017
Located in London, GB
Jonas Wood, Large Shelf Still Life, Offset Lithograph, 2017 Offset lithograph. Excellent condition. The back of the print has the artist's name, title, date and exhibition on the reverse. 23 × 23 in (58.5 × 58.5 cm). Notes: Executed in 2017, this piece is from an edition of unknown size and is published on the occasion of Shio Kusaka...
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21st Century and Contemporary Contemporary Offset More Prints

Materials

Lithograph, Offset

Doraemon and Friends Under the Blue Sky
Located in Bristol, GB
Offset lithograph Edition of 300 Signed and numbered on the front Mint, as issued Sold in the original Kaikai Kiki box
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21st Century and Contemporary Contemporary Offset More Prints

Materials

Offset, Lithograph

The Wizard of Oz original movie poster, Silver Anniversary
Located in Spokane, WA
The Wizard of Oz, original Silver Anniverary (1948) vintage movie poster. Archival linen-backed. Original 1948 printed first re-release of The Wizard of Oz authentic vintage movie poster. This movie is listed as one of the 100 Greatest Films. There is reasonable consensus by most film historians, critics, and reviewers that these selections are among cinema's most critically-acclaimed, significant "must-see" films. This famous movie features Judy Garland; Frank Morgan; Ray Bolger...
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1940s Conceptual Offset More Prints

Materials

Offset

Faun - Vintage Poster - Picasso Exhibition in Milan 1953
Located in Roma, IT
Amazing, giant offset print from the exhibition Picasso at the Real Palace, in Milan, in 1953. Edition of 1000 copies. Catalog: Christoph Chwiklitzer, Picasso, Plakate, n° 75, p. 3...
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1950s Cubist Offset More Prints

Materials

Offset

Wings over America Air Corps US Army
Located in Spokane, WA
Original poster: Wings Over America. Artist: Tom Woodburn. Archival linen backed in very good condition. Original fold marks touched up during linen backing. Ready to frame. (all U. S. Government World War II timeframe posters were folded and mailed out across the nation.). These original fold marks are not considered a flaw. The image on most monitors should render the true color of this poster with the ivory borders, brown feathers of the eagle, the red-orange of the text, and the center of the stars. The artwork was done in 1939 but the poster was officially printed in 1941. You can sense the speed of the aircraft in this image with the small white trails ¬¬¬¬off the wings and the contrast in size of the eagle in size to the planes. Tom Woodburn. A Texan who had studied art and architecture, Tom Woodburn was commissioned in the Infantry a month after the U. S. entered World War I. He hopes it will never have to enter World War II. He created the recruiting posters before the start of World War II and his incredible designs were instrumental in helping encourage the enlistment of soldiers making the U.S. better prepared. Wings Over America, Air Corps...
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1940s American Modern Offset More Prints

Materials

Offset

Fassianos, Erotikon - Exhibition Galerie Di Meo - 2008
Located in Roma, IT
This  Fassianos, Erotikon - Galerie Di Meo   is a vintage poster. It was realized in occasion of the exhibition by  Alekos Fassianos held at Galerie Di Meo in Paris in 2008. The ER...
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Early 2000s Contemporary Offset More Prints

Materials

Offset

Original "American Labor ... Producing for Attack" vintage 1943 poster
Located in Spokane, WA
Original AMERICAN LABOR - PRODUCING FOR ATTACK vintage 1943 poster. Size: 19.5" x 22.25. Professional archival linen backed; ready to frame. War Production Board, Washington D.C. Original. Lithograph. printed by the US Government...
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1940s American Modern Offset More Prints

Materials

Offset

Munich 1972 Olympic Print, Danilowitz 213 Abstract Op Art hand signed & numbered
Located in New York, NY
Josef Albers Munich 1972 Olympic Games (Danilowitz 213), 1970 Color silkscreen on 250-gram Schöllers Hammer paper. Signed, dated and numbered 183/200 in graphite pencil on the front 40 × 25 1/2 × 3/10 inches Catalogue Raisonne Reference: Danilowitz, 213 Unframed Pencil signed and numbered from the limited edition of 200. By Josef Albers - famous color theorist and longtime influential head of the Yale University Art Department. This 1970 silkscreen was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri. It is reproduced on page 8 of the exhibition catalogue. It features Albers signature ‘cinetic window’, and is an impressive piece of art and sports history. This is one of only 200 hand signed, dated and numbered prints - (NOT to be confused with the open poster edition of the same image on different paper, which, unlike the present work, only bears the artist's printed signature.) The present work was created in 1970 for the 1972 Munich Olympics. In anticipating of hosting the 1972 summer Olympics, Germany sought to create a positive image for itself. As Arnold Schwarzenegger would write in his memoir "Holding the Olympic Games in Munich was meant to symbolize West Germany's transformation and reemergence in to the community of nations as a modern democratic power". The Munich Olympics were billed as "the happy games" - a term that would become tragically ironic. In spite of, or rather because of, the ruthless killing of Israeli athletes by terrorists during the Munich Olympics, prints like this Albers silkscreen have become a poignant symbol of the enduring power of art to bring cultures together and promote peace. This Josef Albers Olympic...
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1970s Abstract Offset More Prints

Materials

Screen, Offset

Original Fly TWA India vintage travel poster David Klein
Located in Spokane, WA
Original Fly TWA India vintage travel poster. Artist: David Klein. Archival linen backed in very fine condition, ready to frame. This poster features a...
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1960s American Modern Offset More Prints

Materials

Offset

Louise Bourgeois, The Reticent Child (Ex Libris): Signed Print, Contemporary Art
Located in Hamburg, DE
Louise Bourgeois (French-American, 1911-2010) The Reticent Child (Ex Libris), 2005 Medium: Offset print with embossing in colors, on wove paper (incl. the book Recueil des Secrets de...
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21st Century and Contemporary Feminist Offset More Prints

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Offset

Luigi Ghirri - Vintage Poster After Luigi Ghirri - 1976
Located in Roma, IT
Luigi Ghirri is an original Poster of 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.
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1970s Contemporary Offset More Prints

Materials

Offset

Politeama Garibaldi - Offset - 1974
Located in Roma, IT
Politeama Garibaldi is a vintage Offset print realized for the Teatro Massimo in 1974 . Good condition. Signed by Characters.
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1970s Contemporary Offset More Prints

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Offset

Original Great Teammates Toyota and NFL, 1981 vintage American Football poster
Located in Spokane, WA
Original Toyota Great Teammates Toyota and NFL. Oh, what a feeling! This linen-backed NFL promotional poster was created in 1981 by Toyota. It is in excellent condition, with pinhole...
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1980s Pop Art Offset More Prints

Materials

Offset

Untitled (The Show is Over) - 2019 (1993) - Original Lithograph - Licensed New
Located in Köln, DE
Christopher WOOL & Felix GONZALEZ-TORRES Untitled (The Show is Over) Offset lithograph on paper 118.8 × 79.3 cm (46.8 × 31.2 in) This print is part of an artwork by Christopher Woo...
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2010s Pop Art Offset More Prints

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Offset

Vintage Agam American Portrait Abstract Modernist Offset Print Poster
Located in Surfside, FL
Yaacov Agam, Israeli (b. 1928) Offset Print Poster: Birth of a Flag: An American Portrait 1776-1976 Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back s...
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20th Century Abstract Offset More Prints

Materials

Offset

Ed Ruscha: Paintings, Original Exhibition Poster, Hydraulic Muscles
Located in Hamburg, DE
Original exhibition poster of Ed Ruscha's "Ed Ruscha: Paintings" show at Gagosian, Rome from November 20, 2014 - January 17, 2015.. Ed Ruscha (American, b.1937) Ed Ruscha: Paintings...
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21st Century and Contemporary Contemporary Offset More Prints

Materials

Offset

Woman - Offset and Lithograph after Willem De Kooning - 1985
Located in Roma, IT
Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition of 2500, a...
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1980s Abstract Expressionist Offset More Prints

Materials

Lithograph, Offset

Yoshitomo Nara - Marching on a Butterbur Leaf, Contemporary Art Print, Pop Art
Located in Hamburg, DE
Yoshitomo Nara (1959, Japanese) Marching on a Butterbur Leaf, 2019 Medium: Offset print on archival quality paper (incl. 5 stickers, as issued) Dimensions: 61 × 45.7 cm (24 × 18 in) ...
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21st Century and Contemporary Pop Art Offset More Prints

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Offset

Pop Art Print, Original Exhibition Poster, 1970, Pop Sammlung Beck
Located in Hamburg, DE
Original poster for the pop art exhibition "Pop Sammlung Beck" at Museum am Ostwall in Dortmund from 4 October - 22 November 1970. Pop Sammlung Beck was a major Pop Art collection ...
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20th Century Pop Art Offset More Prints

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Offset

Limited Ed. St. Louis Art museum poster Hand Signed & dated by Roy Lichtenstein
Located in New York, NY
Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, H...
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1980s Pop Art Offset More Prints

Materials

Ink, Lithograph, Offset, Pencil, Graphite

ZERO Gruppe, Original Exhibition Poster, 1970, Galerie Denise Rene Hans Mayer
Located in Hamburg, DE
Original poster for the exhibition "ZERO in Krefeld" at Galerie Denise Rene Hans Mayer from 10 October to 14 November 1970. The ZERO artist group, founded in the late 1950s in Germ...
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20th Century Abstract Offset More Prints

Materials

Offset

Original "Less Dangerous than Careless Talk" vintage World War Two poster
Located in Spokane, WA
Original “Less Dangerous than Careless Talk” vintage World War Two poster. Archivally linen=backed in fine condition A-, ready to frame. Bright colors and excellent detail. Very clean. The images shown are the exact poster you will receive. A- "Less Dangerous than Careless Talk" is a World War II propaganda poster designed to caution against the dangers of loose lips...
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1940s American Realist Offset More Prints

Materials

Offset

Original SABENA Fun Brussels Helicopter to Paris vintage travel poster
Located in Spokane, WA
Original Sabena vintage travel poster. Archivally linen —backed in very fine condition, A, ready to frame. The image comprises three surfboard-style sections depicting New York to Brussels and to the Heart of Paris via Sabena, Belgian World Airlines. Sabena, short for Société Anonyme Belge d'Exploitation de la Navigation Aérienne, was Belgium's national airline from 1923 until its bankruptcy in 2001. Sabena produced numerous vintage travel posters during its operational years to promote tourism and its flight routes. One notable poster is titled "Fun Brussels, Helicopter to Paris." This poster likely depicts Brussels as a vibrant and exciting destination, highlighting the convenience of traveling from Brussels to Paris via helicopter. Sabena was known for its innovative approach to air travel, and the depiction of a helicopter flight to Paris would have been cutting-edge at the time. One of the surfboard-style images features New York, the next the World’s Fair in Brussels, and, of course, the Eiffel Tower...
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1960s American Modern Offset More Prints

Materials

Offset

Canadian Post Modern Pop Art Lithograph Vintage Poster Memphis Galerie Maeght
Located in Surfside, FL
Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...
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1970s Pop Art Offset More Prints

Materials

Lithograph, Offset

Rainbow Quilt Heart Pop Art Vintage Offset Lithograph Poster Jim Dine, Maeght
Located in Surfside, FL
Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine...
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1980s Pop Art Offset More Prints

Materials

Lithograph, Offset

Original Los Angeles, California Funny Funny World vintage fun map
Located in Spokane, WA
Original Los Angeles, California vintage fun map, Funny Funny World. Archival linen backed in very fine condition. Ready to frame. This is the 1976 printing of this map, now 50...
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1970s American Modern Offset More Prints

Materials

Offset

Fassianos, Erotikon - Galerie Di Meo - 2008
Located in Roma, IT
This  Fassianos, Erotikon - Galerie Di Meo is a vintage poster. This artwork was realized in occasion of the exhibition by  Alekos Fassianos held at Galerie Di Meo in Paris in 2008....
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Early 2000s Contemporary Offset More Prints

Materials

Offset

Original "Aretha" (Franklin) pop art music poster
Located in Spokane, WA
The original “Aretha” vintage music promotional poster features Aretha Franklin and artwork created by Andy Warhol. Archivally backed linen is in very good condition and ready to f...
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1980s Pop Art Offset More Prints

Materials

Offset

Leo Castelli Gallery poster (Roy Lichtenstein, Frank Stella, John Chamberlain)
Located in New York, NY
Rare collectors item: Roy Lichtenstein, Frank Stella, John Chamberlain New Work, Leo Castelli poster, 1967 Offset lithograph poster invitation with original folds, addressee and post...
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1960s Pop Art Offset More Prints

Materials

Offset, Lithograph

GE Professional TV Service Repairman
Located in Spokane, WA
Original General Electric Professional TV Service midcentury modern vintage poster. “I’m no artist, but I know what makes the best picture.” I install General Electric Tubes, Best for any set! Service-designed Black-Daylite picture tubes. In the black-and-white area of the television tube is an image of Whistler’s mother in a rocking chair. Of course, during this time frame, all televisions were only black and white. Archival linen is backed and ready to frame and in A- condition. Note that the white mark on the service man’s sleeve is printed into the image and is not a flaw. A great vintage poster for the collector of old televisions, radios, and early electronics...
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1950s American Modern Offset More Prints

Materials

Offset

La Coupe Du Monde Aux Couleurs D' American vintage World Cup original poster
Located in Spokane, WA
Original American Airlines World Cup ’94 vintage soccer poster. La Coupe Du Monde Aux Couleurs D’American. Bringing the World to the World Cup. Archi...
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1990s American Modern Offset More Prints

Materials

Offset

Marilyn Manson Punk Rock Concert Poster
Located in Pasadena, CA
Marilyn Manson is an icon, a figure synonymous with controversy within heavy metal music, embroiled in numerous contentious moments throughout his storied career. This signed poster, numbered 158/500, is likely part of the series promoting his 1994 concerts at the Houston International Ballroom. It embodies the vibrant creativity of its era, a time when independent artists infused their unique flair into promotional materials for punk rock and heavy metal gigs. With its captivating blend of colors, specific typography, and arrangement reminiscent of Russian Constructivism and horror movie posters...
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1990s Post-Modern Offset More Prints

Materials

Offset

Historic limited edition 1960s retrospective poster British Council Pop Op Art
Located in New York, NY
After Bridget Riley Bridget Riley Works 1959-1978: A Major Retrospective Exhibition, 1978 in collaboration with five international museums Published by the Fine Arts Council UK Offs...
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1970s Op Art Offset More Prints

Materials

Offset, Lithograph

The original limited edition 1965 Los Angeles County Museum of Art LACMA poster
Located in New York, NY
Alexander Calder The original Los Angeles County Museum of Art poster, 1965 Limited Edition vintage Offset Lithograph 32 × 24 3/4 inches 81.3 × 62.9 cm Edition of 300 This is the OR...
Category

1960s Modern Offset More Prints

Materials

Lithograph, Offset

Dream of William Burroughs (rare 1970s limited edition lithograph) for Earth Day
Located in New York, NY
ROBERT RAUSCHENBERG Dream of William Burroughs, 1972 Offset lithograph 34 1/2 × 24 inches Edition 103/150 Signed, dated and numbered in black marker on the front Unframed Wonderful early 1970s print Words appearing in a dream of William Burroughs Co-published by Automation House and E.A.T., produced by Local One, Amalgamated Lithographers of America, New York Signed and numbered 103/150 in black marker This work is registered with the Robert Rauschenberg archives, reference number: RRF 72.E001 Text reads: THEY DID NOT FULLY UNDERSTAND THE TECHNIQUE. IN A VERY SHORT TIME THEY NEARLY WRECKED THE PLANET. More information about this work from the Rauschenberg Foundation: Lithopinion 26, the current affairs and graphic arts journal, dedicated its summer 1972 edition to the subject of “Our Transportation Mess.” Among the contributors were Theodore Kheel, who was a lawyer, leading labor mediator and arbitrator, as well as an environmentalist, and Senator Edward Kennedy. Kheel commissioned artists such as Romare Bearden, Christo, and Rauschenberg, his friend and client, to address the transportation system in the United States. Rauschenberg’s contribution was inspired by a dream that William Burroughs, the Beat writer, had described to him, and which resulted in the lithograph Dream of William Burroughs (1972) published by Experiments in Art and Technology (E.A.T.). Surrounded by images of various modes of transportation, the lithograph includes the words: “They did not fully understand the technique / in a very short time they nearly wrecked the planet.” As an E.A.T. board member, Kheel understood, like Rauschenberg, that environmentalism and technology were not conflicting views but symbiotic relationships. In Lithopinion 26, E.A.T. stated that it “supports technology when it tries to help people achieve their human potentiality [and] criticizes it when it doesn’t.” About Robert Rauschenberg: Robert Rauschenberg ushered in a new era of postwar American art in the wake of Abstract Expressionism. His approach, along with that of his contemporary Jasper Johns, was sometimes termed “Neo-Dada,” due to its relation to both European forebears and the physical gestures of American Abstract Expressionists. His Combine works (1954 to early 1960s) blurred the distinctions between painting and sculpture, as their flat surfaces were augmented with discarded materials and appropriated images. Rauschenberg also worked with photography, printmaking, papermaking, and performance, the last of which resulted in a number of collaborations with choreographers, including Merce Cunningham, Paul Taylor, and Trisha Brown. Rauschenberg was among the founding members of the innovative group Experiments in Art and Technology (E.A.T.) in 1966, and in 1984 he established the Rauschenberg Overseas Culture Interchange (ROCI) to bring art to communities around the world, saying, “I feel strong in my beliefs, based on my varied and widely traveled collaborations, that a one-to-one contact through art contains potent peaceful powers, and is the most non-elitist way to share exotic and common information, seducing us into creative mutual understandings for the benefit of all.” Rauschenberg’s nontraditional art practice and creative energy generated an enduring influence that impacted generations of artists, as noted by art historian Branden W. Joseph: “Rauschenberg’s was a position with which artists across the board were confronted and to which they almost necessarily had to respond. … Rauschenberg’s work served as a stimulus, an impetus and a challenge.” Robert Rauschenberg was born in 1925, in Port Arthur, Texas and died on Captiva Island, Florida in 2008. He has had numerous exhibitions worldwide, including “Robert Rauschenberg: A Retrospective,” Solomon R. Guggenheim Museum, New York (1997, traveled to Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Museum Ludwig, Cologne and Guggenheim Museum, Bilbao, through 1999); “Combines,” Metropolitan Museum of Art, New York (2005, traveled to Museum of Contemporary Art, Los Angeles, Centre Pompidou, Paris, and Moderna Museet, Stockholm in 2007); “Cardboards and Related Pieces,” Menil Collection, Houston (2007); “Traveling ‘70–‘76,” Museu de Arte Contemporânea de Serralves, Porto (2008, traveled to Haus der Kunst, Munich, and Madre, Naples in 2009); “Gluts,” The Peggy Guggenheim Collection, Venice (2009, traveled to The Tinguely Museum, Basel, Guggenheim Museum Bilbao, and Villa e Collezione Panza, Varese in 2010); and “Botanical Vaudeville,” Inverleith House, Royal Botanic Garden, Edinburgh (2011). Gagosian Gallery first exhibited Robert Rauschenberg’s work in 1986. About William Burroughs William S. Burroughs was a Beat Generation writer known for his startling, nontraditional accounts of drug culture...
Category

1970s Pop Art Offset More Prints

Materials

Offset, Permanent Marker, Lithograph

Attica Defense Fund, historic Limited edition 1970s poster on lithographic paper
Located in New York, NY
"The concentric square is just a powerful pictorial image. Its so good that you can us it, abuse it, and even work against it to the point of ignoring it. It has a strength that's al...
Category

1970s Abstract Geometric Offset More Prints

Materials

Offset

Peter Halley, Jablonka Galerie, Köln rare exhibition poster (Hand Signed)
Located in New York, NY
Peter Halley Jablonka Galerie, Köln (Hand Signed), 1990 Offset lithograph (Hand Signed by Peter Halley) 26 1/2 × 30 inches (ships rolled in a tube 37 x 6 x 6) Signed by Peter Halley ...
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1990s Abstract Geometric Offset More Prints

Materials

Offset, Permanent Marker, Lithograph

Original "The Honeymoon Machine" U. S. 1-sheet movie poster
Located in Spokane, WA
Honeymoon Machine, original 1 sheet U. S. theater poster; acid-free archival linen backed; this poster is ready to frame. Very fine condition with original theater-issued fold mark...
Category

1960s American Modern Offset More Prints

Materials

Offset

Original "Save Waste Fats for Explosives" vintage poster 1943
Located in Spokane, WA
Original: "Save waste fats for explosives. Take them to your meat dealer" vintage poster—original World War II Acid-free, archival linen-backed, ready-to-frame. The Original "Save...
Category

1940s American Modern Offset More Prints

Materials

Offset

Peter Halley Small Paintings Rare European poster Minimalist Neo Geo Hand Signed
Located in New York, NY
Alpha 137 Gallery is honored to offer this historic offset lithograph of legendary American artist Peter Halley's 1998 exhibition of small paintings at Galerie Bruno Bischofberger in...
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1990s Minimalist Offset More Prints

Materials

Offset, Felt Pen

Vintage Poster Bold Paris Berlin 1900-1930 Pompidou Center Polish Graphic Artist
Located in Surfside, FL
Roman Cieślewicz (born 1930 13 January in Lwów Poland now Lviv Ukraine - died 1996 21 January in Paris, France) was a Polish (naturalized French) graphic artist and photographer. From 1943 to 1946 he attended the School of Artistic Industry in Lvov and from 1947 to 1949 attended the Krakow's Fine Arts Lycee. He studied at Kraków Academy of Fine Arts from 1949 to 1955. He was artistic editor of "Ty i Ja" monthly (Warsaw) 1959-1962. In 1963 he moved to France and naturalized in 1971. He worked as art director of Vogue, Elle (1965-1969) and Mafia - advertising agency (1969-1972) and was artistic creator of Opus International (1967-1969), Kitsch (1970-1971) and Cnac-archives (1971-1974). Taught at the Ecole Supérieure d'Arts Graphiques (ESAG) in Paris. In 1976 he produced his "review of panic information" - "Kamikaze"/No. 1/ published by Christian Bourgois. Folon. In 1991 he produced "Kamikaze 2" with Agnes B. He took part in numerous group exhibitions of graphic, poster and photographic art and was a member of AGI (Alliance Graphique Internationale). He designed a famous 1960s Polish Cyrk Circus Dog Poster as well as a Pop art superman cover for Opus magazine and a Charlie Chaplin poster...
Category

1970s Constructivist Offset More Prints

Materials

Offset

Original Mahatma Gandi vintage inspirational poster "In a gentle way...
Located in Spokane, WA
Original Mahatma Gandi vintage poster. Photo: Information Services of India, N.Y. In a gentle way, you can shake the world. The Equitable Life Assurance Society of the United States, New York, NY. Archival linen backed, ready to frame, Grad A condition. Condition, c. 1960s From a series of portraits with inspirational quotes from The Equitable Life Assurance Society of the United States. Photo from the Photo Information Service of India, NY. Mohandas Karamchand Gandhi (2 October 1869 – 30 January 1948) was an Indian lawyer, anti-colonial nationalist, and political ethicist who employed nonviolent resistance to lead the successful campaign for India's independence from British rule. (Wikipedia) About Equitable Life. After closing to new business in 2000, parts of the business were sold off, and the remainder of the company became a subsidiary of Utmost Life and Pensions in January 2020. The Equitable Life Assurance Society (Equitable Life), founded in 1762, is a life insurance...
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Late 20th Century American Realist Offset More Prints

Materials

Offset

Original Batman Museo Dell'Automobile Torino vintage Italian poster
Located in Spokane, WA
Original poster: BATMAN - Museo Dell'Automobile Torino Artist: after Andy Warhol. Size 27.25" x 37" Printed: 1996 in Milan, Italy. Excellent condition. This pop art Italian p...
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1990s Pop Art Offset More Prints

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Offset

Original Einstein "Hair. It's not the style that counts" vintage poster
Located in Spokane, WA
Original Einstein vintage poster. “Hair. It’s not the style that counts, it’s what’s under it.” A black and white image of Einstein with his hair messed me. Linen-backed in excellent condition, ready to frame. From a series of portraits with inspirational quotes from The Equitable Life Assurance Society of the United States. Photo from Bettmann Archive. The poster is a variation of the original photo with the quote “It’s not the style that counts, it’s what’s under it”. This quote is a play on words emphasizing substance's importance over style. The poster reminds us that actual value lies in what is inside a person rather than their outward appearance. About Equitable Life. After closing to new business in 2000, parts of the business were sold off, and the remainder of the company became a subsidiary of Utmost Life and Pensions in January 2020. The Equitable Life Assurance Society (Equitable Life), founded in 1762, is a life insurance...
Category

Late 20th Century American Realist Offset More Prints

Materials

Offset

Original "First Class Soldier and Citizen, USA" vintage American poster
Located in Spokane, WA
Linen backed original post-World War II military poster "First Class Soldier and Citizen, U.S.A." Original fold marks have been restored during linen backing. The poster features a smiling Army soldier in his khaki uniform. A rare original military poster to find today. (The poster was documented as being printed in a larger size.). R-224-RPB-2-1-47 A military recruitment poster for young men to join the military post World War 2. The poster features a clean-cut, handsome man in his military uniform with crossed arms smiling at you. Artist: Glass. No known biography of this artist. This is an original 1947 vintage American poster...
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1940s American Realist Offset More Prints

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Offset

Original Loeche-les-Baines vintage Swiss spa travel poster a.k.a. Leukerbad
Located in Spokane, WA
Original. LOECHE-LES-BAINES (a.k.a. Leukerbad) vintage travel poster. Mounted on acid free archival linen. Very good condition. Suisse, Switzerland original travel poster. Loeche...
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1930s American Modern Offset More Prints

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Offset

Roxy
Located in New York, NY
Color offset lithograph. Signed and numbered 2/100 in pencil by Cottingham. This work is based on the same-titled color screenprint by Cottingham.
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Early 2000s Photorealist Offset More Prints

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Color, Lithograph, Offset

'As I Opened Fire', Artist Signed, Pop Art, Comic Strip, ASL, Venice Biennale
Located in Santa Cruz, CA
'As I Opened Fire' triptych, offset-lithograph poster after the original painting by Roy Lichtenstein (American, 1923-1997) in the collection of the Stedelijk Museum, Amsterdam. Signed in pencil by the artist, lower right of right hand panel, 'Roy Lichtenstein' and printed circa 1988. Published by the Stedelijk Museum with publisher's imprint "Copyright S.M.A." printed on each sheet lower right within image. Printer: Drukkerij Luii & Co., Amsterdam, Netherlands. Artwork and printing information printed, verso, lower left and lower right of each sheet. Publishing information lower right, verso, on each sheet: "edition and color-correction Stedelijk Museum, Amsterdam (copyright) R. Lichtenstein 1964...
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1980s Pop Art Offset More Prints

Materials

Offset, Archival Paper

Takashi Murakami record art 2018 (Takashi Murakami Kanye West)
Located in NEW YORK, NY
Takashi Murakami Record Art 2018 (Takashi Murakami Kanye West Kid Cudi): This Takashi Murakami designed cover & record album is for Kids See Gh...
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21st Century and Contemporary Pop Art Offset More Prints

Materials

Paper, Offset

Lt Ed. Lithograph from the Deluxe (Hand Signed) 1984 Olympic Committee portfolio
Located in New York, NY
Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...
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1980s Abstract Expressionist Offset More Prints

Materials

Lithograph, Offset, Pencil

Large Johnny Friedlaender Poster Print No Text
Located in Surfside, FL
Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Gotthard Johnny Friedlaender was born in Pless (Pszczyna), Prussian Silesia, as the son of a pharmacist. He was graduated from the Breslau (Wrocław) high school in 1922 and then attended the Academy of Arts (Akademie der Bildenden Kunste) in Breslau, where he studied under Otto Mueller. He graduated from the Academy as a master student in 1928. In 1930 he moved to Dresden where he held exhibitions at the J. Sandel Gallery and at the Dresden Art Museum. He was in Berlin for part of 1933, and then journeyed to Paris. After two years in a Nazi concentration camp, he emigrated to Czechoslovakia, where he settled in Ostrava, where he held the first one-man show of his etchings. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968 Friedlaender was travelling to Puerto Rico, New York City and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth-century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...
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Mid-20th Century Modern Offset More Prints

Materials

Offset, Screen

Takashi Murakami Kanye West 2007 (Takashi Murakami Louis Vuitton)
Located in NEW YORK, NY
Takashi Murakami, Kanye West, Louis Vuitton; Los Angeles 2007 (Murakami Gala): Rare folding invitation published on the occasion of a 2007 reception honoring Takashi Murakami and fashion icon Marc Jacobs with a special performance by Kanye West; October 28th, 2007; MOCA Los Angeles; hosted by Louis Vuitton. Front side imagery features a reproduction of Murakami’s ‘Jellyfish...
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21st Century and Contemporary Pop Art Offset More Prints

Materials

Offset, Paper

Banksy, Soup Cans, Offset Lithograph on Paper, 2010
Located in London, GB
Banksy, Soup Cans, Offset Lithograph Poster on Paper, 2010 Offset lithograph poster on paper. From an open edition (edition size unknown). Excellent. This piece has never been frame...
Category

21st Century and Contemporary Street Art Offset More Prints

Materials

Lithograph, Offset

Sam Francis McGovern '72 Poster (Hand signed by Sam Francis) Abstract lithograph
Located in New York, NY
Sam Francis McGovern '72 Poster (Hand signed by Sam Francis), 1972 Photo offset poster (hand signed by Sam Francis) Signed in blue ink on the front by Sam Francis with Sam Francis co...
Category

1970s Abstract Expressionist Offset More Prints

Materials

Offset, Lithograph

Offset more prints for sale on 1stDibs.

Find a wide variety of authentic Offset more prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 20th Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Takashi Murakami, Tracey Emin, Jim Dine, and Yoshitomo Nara. Frequently made by artists working in the Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Offset more prints, so small editions measuring 9 inches across are also available Prices for more prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $153 and tops out at $195,000, while the average work can sell for $409.

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