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Bruno MunariNegative - Positive - Lithograph - 19931993
1993
About the Item
Negative - Positive is an original print realized by Bruno Munari in 1993
Mixed colored lithograph
Hand-signed and numbered in pencil on the lower margin. Edition VII/XXX
Printed by Grafica d'Arte Lombardi.
Beautiful mixed colored composition.
Original title: Negativo - Positivo
(Milan, 24 October 1907 - Milan, 30 September 1998).
Bruno Munari (Milan, 24 October 1907 - Milan, 30 September 1998). He was one of the greatest protagonists of 20th century art, design and graphics, making fundamental contributions in different fields of visual expression (painting, sculpture, cinematography, industrial design, graphics) and non-visual (writing, poetry, teaching ) with a multifaceted research on the theme of movement, light and the development of creativity and imagination in childhood through play.
He is considered one of the protagonists of programmed and kinetic art, but he escapes every definition, every cataloging due to the multiplicity of his activities and his great and intense creativity.
- Creator:Bruno Munari (1907 - 1998, Italian)
- Creation Year:1993
- Dimensions:Height: 27.56 in (70 cm)Width: 27.56 in (70 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1084531stDibs: LU65036708462
Bruno Munari
In his prolific career, Bruno Munari was known for various contributions to art, industrial design, film, architecture, art theory, and technology. Munari’s principles and beliefs were built upon his early involvement in the Futurist movement, which he joined at the age of 19 using the pseudonym “Bum.” During the 1930s, Munari began to move towards Constructivism, particularly with his kinetic sculptures, Useless Machines (begun 1933), meant to transform or complicate their surrounding environments. Throughout his career, Munari was captivated by both a sense of whimsy and the manipulation of artificial light. After World War II, Munari also developed radical innovation in graphics, typography, and book publishing, through the latter creating pieces he would call Useless Books.
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