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Chris Ofili
Damascus Nude, Linocut in Artist Frame, Contemporary Art, Young British Artist

2006

Price:$5,252.74
$5,849.64List Price

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Daniel Richter, Talk is Cheap. The War is not Over - Signed Print, Contemporary
By Daniel Richter
Located in Hamburg, DE
Daniel Richter (German, born 1962) Untitled (Talk is cheap. The war is not over), 2013 Medium: Screenprint on paper Dimensions: 129.5 x 94 cm Edition of 4: Hand-signed and numbered C...
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Anne Imhof, YOUTH: Complete Set of 4 Prints, Contemporary Art
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Anne Imhof (German, b. 1978) YOUTH, 2023 Medium: Complete set of 4 giclèe prints with screenprinted elements Dimensions: Each 25.4 × 30.46 cm (10 x 12 in) Edition of 250: Each signed...
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Luc Tuymans, Superstition - Signed Screenprint, Contemporary Art
By Luc Tuymans
Located in Hamburg, DE
Lux Tuymans (Belgian, b. 1958) Superstition, 2005 Medium: Screenprint in 5 colors on Somerset paper Dimensions: 40 x 32 cm Edition of 100 + 5 A.P.: Hand-signed and numbered in pencil...
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Gerhard Richter, Motorboot - Limited Edition Print, Contemporary Art
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Located in Hamburg, DE
Gerhard Richter Motorboot, 1965/2022 Medium: Hybrid raster dissolved digital art print on Rives 260 gsm paper Dimensions: 27 3/5 × 27 3/5 in 70 × 70 cm Edition of 500: Not signed, n...
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Tunji Adeniyi-Jones, Poetic Feet - Signed Print, Edition of 25
Located in Hamburg, DE
Tunji Adeniyi-Jones (British, b. 1992) Poetic Feet, 2022 Medium: Digital print on paper Dimensions: 29.7 x 20.7 cm Edition of 25: Signed and numbered on accompanying certificate of a...
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Yinka Shonibare, Aristocrat in Blue - Signed Print with Collage, British Artist
By Yinka Shonibare
Located in Hamburg, DE
Yinka Shonibare CBE (British, b. 1962) Aristocrat in Blue, 2020 Medium: Lithograph with collage Dimensions: 76 x 49.5 cm Edition of 40 (slightly varying due to collage elements): Ha...
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Flight - Handmade Linocut, Monotype, Limited Edition Print Unique 1/7
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The artwork will be sent unframed Linocut print „ Flight” 2022 Linocut and monotype print technique Art print from 4 matrices Limited edition, print unique number 1/7 Paper Fabriano...
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The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman
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The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) "The New Cable," 1931 12 x 16 1/2 inches Color linocut Signed, titled, inscribed 'Second State', and numbered 13/60 in pencil Framed: 19 x 24 inches Literature: Coppel Sa17 Illustrated on page 10 of the catalog The proposed edition of the first state of the Giant Cable was 50, but only 30 impressions were pulled. Andrews removed the blue background for the second state, which was published under the title The New Cable in an edition of 60. BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass (1896-1970). After emigrating to Canada she taught art continuously until a month before her death. She was elected a member of the Canadian Painters - Etchers Society (after 1976 the Print and Drawing Council of Canada) in 1951. She began exhibiting her work in 1921.In 1929 she was included in "The First Exhibition of British Linocuts...
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"Rush Hour" British Modern Mid 20th Century Vorticist European Vorticism Woman
By Sybil Andrews
Located in New York, NY
"Rush Hour" British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) Rush Hour (Coppel SA 11) Linocut printed in Chinese orange, Chinese blue and black, 1930, on tissue thin oriental laid paper. Signed, titled and numbered 8/50 in pencil lower left, framed. Block 209 x 251mm (8 1/4 x 9 7/8in) Sheet 249 x 310mm (9 3/4 x 12 1/4in) Framed by Bark 14 1/2 x 16 inches BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass...
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