Items Similar to Titus-Carmel, Composition, Derrière le miroir (after)

Raoul Ubac - Ubac, Composition, Derrière le miroir (after)

Want more images or videos?

Request additional images or videos from the seller

1 of 10

Titus-Carmel, Composition, Derrière le miroir (after)
1982

$716

$89520% Off

£541.83

£677.2820% Off

€624.90

€781.1220% Off

CA$999.84

CA$1,249.8120% Off

A$1,120.15

A$1,400.1920% Off

CHF 583.04

CHF 728.8020% Off

MX$13,641.27

MX$17,051.5820% Off

NOK 7,427.11

NOK 9,283.8820% Off

SEK 6,994.24

SEK 8,742.8020% Off

DKK 4,664.78

DKK 5,830.9720% Off

Shipping

Retrieving quote...

The 1stDibs Promise:

Authenticity Guarantee,

Money-Back Guarantee,

24-Hour Cancellation

About the Item

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, Hommage à Aimé et Marguerite Maeght, N° 250, 1982. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions Pierre à Feu, Galerie Maeght, Paris. Excerpted from the volume (translated from French), Finished printing on June 2, 1982 on the presses of l'Imprimerie moderne du Lion à Paris. It has been published 150 examples on vélin d'Arches, numbered from 1 to 150, and some examples out of the market constituting the original edition. Excerpted from a Christie’s, New York lot essay, The life span of Derrière le Miroir was thirty-five years. Publication began in 1946. Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launch of Derrière le Miroir. The name, Derrière le Miroir was suggested by Jacques Kober, manager of Galerie Maeght. The gallery had opened in 1945; the first number of Derrière le Miroir was released a year later. For this first issue Geer van Velde was invited to create lithographs to illustrate the publication. The lithographs in the first issue was printed by Mourlot, Paris. The first three issues of Derrière le Miroir were unsuccessful for Maeght as far as the edition size—the initial print-runs were far too large. From 30,000 for the first issue, the number was taken down to 10,000 for numbers two and three, until Derrière le Miroir number four was published in an edition of 1500. Maeght instituted a policy whereby unsold issues were recycled and used for the fabrication of new paper for the coming editions—this served to both conserve resources and also usually result in ultimate edition sizes far less than 1,500. With number four, the permanent format for Derrière le Miroir was established. Lithographs in colours were key; text was limited to comments on the featuring artist's exhibition taking place in the Galerie Maeght, and this catalogue format was defining to Derrière le Miroir. Galerie Maeght took on the leading role in Paris and presented all main artists including Braque, Matisse, Chagall, Léger, Bonnard, Chillida and many more. So too did Derrière le Miroir. The idea of a magazine was meanwhile still on the mind of Aimé Maeght. He found an insert as a solution. Two, and later four, pages of art review were inserted from 1952 onwards. In 1968 this find had ripened to independency and the dream of Aimé Maeght was now a tangible fact named l'Art vivant. Derrière le Miroir was on it's own again. Over 250 issues in a row. At that point publisher Aimé Maeght wished to make a mark with the publication of an hommage to all who once contributed to the magazine which came in the form of issue number 250, but was delayed by the death of Aimé Maeght. It was published after number 253 in 1982 and became a tribute to Aimé and Marguérite Maeght and 35 years of friendship with artists and poets. The era of Derrière le Miroir was closed with that final publication. GERARD TITUS-CARMEL (1942) is a painter, printmaker, French poet and essayist. He illustrated many works of poets and writers, and he himself ever published thirty books, essays on art and poetry. Gérard Titus-Carmel lives and works in Oulchy-le-Château, in the Aisne. Studied at the École Boulle in Paris from 1958 to 1962. First solo exhibition in 1964. He has participated in more than four hundred fifty exhibitions. Nearly two hundred solo exhibitions have been devoted to the world, where his work is represented in a hundred museums and public collections. He has made monumental works for the Ministry of Finance in Paris, the DRAC Champagne-Ardenne in Chalons-en-Champagne and the Palais des Congrès in Nantes.

Creation Year:

1982

Dimensions:

Height: 15 in (38.1 cm)Width: 22 in (55.88 cm)

Medium:

Lithograph

Movement & Style:

Modern

After:

Gerard Titus-Carmel (1942)

Period:

1980-1989

Condition:

Gallery Location:

Auburn Hills, MI

Reference Number:

$716 Sale Price

20% Off

Free Shipping

Late 20th Century Abstract Expressionist Abstract Prints

Materials

Lithograph

Francois Rouan
Figure Miroir, c.1980

$500

Miroir

Located in Barcelona, BARCELONA

the painting is being offered with a work and authenticity certificate

Category

1990s Abstract Paintings

Materials

Canvas, Oil

Xavier Fagniez- François
Miroir

$6,556

Free Shipping

Terral, by Christian Bozon

By Christian Bozon

Located in Palm Springs, CA

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Etching, Aquatint

Christian Bozon
Terral, by Christian Bozon, 2014

$325

Untitled (Edition 6/200)

Located in New York, NY

Unknown/ Unidentified Artist, "Untitled" Edition 6/200, Abstract Woodcut Print numbered and signed in pencil, 22.50 x 17, Late 20th Century, 1963 Colors: Black. White, Red *Unident...

Category