Levan Mindiashvili

Levan Mindiashvili, 'Suites', 2015, Ink, Acrylic Paint, Archival Paper

2015

Esther Podemski is an artist working across disciplines. While in post-production on one of her recent films, she discovered that the color correction software program she used could be translated into paintings and works on paper. The new shapes originated as screen grabs from color corrections of individual frames in the post-production computer software. The source for these images comes from film footage frames of a priest on a Florence street...

Esther Podemski is an artist working across disciplines. While in post-production on one of her recent films, she discovered that the color correction software program she used could be translated into paintings and works on paper. The new shapes originated as screen grabs from color corrections of individual frames in the post-production computer software. The source for these images comes from film footage frames of a priest on a Florence street...

The installation, Orchestrations, explores the vernacular in vintage piano roles. As a response to the exhibition’s name and focus, Heliotrope, the physical perforations in the piano...

In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

This is an exclusive handprinted unique cyanotype on watercolor paper. This diptych gets its inspiration from mid-century modern shapes and compositions. It's made by layering paper ...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the modern mid-century minimalism style. It's made by layering paper cutouts and different exposures...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...