Items Similar to Cavallo (Guastalla, LV), Société internationale d'art XXe siècle
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Marino MariniCavallo (Guastalla, LV), Société internationale d'art XXe siècle1974
1974
$716
$89520% Off
£535.73
£669.6620% Off
€621.75
€777.1920% Off
CA$996.94
CA$1,246.1820% Off
A$1,121.34
A$1,401.6720% Off
CHF 581.61
CHF 727.0220% Off
MX$13,602.65
MX$17,003.3120% Off
NOK 7,374.52
NOK 9,218.1520% Off
SEK 6,939.83
SEK 8,674.7920% Off
DKK 4,638.45
DKK 5,798.0620% Off
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Lithograph on vélin paper. Paper Size: 12.4 x 19.3 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Guastalla, Giorgio, et al. Marino Marini : Catalogue Raisonné of the Graphic Works (Engravings and Lithographs), 1919-1980. Leslie J. Sacks Editions : Graphis Arte Editions, 1993, illustration LV. Notes: From the album, XXe siècle, numéro spécial hors abonnement, Cahiers d'art publiés sous la direction de G. di San Lazzaro, Hommage à Marino Marini, 1974. Published by Société Internationale d'Art XXe siècle, Paris, under the direction of Gualtieri di San Lazzaro, éditeur, Paris; printed by Mourlot Frères, Paris, 1974. Additional notes: Excerpted from the academic article, “Promoting Original Prints, The Role of Gualtieri di San Lazzaro and XXe Siècle” by Valerie Holman, published in Print Quarterly, XXXIII, 2016, 2, Until recently very little has been written on the Italian author and art publisher Gualtieri di San Lazzaro (1904-75), yet for 50 years he chronicled the life and work of contemporary artists, produced monographs of exceptional quality, and disseminated original prints by modern painters and sculptors through his best-known periodical, XXe Siècle. Although still a relatively unfamiliar figure in the United Kingdom, San Lazzaro is one of the half-dozen great art publishers of the mid-twentieth century who, together with his exemplar, Ambroise Vollard (1866-1939), and those of his own generation, Christian Zervos (1889-1970), Tériade (1889-1983) and Albert Skira (1904-73), chose to base himself in Paris, seeing it throughout his life as the centre of the art world….XXe Siècle, an illustrated periodical, was launched in 1938 and printed in editions of approximately 2,000, each issue containing both photographs and four-colour separation reproductions across a wide spectrum of visual imagery ranging from masterpieces of Western painting to popular prints from the Far East. Its large format, lively design, and close integration of text and image, were immediately striking, but its most innovative feature, introduced at the suggestion of Hans Arp (1886-1966), was the inclusion of original prints by contemporary artists in every issue. With obvious appeal for collectors, XXe Siècle was also designed to introduce a wider, international public to contemporary painting and sculpture through good quality colour reproductions and the immediacy of original prints. Comparable in price to Cahiers d'Art, early issues of XXe Siècle sold out rapidly. While San Lazzaro's own aesthetic preferences tended towards lyric abstraction, he made clear that XXe Siècle was non-partisan [publication ceased during World War II]….in 1951, San Lazzaro relaunched XXe Siècle with thematic issues that were materials based, or centred on a topic of current interest in the visual arts, particularly in Europe: concepts of space, matter, monochrome, mark-making and the sign.' A defining feature of the new series was Italy's artistic dialogue with France for, while San Laz-zaro had originally concentrated on Paris-based painters and sculptors, his aim was to create an international network, to make known the work of French artists in Italy and Italian artists in France, and subsequently extend this bilateral axis to the English-speak-ing world. The artists represented in No. I by an original print were all best known as sculptors: Arp, Laurens, Henry Moore (1898-186) and Marino Marini, San Lazzaro not only sought to show readers the full range of an artist's work, but to encourage the production of prints, a stimulus much appreciated, for example, by Magnelli…. Suffering from failing health, in 1968 San Lazzaro lost overall control of XXe Siècle to Léon Amiel, a printer-publisher who had provided financial backing and helped with distribution in America." Thematic issues now ceased and were replaced by a 'panorama' of the year, but San Lazzaro was still active as a publisher of books and albums of prints….Shortly after his death, San Lazzaro himself was the subject of two exhibitions: 'Omaggio a XXe Siècle' in Milan in December 1974 centred on graphic work by those artists closest to him late in life, while 'San Laz-zaro et ses Amis' at the Musée d'Art Moderne de la Ville de Paris in 1975 featured work by all those whose work he had promoted for more than 50 years: Arp, Calder (1898-1976), Capogrossi, Chagall, Sonia Delau-nay, Dubuffet, Estève, Lucio Fontana (1899-1968), Gili-oli (1911-77), Magnelli, Marini, Miró, Moore and Poliakoff. This exhibition was seen by one of his closest colleagues as an indirect portrait of San Lazzaro, a complex man whose modesty and reserve masked his unremitting drive to extend international appreciation of contemporary art, and to bring the reading public closer to its making through the medium of print.
MARINO MARINI (1901-1980) was an Italian sculptor, painter, draughtsman, printmaker and educator. Marini developed several themes in sculpture: equestrian, Pomonas (nudes), portraits, and circus figures. He drew on traditions of Etruscan and Northern European sculpture in developing these themes. His aim was to develop mythical images by interpreting classical themes in light of modern concerns and techniques. Marini is particularly famous for his series of stylised equestrian statues, which feature a man with outstretched arms on a horse. The evolution of the horse and rider as a subject in Marini's works reflects the artist's response to the changing context of the modern world. This theme appeared in his work in 1936. At first the proportions of horse and rider are slender and both are "poised, formal, and calm." By the next year the horse is depicted rearing and the rider gesturing. By 1940 the forms are simpler and more archaic in spirit; the proportions squatter. After World War II, in the late 1940s, the horse is planted, immobile, with neck extended, ears pinned back, mouth open. An example, in the Peggy Guggenheim Collection in Venice, is "The Angel of the City," depicting "affirmation and charged strength associated explicitly with sexual potency." In later works, the rider is, increasingly, oblivious of his mount, "involved in his own visions or anxieties." In the artist's final work, the rider is unseated as the horse falls to the ground in an "apocalyptic image of lost control" which parallels Marini's growing despair for the future of the world. In 2010, Marino Marini’s sculpture, Cavaliere sold for 7,138,206 USD at Christie's London, setting a world record for the artist.
- Creator:Marino Marini (1901-1980, Italian)
- Creation Year:1974
- Dimensions:Height: 12.4 in (31.5 cm)Width: 19.3 in (49.03 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465216590302
Marino Marini
Marino Marini was born in Italy in 1901. Retrospectives of Marini's work took place at the Kunsthaus Zürich in 1962 and at the Palazzo Venezia in Rome in 1966. His paintings were exhibited for the first time at Toninelli Arte Moderna in Milan in 1963–64. In 1973, a permanent installation of his work opened at the Galleria d'Arte Moderna in Milan, and in 1978 a Marini show was presented at the National Museum of Modern Art in Tokyo. Marini died in Viareggio. There is a museum dedicated to his work in Florence (in the former church of San Pancrazio); his work may also be found in museums in Italy and around the world, such as the Civica Galleria d'Arte Moderna in Milan and the Hirshhorn Museum and Sculpture Garden in Washington, D.C. Marini's work is authenticated by the experts at the Marino Marini Foundation in Pistoia, Italy.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2021
1,133 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Auburn Hills, MI
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllComposition, Société internationale d'art XXe siècle
By Sonia Delaunay
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXXIe Année, N°32, Juin...
Category
1960s Orphist Abstract Prints
Materials
Lithograph
$796 Sale Price
20% Off
Composition, Société internationale d'art XXe siècle
By Alexander Calder
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 3 (double) Juin 1952,...
Category
1950s Surrealist Abstract Prints
Materials
Lithograph
$1,196 Sale Price
20% Off
Composition, Société internationale d'art XXe siècle
By Serge Poliakoff
Located in Auburn Hills, MI
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7 (double) J...
Category
1950s Modern Abstract Prints
Materials
Lithograph
$1,036 Sale Price
20% Off
Composition, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXXVIe Année, N°42, Déc...
Category
1970s Modern Abstract Prints
Materials
Lithograph
$716 Sale Price
20% Off
Braque, Composition, Verve: Revue Artistique et Littéraire (after)
By Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...
Category
1950s Modern Landscape Prints
Materials
Lithograph
$716 Sale Price
40% Off
Free Shipping
Composition, Société internationale d'art XXe siècle
By Alberto Magnelli
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 2 (double) Janvier 19...
Category
1950s Modern Abstract Prints
Materials
Lithograph
$796 Sale Price
20% Off
You May Also Like
Picasso, Composition (Cramer 84), Picasso en marge du Buffon (after)
By Pablo Picasso
Located in Fairfield, CT
Medium: Lithograph on vélin du Marais paper
Year: 1957
Paper Size: 14.5 x 11 inches
Catalogue raisonné reference: Cramer, illustration 84
Inscription: Inscription: Unsigned and unnum...
Category
1950s Cubist Figurative Prints
Materials
Lithograph
$956 Sale Price
20% Off
La Cavallerizza
By Arturo Martini
Located in Roma, IT
"La Cavallerizza" is an original xylograph realized by Arturo Martini in 1914. Title and signature printed on the lower margin. Very good condition.
Passepartout included : 55 x 44....
Category
1910s Modern Abstract Prints
Materials
Woodcut
Untitled
Located in Nuevo Leon, MX
Obra sobre papel
Category
Mid-20th Century Abstract Prints
$500
Marlborough Gallery, Rome
By Achille Perilli
Located in Brooklyn, NY
This original lithographic poster was created to accompany an exhibition of works by Achille Perilli at the prestigious Marlborough Gallery in Rome. A striking example of mid-20th-ce...
Category
1970s Contemporary Abstract Prints
Materials
Lithograph
1968 'L'imagination Prend Le Pouvoir'
By Pierre Alechinsky
Located in Brooklyn, NY
This rare original poster by Pierre Alechinsky is a powerful artistic and historical document from the May 1968 Paris student protests. Printed on billboard paper using a home press,...
Category
1960s Contemporary Prints and Multiples
Materials
Offset
$560 Sale Price
20% Off
Picasso, Composition (Cramer 84), Picasso en marge du Buffon (after)
By Pablo Picasso
Located in Fairfield, CT
Medium: Lithograph on vélin du Marais paper
Year: 1957
Paper Size: 14.5 x 11 inches
Catalogue raisonné reference: Cramer, illustration 84
Inscription: Inscription: Unsigned and unnum...
Category
1950s Cubist Figurative Prints
Materials
Lithograph
$956 Sale Price
20% Off