Horizontal Animal Prints

Lithograph in Colours on Vélin d'Arches paper. Edition: 350, plus proofs. Signed in the plate by the artist; hand signed in pencil by the printer, Fernand Mourlot. Good Condition; never framed or matted. Notes: From the suite, Les Enfants Trouvés de Magritte, 1968. Published by A.C. Mazo et Cie, Paris; printed by Fernand Mourlot, Paris, 1968. Les Enfants Trouvés de Magritte comprised twelve coloured lithographs, four of which, Ma Mère l'Oye, Pierreries, La Belle Captive...

Title : Sylvesters Head in The Clouds Materials : stamps, ink, crayon,marker,pen Date : 2017 Dimensions : 8.5x11"

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Shade of a Tree Shoichi Ida, Japanese (1941–2006) Date: 1970 Screenprint, signed, titled, numbered and dated in pencil Edition of 1/30 Image Size: 21.25 x 27.25 inches Size: 22 x 28 ...

'Mastiff' Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803. Philip Reinagle was one of the best of the sporting a...

'Neartktische Fauna' (Neartic Fauna) German chromolithograph, circa 1895. Key to animals in German below the image. 245mm by 305mm (sheet). Central vertical fold as issued.

Jose Bedia (Cuban, 1959) 'Animal Armado', 2019. Woodcut and serigraph. Limited edition of 30 Overall size: 118 x 199 cm. (46.5 x 78.3 in.). Surface: Feltmark Paper 300 g. Hand-signed...

Orphean Warbler is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 187...

This is a contemporary photograph of an African Lion. 36x48 Edition of 12. Signed by Shane. Printed on archival paper and using archival inks Framing available. Inquire for rates. ...

Evergreen Chris Forrest, American (1946) Date: 1980 Lithograph, signed and numbered in pencil Edition of 300, AP 40 Image Size: 18 x 22 inches Size: 22 i...

Small scale contemporary figurative etvhing print by Polish artist Marian Bocianowski. Artwork depicts a grasshopper standing on a road with a cart bearing a feather. The cart seems...

Vincent HADDELSEY (1934-2010) Horse : Moroccan Riders, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

J'Etait Paresseuse is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions ...

Artist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...

"Sergio Hernández (Mexico, 1957) 'La Mantis', 2015 woodcut on paper Velin Arches 300 g. 41 x 53.6 in. (104 x 136 cm.) Edition of 70 ID: HER-190"

'Shooting - Plate II', engraving from George Stubb's famous set of four shooting engravings. Copper-line engraving with later hand-colouring by William...

'Canard Tadorne' (Common Shelduck) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of ...

A Cat's Eyes - Transfer Monotype in Water Based Ink on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C). Boldly colored close up of a ...

Chromolithograph, circa 1895. 245mm by 300mm (sheet). Central vertical fold as issued.

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Harry Schaare, American (1922 - 2008) - Polo Fields, Year: circa 1976, Medium: Screenprint, signed and numbered in pencil, Edition: 300, AP 50, Size: 28 x 36 in. (71.12 x 91.44...

Douglas Mazonowicz, British (1920 - 2001) - The Hand of Man 7, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 166/300, Image Size: 18 x 23 inches, Size:...

Allan Mardon, Canadian (1931 - ) - Illegal, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 17 x 24 inches, Size: 22 in. x 29 in. (...

Harry Schaare, American (1922 - 2008) - Feeding Time, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 50, Image Size: 14 x 19.5 inches, Size: 20...

Harry Schaare, American (1922 - 2008) - The Getaway, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 50, Image Size: 16 x 24.5 inches, Size: 23 ...

Harry Schaare, American (1922 - 2008) - Polo, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 300, Size: 27 in. x 39 in. (68.58 cm x 99.06 cm), Descripti...

Harry Schaare, American (1922 - 2008) - The Finish Line, Year: circa 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 300, Size: 30.5 in. x 41 in. (77.47 cm x 1...

Harry Schaare, American (1922 - 2008) - Cowboys Racing, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 50, Image Size: 19 x 25 inches, Size...

Curlew is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by London, Bell...

Jacques Villon Pastoral View : Goats and Sheeps Original stone lithograph Signed in pencil On Japan paper 38 x 56.5 cm (c. 15 x 23 in) INFORMATION : This lithograph is part from t...

The Cryptik Movement is dedicated to helping humanity evolve towards greater awareness and understanding through public art. The purpose of the Movement is to facilitate the developm...

‘Tippoo - A Ram of the Mysore breed in the East Indies, sent by Dr. Anderson of Madrass to Sir John Sinclair, Bt & presented by him to His Royal Highness...

An adorable etching of two Dachshund puppies by the famous German artist & printmaker Kurt Meyer-Eberhardt (1895-1977). Published by Franz Hanfsta...

'German Fox Trap' Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Field Sports'. S...

Mordecaï Moreh (1937-) Relaxing Billy Goat Original etching Handsigned in pencil Numbered / 75 copies - numbered in roman numerals (the number of the ...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Dunnock is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name ...

Chuzo Tamotzu (1891-1975) Untitled (Southwestern Scene), c. 1950 Lithograph Sight: 12 1/2 x 16 in. Framed: 19 1/2 x 23 1/4 x 1 in. Edition 14 of 30 Numbered lower left, signed lower...

'The Bear Trap' Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Fore...

Diver by Allison Green

Théodore Géricault 'Le maréchal flamand' (The Flemish Blacksmith) from the series ‘Etudes, de chevaux lithographiés,’ lithograph, 1822, 2nd state ...

Unknown/ Unidentified Artist, "Fisch" Edition 35/100, Abstract / Animal Lithograph numbered and signed in pencil, 15 x 20, Late 20th Century, 1963 Colors: Red, Blue, Black, White, G...

Once a peer of David Hockney and Peter Blake during school, Colin Self is an important contemporary British printmaker whose innovative etching techniques and novel use of found mate...

The Rat is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published i...

Wild Mustangs just Carson Nevada 40x55 Edition of 10. Singed and numbered by Shane Printed on archival paper using archival inks Framing available. Inquire for rates. Shane Rus...

The Fiend of the Road shows a man in a horse driven buggy going down a country road on a winters day who has apparently left in his wake several upset horses and drivers .This original 1881 lithograph by Scott Leighton...

This listing includes framing ($1,750 value) and a 14-day return policy. Shipping will be charged at cost with a white glove delivery service. Also available for local pick up at our New York City gallery. The Way of Ishq (2019) by Karen Knorr. Archival pigment print Image size: 48 x 60 inches Frame Size: 52 x 64 inches framed Edition 2 of 5 Signed, with certificate of authenticity Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...

This artwork titled " Horse pulling a Sledge" c.1950 is an original woodcut on paper by noted Japanese artist Kaoru Kawano, 1916-1965. It is hand signed in pencil by the artist, with...

David Humphrey Two Kitties, 2003 Monotype Hand signed and dated by the artist on the lower right front 20 × 31 1/2 inches Unframed Published by, and acquired from Tamarind Institute ...

Black ink on buff Japanese rice paper. This image came from watching the sea birds on Kauai, Hawaii soaring along the bluffs on the north shore and diving for fish in the sea. Fishi...

The Bulls in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of onl...

This is a contemporary photograph of a North American Wild Mustang 36x48 Unsigned print Archival pigment paper Framing available. Inquire for rates. Shane Russeck has built a repu...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Engraving Handsigned by the artist in pencil and numbered 12/100 LCD3997

La Proie by Orovida Pissarro (1893 - 1968) Etching 12.5 x 17.5 cm (4 ⅞ x 6 ⅞ inches) Signed and dated 1917 Trial proof no.35 Artist's Biography: Orovida Camille Pissarro, Lucien and...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Vincent HADDELSEY (1934-2010) Horse : The race, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...

This artwork titled "Soaking Up" c.1970 is an original lithograph on paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 68/100 in penc...