Horizontal Animal Prints

Colour aquatint after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...

Artist: Karel Appel Title: Fighting Cat Portfolio: 1978 Cats Medium: Lithograph in colors on Japon paper Date: 1978 Edition: XV/LXV Sheet Size: 24 3/4" x 32 1/4" Signature: Hand sign...

Covey of Grouse II is a celebration of game birds in flight. A moment after taking off the birds have scattered in an explosion of aerial speed and agility. The etching reveal the ...

This artwork titled "Starling" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 82/150 in pencil by the artist. The artwork (image) size is 10 x 23.25 inches, framed size is 17.25 x 30.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs. About the artwork: This artwork required 3 different carved wood blocks and 7 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

Bird is a lithograph by Aldo Turchiaro, realized in 1980. Hand-signed on the lower right. Numbered, edition XII/XXV. Good conditions except for aged margins.

Etching on Chine collé mounted to cream wove paper, 3 7/8 x 5 7/8 inches (97 x 147 mm), full margins. With a pencil notation in the right margin on the recto (outside of image area),...

Hand signed numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 250. All reasonable offers will be considered.

This piece is an original engraving with color added by pochoir by Salvador Dali. It is from Dali's suite of 12 original engravings entitled "Le Bestiaire d...

'Lesser Moddy and Moddy Tern' Chromolithograph from Gracius Broinowski's 'The Birds of Australia' , 1887-1891. Gracius Joseph Broinowski (1837-191...

Image title: "Ghost of the Mountain" 40x60 Printed on Kodak luster using archival ink Framing available. Inquire for rates. Shane Russeck is a modern day photographer, adventurer...

Vincent HADDELSEY (1934-2010) Horse : Towpath, 1974 Original Lithograph Handsigned in pencil Numbered / 50 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Vincent HADDELSEY (1934-2010) Horse : Hunting with hounds, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

This is an original 19th century John James Audubon hand colored lithograph entitled "American Badger", No. 10, Plate XLVII, 47, from Audubon's "Quadrupeds of North America", printed...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th century. Signed on the plate on the lowe...

Mel Hunter, American (1927 - 2004) - Arabian, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 500, Size: 22 in. x 29.5 in. (55.88 cm x 74.93 cm), Descript...

Théodore Géricault (after), 'Tigre dévorant un cheval' (Tiger Devouring a Horse), lithograph, 3rd state of 3, Clement 97, c. 1820. Lettered 'Volmar ...

Egyptian slit-faced Bat is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and...

Horse is an original artwork realized in the half of 20th Century by Domenico Purificato. Mixed colored lithograph. Hand signed on bottom right c...

The Kangaroos is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publi...

Aardvark Engraving, 1951 Signed, dated, titled in pencil by the artist (see photo) Annotated "To Jon from Ray" (see photo) Printed by Jon Clemens, Master Printer, c. 1990 Condition: ...

A Pair of Etchings by Kelly Fearing, done in 1982. The price is for the pair. Kelly Fearing ( American, 1918 – 2011 ) Title: Bird In The Rain 1982, #1 & #2 Medium: ...

An original 19th century John James Audubon hand colored lithograph entitled "Northern Meadow Mouse", No. 26, Plate CXXIX, 129, from Audubon's "Quadrupeds of North America", printed ...

Artist: Karel Appel Title: Frightened Cat Portfolio: 1978 Cats Medium: Lithograph in colors on Japon paper Date: 1978 Edition: XV/LXV Sheet Size: 24 3/4" x 32 1/4" Signature: Hand si...

'North America Bear Hunt' Colour aquatint Mathew Dubourg (1786-1838) after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field Sports'. Samuel...

This is an original 19th century John James Audubon hand-colored first octavo edition lithograph entitled "Marsh Hare", No. 4, Plate XVIII, 18, from Audubon's "Quadrupeds of North America", printed and colored by Nagel & Weingaertner and published in New York in 1849. It depicts a pair of Marsh Hares/rabbits, presumably a male and a female, lying on grass, nose to nose, with plants in the background. This antique hand-colored Audubon quadruped lithograph has a few faint spots, but the print is otherwise in very good condition. The sheet measures 7" high and 10.5" wide. The descriptive text pages, 151-156, from Audubon's original publication are included. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison...

Nancy Graves Original Graham Gallery poster (hand signed by Nancy Graves), 1968 Extremely rare vintage offset lithograph poster (hand signed by Nancy Graves) hand signed by Nancy Graves in pencil on the front Frame included: held in museum quality wood frame with UV plexiglass Publisher: Graham Gallery This late 1960s vintage Graham Gallery poster is hand signed by Nancy Graves on the front. It was published on the occasion of her "Camels" exhibition - a groundbreaking show in the artist's young life, as she died at age 54 of breast cancer. (People forget how brave she was, a sharp counterpoint to the style of the macho Minimalists of the era, like her ex husband Richard Serra.) The following year -- in 1969 - Nancy Graves became the first woman ever to have a solo show at the Whitney Museum. We've never seen another of these posters anywhere else in the world - let alone one hand signed by Nancy Graves. Elegantly framed in a museum quality wood frame with UV plexiglass Measurements: Frame: 17 x 17.5 x 1.5 inches Work: 10 x 10.75 inches About Nancy Graves: Nancy Graves (1940–1995) was born in Massachusetts. Her father worked as an accountant at the local Berkshire Museum, where art was displayed with natural history. He encouraged his daughter’s early interests in art, nature and anthropology — interests which endured for the rest of her life. After graduating from Vassar College with a degree in English Literature, Graves attended Yale University, where she earned both a B.A. and an M.A. in Art, studying alongside Chuck Close, Robert Mangold and Brice Marsden. Following Yale, she won a prestigious Fulbright Scholarship in 1964, and began studying painting in Paris — where she also married sculptor Richard Serra, whom she had met at Yale (and from whom she would divorce in 1970). Moving on to Florence soon after, she would live a somewhat nomadic life, spending time in countries that included Morocco, Kashmir, India, Egypt, Peru, Australia and Canada. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps...

The Coach and the Flies is an artwork realized in 1974. Etching and drypoint with stencil. 59 x 79 cm. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper. It belongs to...

The Physiognomy - The Bats is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...

Artist: Currier & Ives after Chaz Zellinsky after J. Cameron Title: The Grand Racer Kingston by Spendthrift Year: 1891 Medium: Hand-colored Lithograph Image Size: 19 x 26 inches Fram...

This signed and numbered lithograph on Japon paper is from a portfolio of 17 prints by Modern artist Karel Appel. He admired the domestic house cat for its aloof, yet instinctive, de...

Vincent HADDELSEY (1934-2010) Horse : Hitching In Winter, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegorical representation for mankin...

Cesar Baldaccini, French (1921 - 1998) - Centaure, Hommage a Picasso, Year: 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 99/99, Size: 11.75 x 15.75 in. (29.8...

The Chimpanzee is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publ...

My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...

Risciò is an original colored lithograph on Fabriano Cotton watermarked paper realized by Sandro Trotti in the 1970s and published by EuroMuseum Editore, Ancona. Representing a bar...

Image dimensions: 20.4 x 27.5 cm. Hunting Scene is a wonderful black and white etching on thick laid paper, realized by the Italian master, Antonio Tempesta (1555-1630). Monogramm ...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Marples was a painter, etcher, writer on ornithology, and principal of Huddersfield, Hull and Liverpool School of Art. He specialized in etchings of fish...

Image title: "Charlie, the Lonesome Cougar" This is a contemporary photograph of North American Mountain Lion. "They represent the ultimate expression of American freedom" 36x48 U...

Koi by Mike Quon Signed on front, lower left

Hidden Puff by Seth Ruggles Hiler

Huia by Cheryl Gross Signed on front, lower right

Carousel Tiger by Cheryl Gross Signed on front, lower right

'Marsh Tern and White Tern' Chromolithograph from Gracius Broinowski's 'The Birds of Australia' , 1887-1891. Gracius Joseph Broinowski (1837-1913)...

Cat is an Original Lithograph realized by Giselle Halff (1899-1971). Good conditions. Numbered. Edition, 11/13. Giselle Halff (1899-1971) born in Hanoi, student of R.X. Prinet, R....

This is a contemporary black and white photograph of American Wild Mustangs. "They represent the ultimate expression of American freedom" - Wild Horses 40x60 Unsigned edition Shane...

This is a contemporary photograph of an African Lion. Edition of 50 Signed and numbered Printed on archival paper and using archival inks Framing available. Inquire for rates. Sh...

This is a contemporary black and white photograph of an Arctic Wolf. Printed on archival paper using only archival ink. Framing available. Inquire for rates. Shane Russeck has bu...

1STDIBS EXCLUSIVE American Horse Power by Shane Russeck "Icon is a brand I’ve admired and respected for years. They are the pinnacle of the custom car world. Being a huge vintage ca...

Image dimensions: 23 x 28.3 cm. Scarabeo Ercole is an original artwork realized by the Italian artist and engraver Luigi Bartolini in 1934.  Very rare etching on ivory paper.  Titled in blue pen by the artist on the lower left corner (Scarabeo Ercole); numbered in pencil on the lower central margin (7/50); hand-signed by the artist in blue pen on the lower right corner (Luigi Bartolini).  Edition of 50 prints.  Excellent conditions.  Other titles: Scarabei, Scarabei tropicali, Lo scarabeo Ercole, Scarabeo rinoceronte. The work is present in the National Graphic Institure (Gabinetto delle Stampe), Rome  Selected Bibliography: 1936 Marchiori, Luigi Bartolini - Hoepli 1940 dicembre, Luigi Bartolini. Presentazione delle mie acqueforti - Emporium Bergamo, N. 552 1951 Petrucci, Mostra Calcografia, n. 457 1952 L. Bartolini, Esemplari unici o rari, p. 112 1962 Ronci, Mostra Calcografia, n. 457, es. 30 1975 Roma, Mostra Gall. Don Chisciotte, n. 37 1992 Corrado Maltese, Storia dell’Arte in Italia - Einaudi 1997 Ficacci, Mostra Calcografia, n. 37 1998 Micieli, Mino Rosi e Luigi Bartolini n. 52 Selected Exhibitions: 1935 Roma, II Quadriennale d’Arte Nazionale 1949 Zurigo Kunstsalon Wolfsberg Romische Maler 1950 Parigi, Mostra Gall. Silvagni 1950 Lugano, Mostra Internazionale del Bianco e Nero (Premiato) 1951 Roma, Mostra Calcografia, n. 457 1956 Lucca, Mostra Gall. La Pantera...

Red-Legged Patridge is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, ...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th century. Signed on the plate on the lower...

Michael Knigin, an extremely skilled draftsman, rides a fine line between realism and surrealism. Here he has conceived of an elegant and emotional eagle, a national symbol. In stark...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

This is a hand-colored folio-sized lithograph entitled "Nycticorax Griseus" (Night-Heron) by John Gould from his monograph "The Birds of Great Britain...

All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...

This original etching and aquatint is hand signed in green pencil by the artist "Hockney" at the lower right margin. It is also hand signed in pencil from the edition of 100, at the...