Miniature Animal Prints

The Beetles General and Guards - Animal Fable is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Hare Indian Dog", No. 27, Plate CXXXII, 132, from Audubon's "Quadruped...

Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...

An original John James Audubon hand colored lithograph entitled "Canada Pouched Rat", No. 9, Plate XLIV from John James Audubon's Quadrupeds of North America, published in Philadelph...

Orange-legged Hobby is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...

'Race Cheviot' (The Cheviot Breed) ' Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a painting by William Shiels. From...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published by Aux Éditions Jeanne Bucher, Paris, 1933; printed by F. Duval, February 20, 1933. Notes: Fr...

'Ancienne Race de Norfolk (The Old Norfolk Breed) ' Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a painting by Willia...

Tim Southall Ravens at the Tower Limited Edition Etching and Aquatint Edition of 75 Image Size: H 10cm x W 15cm Sheet Size: H 20cm x W 24cm x D 0.1cm Sold Unframed Please note that i...

Le Judgement de Paris ouf famille singe Lithograph, 1897 Signed and dated in the stone lower right (see photo) Published in L’Estampe Moderne with their blindstamp lower right corner, Lugt 2790 (see photo) Edition 2000 Printed by Chapenois, Paris Condition: Excellent Image size: 9 5/8 x 13 5/8 inches Sheet size: 12 x 15 3/4 inches Paul Jouve (1878-1973) Paul Jouve was two years old when his father set up his ceramist workshop on Boulevard Saint Jacques in Paris. It is in this artistic universe that he grew up playing with colors, modeling the earth, pampered by his young mother, who dreamed of making a teacher of her. Very early on, his father, seeing his passion for drawing, encouraged him, introduced him to the Jardin des Plantes, where he developed a passion for the big cats that he practiced drawing. For the Universal Exhibition of 1900, the architect Binet, commissioned a frieze of wild animals of more than 100m representing tigers, bears, lions, bulls, and mouflons. This frieze will be executed in greenish brown glazed flamed sandstone by the sculptor Alexandre Bigot. Binet also ordered four lions from him to decorate the main gate of the Champs Elysees, between the two palaces, and a monumental statue representing a rooster wings outstretched in the center of the gate. In 1907, Jouve was awarded a scholarship from the General Government of Algeria, and along with Léon Cauvy...

Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the deer. T...

'Race a laine douce, du Pays de Galles' (Soft-woolled sheep of Wales) Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a ...

Edition of 80. Signed and numbered in pencil. Really, no one could draw on a lithographic stone like Stow Wengenroth. He drew many animals and birds...

Miss Pigoizeau is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard,...

'Dendrolaugus Goodfellowi Shawmayeri' Tree kangaroo native to New Guinea. From 'On the Genus Dendrolagus' by Lionel Walter Rothschild and Guy Dollman, published in 'Transactions ...

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

Lino-cut, edition 50, could be delivered also in different colors. Each Lino-cut is unique due to the method used. Three chestnut horses is inspired by ...

"The Winner" - Etching on Paper Clean and modern drypoint etching of a horse skeleton by Maria Bennett (American, 20th Century). This etching has layer...

Bright and lively etching colored with watercolor, pastel and acrylics of an anthropomorphic cat-woman by Mexican artist Ana May, 2012. Signed lower right. Original artwork on paper...

"Lady Cat", 2019, digital collage, print, cat, victorian, figurative, Digital Painting and Drawing / Animals / Surrealistic / Dark Colors / Portrait

"The King" by Alexis Kandra is a limited edition signed and numbered giclée print on Moab paper based on an original oil painting with metallic gold foil and gold leaf pen. Edition ...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...

Artist: John James Audubon (American, 1785-1851) Title: "Florida Cormorant" (Plate 417, No. 84) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 6.5" x 10.44" Image size: 3.75" x 6.25" Condition: Some minor discoloration upper center in margin. In excellent condition with strong colors Notes: Provenance: private collection - Cleveland, OH. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition painted in the Florida Keys on April 26, 1832, Audubon's forty-seventh birthday. The double-crested cormorant (Nannopterum auritum) is a member of the cormorant family of water birds. It is found near rivers and lakes and in coastal areas and is widely distributed across North America, from the Aleutian Islands in Alaska down to Florida and Mexico. Measuring 70–90 cm (28–35 in) in length, it is entirely black except for a bare patch of orange-yellow facial skin and some extra plumage that it exhibits in the breeding season when it grows a double crest in which black feathers are mingled with white. Five subspecies are recognized. It mainly eats fish and hunts by swimming and diving. Its feathers, like all cormorants, are not waterproof, and it must dry them out after spending time in the water. Once threatened by the use of DDT, the numbers of this bird have increased markedly in recent years. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...

Tracey Emin Reach Out for Fruit, 2012 Home made inkjet print Pencil signed and dated 2012 on the front; bears the Emin International stamp on the back; edition of 100 16 1/2 × 11 1/2...

This artwork "Nude Woman with Cat" c.1990, is an original colors etching with aquatint on Wove paper by noted Mexican artist Jose Esteban Martinez, b.1951. It is hand signed in penci...

"Mizuhiki" is an exclusive publication by Stone + Press in an edition of 100. Katsunori Hamanishi was born in 1949 on Hokkaido island - Japan's second largest island. In 1973 he fi...

Sheep by coast. Colour etching, circa 1800. 20cm by 26cm (sheet) 16cm by 20cm (platemark)

6037 Antique watercolored copper engraving of a group of Saint Bernard rescue dogs Framed Image size 8x6"

This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well. This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...

Mordecaï Moreh (1937-) The Little Bird Original handsigned etching Numbered / 75 copies - numbered in roman numerals (the number of the etching you receive might differ from the on...

'Lord Howe Island White-Eye and others' Limited edition lithograph with original hand colouring by Henrik Gronvold. From Mathews 'The Birds of Norfolk and L...

FLAG SERIES 1980 is a brightly colored lithograph by the American artist/sculptor Chaim Gross printed in 10 colors on archival Arches printmaking paper. FLAG SERIES 1980 depicts a bold graphic image comprised of colorful flag segments intermixed to form a varied bird-shaped designs. Chaim Gross' FLAG SERIES was specially commissioned by The World Federation of UN Associations (WFUNA) in 1980 as a limited edition lithograph for the UN stamp issue. Lithograph is hand signed in pencil by the artist Chaim Gross and numbered 166/1500. Postal Stamp and First Day cancel on lower left. Print size - 11.0" x 8.5" unframed, fresh, vivid colors, very good condition. Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more...

Terriers No. 2 1883-84 Chromolithograph 8.5 x 11 inches

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

An original 19th century John James Audubon hand colored lithograph entitled "Northern Meadow Mouse", No. 26, Plate CXXIX, 129, from Audubon's "Quadrupeds of North America", printed ...

Home Skooling By Harry Bunce [2020] Home Skooling is a limited edition print by Harry Bunce. This fun and endearing print depicts a group of rabbits staying home during lockdown. Pl...

Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...

Colour woodblock, finished by hand, by Benjamin Fawcett (1808-1893) after Alexander Francis Lydon (1836-1917). From WT Greene's 'Parrots In Captivity'. Alexander Francis Lydon was a...

'Jay' Colour plate mounted on card with a printed border from 'The Detmold Nature Pictures', published circa 1919. Edward J Detmold (1883-1957) was an important early 20th century illustrator...

'Skylark' Colour plate mounted on card with a printed border from 'The Detmold Nature Pictures', published circa 1919. Edward J Detmold (1883-1957) was an important early 20th century illustrator...

'Pterodroma Brevirostris (Kerguelen Pulmar)' Limited edition lithograph with original hand colouring by Henrik Gronvold. From Mathews 'The Birds of Norfolk and Lord Howe...

Contemporary figurative monochromatic mezzotint print by Polish artist Ewa Kutylak. Print depicts a man sitting near a tree with a bird standing on his hand. There is a dog on the ot...

'Race a tete noire, des Bruyeres' (Black-Faced Heath Breed - Ram). Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a pain...

COUPS DE TÊTE is a hand drawn, stone lithograph by the French artist Chrisitian Zeimert printed in Paris France c.1974 using hand lithography techniques on archival Rives BFK printmaking paper, 100% acid free. COUPS DE TÊTE presents a surreal, close-up portrait of a two male elk head-butting with a group of books between their opposing heads. Visible on the books spines are the names of members belonging to the 1960s Panic Movement group. Print size - 13 x 15.25 in., unframed, very good condition, pencil signed printers proof, inscribed H.C. with personal dedication to the master printer "Joseph", edition size unknown Image size - 8.25 x 10.5 in. Year - c. 1974 Christian Zeimer (1934 - 2020) was a French painter, the son of an upholsterer and designer who also worked as a salesman and Le Bon Marché. After he left the École Boulle, he learned how to engrave on jewelry. He then studied at the École nationale supérieure des arts décoratifs, where he studied under the painter Marcel Gromaire. A libertarian and anarchist, he worked alongside Fernando Arrabal, Alejandro Jodorowsky, Olivier O. Olivier, and Roland Topor and participated in the Panic Movement in the 1960s. He contributed to the newspaper Le Fou Parle and the magazine Hara-Kiri. Alongside Henri Cueco, Jacques Jouet, Hervé Le...

'Race de Kerry' (The Kerry Breed) Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a painting by William Shiels. From the...

Etching on fine art paper, E.A. 1/1 from the cycle " Botanical Dream Nr. 11", presented in the Danubiana Meulenstein Art Museum in Bratislava/2021..

Pomeranian or Spitz Dog 1887 Etching

Contemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts a woman laying in bed on her side. Artwork references Tiziano's 'Venus at Urbino...

Genevieve Hamel Oh My! Digital Print after White Colored Pencil on Wood Panel Year: 2021 Image Size: 7x5in Size: 14x11in Edition: 25 Signed, inscribed and numbered by hand COA provid...

Horse is a lithograph realize by Jacques Van Melkebeke in 1961. Good conditions. Numbered.Edition 1/25 The artwork is represented through soft strokes.

The Insect is an original print in Etching and drypoint technique on ivory-colored paper, realized after Franco Gentilini in 1970s. The state of preservation of the artwork is excel...

Tengmalm's Owl is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by Lond...

Small scale contemporary figurative etching print by Polish artist Marian Bocianowski. Artwork depicts a wren standing in a meadow. There are flowers behind it. Main colors are gree...

Artist: Burton Morris Title: Dollar Sign from Heard on the Street Year: 1997 Medium: Screenprint, signed and numbered in pencil Edition Size: 375 Image Size: 11 x 14 inches Paper Siz...

This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Semipalmated Snipe, Willet or Stone Curlew, 1. ...