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Jonas Wood Plants and Animals Print Exposition Contemporary Street Art Dogs

2022

$1,930
£1,465.22
€1,675.90
CA$2,696.49
A$2,999.09
CHF 1,566.03
MX$36,495.68
NOK 20,000.58
SEK 18,757.02
DKK 12,507.90
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About the Item

Produced on the occasion of Jonas Wood's 2022 exhibition, Plants and Animals, at David Kordansky Gallery, Los Angeles, CA. 24 x 28 inches. Jonas Wood (b. 1977, Boston) makes paintings that can be classified as a variety of different genres, including portraits, still lifes, landscapes, and interior scenes. In each of these, however, his work reflects an instantly recognizable vision of the contemporary world, as well as a personal approach to subject matter defined by his affinities and experiences. Its warmth is matched by a quasi-abstract logic that breaks pictures down into layered compositions of geometry, pattern, and color. Wood works at every scale, and maintains active drawing and printmaking practices, each of which helps him generate techniques that he eventually uses in paintings. Conjuring depth using flat forms—his process involves collage-based studies in which he works with photographs, breaking images apart and reassembling them—Wood probes the boundary between the new and the familiar, integrating emotionally resonant material from everyday life. Painting becomes a way to freshen the artist’s—and the viewer’s—perception of the world. Jonas Wood has been the subject of solo and two-person exhibitions at the Dallas Museum of Art (2019); Museum Voorlinden, Wassenaar, the Netherlands (with Shio Kusaka, 2017); Lever House, New York (2014); and Hammer Museum, Los Angeles (2010). Other solo projects include Still Life with Two Owls, a monumental picture covering the façade of The Museum of Contemporary Art, Los Angeles (2016–2018); Shelf Still Life, High Line Billboard, High Line Art, New York (2014); and LAXART Billboard and Façade, LAXART, Los Angeles (2014). Recent group exhibitions include Strike Fast, Dance Lightly: Artists on Boxing, Norton Museum of Art, West Palm Beach, Florida (2024); Desire, Knowledge, and Hope (with Smog), The Broad, Los Angeles (2023–2024); New Ground: Jacob Samuel and Contemporary Etching, Museum of Modern Art, New York (2023); Psychic Wounds: On Art and Trauma, The Warehouse, Dallas (2020); One Day at a Time: Manny Farber and Termite Art, The Museum of Contemporary Art, Los Angeles (2018); and Los Angeles: A Fiction, Astrup Fearnley Museet, Oslo (2016) and Musée d’art contemporain de Lyon, France (2017). His work is in the permanent collections of many institutions, including the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Hammer Museum, Los Angeles; Metropolitan Museum of Art, New York; San Francisco Museum of Modern Art; Guggenheim Museum, New York; The Broad, Los Angeles; Museum of Modern Art, New York; and Whitney Museum of American Art, New York. In 2019, Phaidon published the first monograph dedicated to Wood’s paintings and drawings. Wood lives and works in Los Angeles.
  • Creation Year:
    2022
  • Dimensions:
    Height: 28 in (71.12 cm)Width: 24 in (60.96 cm)
  • Medium:
  • Movement & Style:
  • After:
    Jonas Wood (1977, American)
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Draper, UT
  • Reference Number:
    1stDibs: LU1327215518872

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The vividly graphic print, Bananas, is the second installment in a series of plant identification prints by the artist. The prints are formatted to the proportions of a classic Polaroid picture, with each featuring a different plant removed from a distinct background and context, like a scientific extraction. Plants have long been a source of fascination for Wood and often appear in his work. This is the artist’s first print depicting the banana tree, which Wood has spent almost a decade exploring through drawings and paintings based on his personal archive of images. A visit to Hawaii further sparked his curiosity into the many different varieties. Jonas Wood (b. 1977, Boston) makes paintings, drawings, and prints in the genres of portraiture, still life, and landscape. His work reflects a personal approach to subject matter defined by his affinities and experiences. Conjuring depth using flat forms––his process involves collage-based studies in which he sometimes works with photographs to deconstruct and reassemble the images––Wood probes the boundaries between the new and the familiar, integrating emotionally resonant material from everyday life. Jonas Wood has been the subject of solo exhibitions at the Dallas Museum of Art (2019); Museum Voorlinden, Wassenaar, Netherlands (with Shio Kusaka...
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