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Swan Engraving

Hand-Colored Swan Engraving
Hand-Colored Swan Engraving

Hand-Colored Swan Engraving

By George Edwards

Located in New York, NY

"The Wild Swan" by George Edwards from "A Natural History of Birds, Most of which have not been figured or described and others very little known..." published in London between 174...

Category

1740s Animal Prints

Materials

Paper

Swan Engraving Circle I, State V
Swan Engraving Circle I, State V

Swan Engraving Circle I, State V

By Frank Stella

Located in London, GB

Etching, relief and engraving in colours, 1983, on light mauve TGL handmade paper with their blindstamp lower centre, signed and dated in pencil, numbered 3 from the edition of 5, pu...

Category

Late 20th Century American Modern Prints and Multiples

Materials

Engraving, Etching

Orofena, from Imaginary Places III
Orofena, from Imaginary Places III

Orofena, from Imaginary Places III

By Frank Stella

Located in London, GB

As he had done since the ‘Swan Engravings’, Stella employed his full palette of printmaking media in this series, to realise these compositions - including lithography, relief printi...

Category

1990s American Modern Abstract Prints

Materials

Etching, Aquatint, Lithograph, Screen

Recent Sales

Antique hunting scene print with a swan by Ridinger - Engraving - 18th century
Antique hunting scene print with a swan by Ridinger - Engraving - 18th century

Antique hunting scene print with a swan by Ridinger - Engraving - 18th century

By Martin Elias Ridinger

Located in Zeeland, Noord-Brabant

Subject: Antique print, titled: 'Plate XXXII: Im amergau See in Bayren wurde mir von einen Jaeger ebenfals erzehlet …' - ('A hunter of the Ammergau lake in Bavaria tells ...'). A hun...

Category

1760s Old Masters Landscape Prints

Materials

Engraving

Le Cygne (Swan)
Le Cygne (Swan)

Le Cygne (Swan)

By Georges-Louis Leclerc, Comte de Buffon

Located in Florham Park, NJ

George-Louis Leclerec, Comte de Buffon. HistoireNaturell, Generale et Particuliere avec la Description du Cabiner du Roi. Paris, 1749 Drawings by Jacques E. DeSeve. Engravings with l...

Category

1740s Academic Prints and Multiples

Materials

Watercolor, Engraving

Entablature IV /// Pop Art Roy Lichtenstein Large Design Architecture Pattern
Entablature IV /// Pop Art Roy Lichtenstein Large Design Architecture Pattern

Entablature IV /// Pop Art Roy Lichtenstein Large Design Architecture Pattern

By Roy Lichtenstein

Located in Saint Augustine, FL

To complete certain phases of the project, Tyler employed the following companies: Drake Engineering, Danbury, CT (for machining of the metal die); Swan Engraving, Bridgeport, CT (fo...

Category

1970s Pop Art Abstract Prints

Materials

Metal, Foil

Frankenthaler: Gateway (Catalog) (Signed) /// Helen Abstract Expressionist Art
Frankenthaler: Gateway (Catalog) (Signed) /// Helen Abstract Expressionist Art

Frankenthaler: Gateway (Catalog) (Signed) /// Helen Abstract Expressionist Art

By Helen Frankenthaler

Located in Saint Augustine, FL

Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Frankenthaler: Gateway (Catalog)" Series: (after) Gateway *Dedicated and signed by Frankenthaler in ink lower right ...

Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph, Offset

Two Nudes, State I (Corlett 285), Roy Lichtenstein
Two Nudes, State I (Corlett 285), Roy Lichtenstein

Two Nudes, State I (Corlett 285), Roy Lichtenstein

By Roy Lichtenstein

Located in Fairfield, CT

As well as using hand-cut stencils to produce his trademark Benday dots in irregularly shaped pieces, Lichtenstein employed computer-generated dye-cut stencils, produced by Swan Engr...

Category

1990s Pop Art Figurative Prints

Materials

Screen

Swan Engraving III (inside Tyler Graphics Ltd. Announcement Brochure)
Swan Engraving III (inside Tyler Graphics Ltd. Announcement Brochure)

Swan Engraving III (inside Tyler Graphics Ltd. Announcement Brochure)

By Frank Stella

Located in Saint Augustine, FL

This folio with the smaller-size copy of the original etching was produced to promote Stella's 1982-1985 "Swan Engravings" series, (Axsom Nos. 153-161, 164-169, page 246-267).

Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph, Offset

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K.52

Frank StellaK.52, 2006

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H 15.99 in W 15.99 in D 10.52 in

K.52

By Frank Stella

Located in London, GB

Frank Stella K.52 2006 Stainless steel tubing and cast aluminium 40.6 x 40.6 x 26.7 cms (16 x 16 x 10 1/2 ins) FS10201 K Series The series is based on the Italian composer Domenico...

Category

Early 2000s Abstract Abstract Sculptures

Materials

Stainless Steel

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Swan Engraving For Sale on 1stDibs

On 1stDibs, you can find the most appropriate swan engraving for your needs in our varied inventory. You can easily find an example made in the Post-Impressionist style, while we also have 3 Post-Impressionist versions to choose from as well. Making the right choice when shopping for a swan engraving may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 18th Century and a newer version made as recently as the 21st Century. Adding a swan engraving to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of gray, beige, black, orange and more. Creating a swan engraving has been a part of the legacy of many artists, but those crafted by Ray H. French, Roy Lichtenstein, Frank Stella, Carlo Nolli and George Edwards are consistently popular. These artworks were handmade with extraordinary care, with artists most often working in engraving, etching and paint. A large swan engraving can prove too dominant for some spaces — a smaller swan engraving, measuring 9.75 high and 7.25 wide, may better suit your needs.

How Much is a Swan Engraving?

The price for a swan engraving in our collection starts at $345 and tops out at $1,500,000 with the average selling for $1,350.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.