20th Century Animal Prints

Les poules by Georges Manzana Pissarro (1871-19610 Pochoir 30 x 46 cm (11 ³/₄ x 18 ¹/₈ inches) Signed with Estate stamp Manzana Pissarro and numbered 7/100 lower left Artist biograp...

This Blue Dog work consists of a black background with 1 blue dog surround by varying degrees of blue dogs and blue dog heads. All dogs have soulful yellow e...

Silkscreen Serigraph print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia....

This Blue Dog work consists of a blonde female sitting on a floral swing hanging from a tree. The female is wearing an ecru dress with flowers on the edges...

Robert BONFILS At the Circus, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagier de la Gr...

Artist: Henri Matisse (after) Title: Nu bleu, la grenouille (Blue Nude, The Frog) Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 195...

This came out of a Chicago collection. It appears to be signed Linda Tweed. It depicts a centaur like mythological figure. it is done on a fine tissue like paper and there is some w...

This drypoint etching was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This etc...

Artist: Keiko Minami, Japanese (1911 - 2004) Title: Bird On Flower Year: circa 1985 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 12...

Artist: Dan May (American, 1955-) Title: "Cat with a Habit" *Signed and numbered by May in pencil lower left Year: 1995 Medium: Original Screenprint on unbranded white wove paper Lim...

Leonor Fini Pendant les après-midi d'automne, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...

HEARTLAND is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% ...

Medium: original lithograph. Printed in 1975 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/8 x 9 3/8 inches (310 x 238 mm). Not signed.

Richard Pettibone Andy Warhol Cow Wallpaper Silkscreen on paper 26 1/2 × 20 3/4 inches Hand Signed and dated in graphite on the front Unframed Accompanied b...

SALVADOR DALI Le Cerf se voyant dans l'eau from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 in...

First edition, 8vo (23 x 14.5 cm); 20 lithographs on various coloured wove papers, printed recto only, with ‘The Estate of Andy Warhol’ and ‘Andy Warhol Foundation for the Visual Arts’ stamps to lower pastedown, numbered in pencil ‘PM 21.0048’; original lithographed paper covered boards, very minor staining to cover otherwise a fine copy. Stamped by ‘The Estate of Andy Warhol’ and ‘The Andy Warhol Foundation for the Visual Arts, Inc.’ Andy Warhol’s mother...

Artist: Larry Rivers, American (1923 - 2002) Title: Downtown Lion Year: 1967 Medium: Etching on Wove paper, signed and numbered in pencil Edition: 3/24 Image Size: 11.5 x 17.5 inches...

Poster-Long Beach Museum of Art/Bookstore/Gallery. Publishing Information: 1981 Davis Blue Artwork, Los Angeles. Measures 24 x 36 in. Unframed. Good/Fair Condition-shows signs of age...

This Blue Dog work consists of a pink background with 1 dog sitting front and center. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is gua...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

This Blue Dog work consists of the dog donning a US flag motif necktie. The dog is sitting on a blue background with white stars. The dog has soulful yellow...

Keith Haring Tony Shafrazi/Leo Castelli Gallery, New York, 1985: Rare original 1980s Keith Haring announcement published on the occasion of: Keith Haring at Tony Shafrazi Gallery,...

Lithograph on arches paper. Hand signed, dated titled and numbered in pencil by the artist. From the deluxe edition of 125. Image size 32 x 25 inches. Sheet size 36 x 26.5 inches. ...

George Biddle (1885-1973), Banana Grove, lithograph, 1928. Signed, titled and numbered in pencil [also annotated in the plate “Biddle/1928, lower right “47). References: Pennigar 81, Trotter 47. In excellent condition, the full sheet, on cream wove BFK RIVES paper, with their (partial) watermark. 12 1/2 x 9, the sheet 20 x 16, archival mounting (non attached mylar hinging between acid free board, glassine cover). A fine fresh rich impression in pristine condition. After Groton, Harvard College...

This Blue Dog work consists of a solid magenta background. There is a single dog wearing a yellow and orange polka dot tie. The dog has soulful yellow eyes. This pop art animal origi...

'Boeuf Ecorche' is an original color lithograph, signed by Claude Weisbuch – and it is a quintessential example of the contemporary artist's interest in the old masters. In the image...

"Boy With Cows" is an original drypoint etching by John Edward Costigan. It depicts a young boy with three cows standing in a watering hole. The artist si...

Ostrich is a lithograph realized by Alberto Mastroianni in the 1970s. Hand Signed on the lower right margin. Numbered on the lower margin in pencil. From the edition of 150.

This Blue Dog work consists of a blue dog sitting in a black background that is covered in silver blue dog heads. The dog has soulful yellow eyes. This pop art animal original silk...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

This Blue Dog work consists of one red dog sitting on a white background. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is hand signed by ...

Robert BONFILS The lover's interlacing, 1920 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagie...

Etching, aquatint and drypoint. Not Signed and not Numbered as issued. Edition of 226 pieces. Belongs to the Suite "Histoire Naturelle de Buffon" (plate p. 86). Printed by Lacourièr...

Cows is an original etching on paper realized by an Anonymous artist of the XX century. The State of preservation is very good. Sheet dimension: 28 x 36 cm. The artwork represent...

This Blue Dog work consists of a single dog at the left bottom of a solid black background. There are 6 cars alternating green and 2 toned red/orange surrounding the dog from top to...

The Bird is an Original lithograph on ivory-colored paper realized by Giselle Halff in 1950 ca. Hand-signed by pencil on the rear. Good conditions.

Artist: Dan May (American, 1955-) Title: "Party Pig" *Signed by May in pencil lower left Year: 1989 Medium: Original Monoprint on unbranded white cotton rag laid paper Limited editio...

Original linen backed 1949 International Jumping Steeple Chase Van Gent poster. The events were held at the Royal Cercle Equestre Gent; at the Feestpaleis The Royal Cercle Eque...

Signed, dated, and titled in pencil by the artist Dedicated: "To Jon From Ray" Edition: 100 in two printings A studio proof from the second printing by Jon Clemens, master printe...

Cat is an original watercolor realized by Giselle Halff (1899-1971). Hand signed on the lower right margin. Good conditions. Giselle Halff (1899-1971) born in Hanoi, student of R.X...

"Barbisio (Dog & Hat)" is an offset color lithograph poster by Giovanni Mingozzi, this example coming from the original printing of the poster. It features a white dog surrounded by ...

Shadow of Camels is original etching realized by Tullio Diamanti in 1980. Hand-signed. Artist's proof. Sheet dimension: 70 x 0,1 x 50 cm. Image dimension: 39 x 39 cm. In excell...

Mel Hunter, American (1927 - 2004) - Quarter Horse, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 500, Size: 22 in. x 29.5 in. (55.88 cm x 74.93 cm), De...

Sketchof Cat View is an original lithographia realized by Helène Neveur in 19870s. Good conditions. Numbered. Edition, 4/75. The artwork is depicted t...

Leonor Fini Ma fortune, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

Ducks is an original woodcut print realized by Giselle Halff. Good condition, no signature. Included a white cardboard passpartout (39x29 cm).

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

Woman and White Cat Will Barnet, American (1911–2012) Date: 1971 Screenprint, signed, titled and numbered in pencil Edition of 45/200 Image Size: 23.25 x 20 inches Size: 26 x 22 in. ...

Flight of the Rat (Volo del ratto) is an original Contemporary artwork realized in 1973 by the italian Contemporary artist Leo Guida (1992 - 2017). Original colored etching on i...

This Blue Dog work consists of a blue dog. The background is split on a diagonal of yellow and purple with a red painted frame and red "Rodrigue" written vertically on the left of the dog. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is hand-signed by the artist. (unique because it's missing the McLean County Arts Center Bloomington, IL silk-screening logo on the lower right) Artist: George Rodrigue Title: Blue Dog “Museum Edition...

The Bird is an original Contemporary artwork realized in the 1972 by the italian artist Leo Guida. Original Etching and Burin on paper. Hand-signed and dated on the lower right co...

This Blue Dog work consists of 2 dogs; one with a brown vest sitting on a blue rug with a tan border and decorated with blue butterflies. One butterfly has released itself from the ...

Lithograph in colors on paper. Hand signed, dated, titled and numbered lower margin by Will Barnet. From edition of 300. Image size 29.5 x 38 inches. Sheet size 33 x 41 inches. F...

Artist: Jack Coutu Title: Sulphur Breasted Toucan Medium: Etching Signed: Hand Signed Edition: From the edition of 200 Measurements: 23" x 31" Year: 1970 Note: This piece is so...

The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Original Gene Autry Gold Mine in the Sky linen-backed original vintage movie poster. The poster does show some foxing on the original theatrical fold marks. Republic Pictures. ...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

This Blue Dog work consists of 4 frames each with a dog and different colored backgrounds. One is a red background with a yellow center, one is purple background with a yellow center...