Animal Prints

Bartram's Sandpiper is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons,...

Royal Tiger is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publish...

Donald Sultan (American, b. 1951) "Fish (From Fruit and Flowers Portfolio)" 1990 Screenprint in colors on Arches 88 paper Pencil initialed, titled, and dated left of image Edition 61...

Josh Keyes, "Stairway To Heaven." Edition of 175 with dimensions of 26 x 18 inches / 66 x 45.72 cm. Fine art print on 290gsm paper hand signed and numbered...

Cynocéphale Chacma is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was ...

Kanguroo Dorsal is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was pub...

Harry Bunce April, The Happy Year Limited Edition Print Edition of 365 (one for each day of the year) Size: H 31.5cm x W 28cm Artist signed/titled and numbered archival print on 300g...

John Baldessari pays tribute to the old master Albrecht Dürer by repurposing his famous woodcut "Rhinoceros". When the rhino's magnificent head is tilted up, the expression becomes...

La Daine is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particulièr...

Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Two Tigers on Green Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250, CL I...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 39" x 26" unframed (100cm x 66cm) 2022 Edition 1/10 *Should you ...

The Wolves is a lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in 1854....

Macaque is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

Aquatint print of an owl perched on a branch with bright yellow eyes. The work is signed by the artist. It is framed in a wooden frame with a burlap matte. Artist Biography: Kaiko M...

Brenda Zlamany Blu on Red, 2013 Limited Edition special giclee print. Hand signed and dated by the artist on the front 19 1/2 × 19 1/2 inches Unframed Gorgeous giclee print based up...

Zibeth is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in...

White Owl is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by Londo...

La Chevre Dangora is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et pa...

A pair of 18th century hand colored copperplate engravings entitled "Felis Leo Linn Femina" and "Rhinoceros Unicornis Linn" from Dr. Johann Schreber's Die Sa...

"Rough" and "Puck, " Dandies 1887 Etching 3 x 5

Dalmatian Regulus is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 18...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

The Hooded Merganser by the famous ornithological artist John Gould ( 1804 – 1881 ) is plate no.36 of volume 5 from his Birds of Great Britain....

Animal Figures from Ancient Rome, from the serie of "the Antiquities of Herculaneum Exposed", is an original etching from the end of the 18th century, made by Various Old Masters. I...

Le Lapin Domestique is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardb...

Roller is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by London, Bell...

What’s That? by Helen Fay [2012] Limited Edition Etching , hand printed on Hanemulle etching paper Edition number edition size 75 Image size: H:21 cm x W:18 cm Complete Size of Unframed Work: H:45 cm x W:30 cm x D:.15cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Original Print, hand made and hand printed by the artist. A gentoo penguin, standing wings out, her attention just grabbed by something. The light is just catching her soft chest feathers. The etching captures the tactile softness of the feathers. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert...

White Wagtail is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870....

"Cat-astrophie" is a lithograph on paper, 9 x 9 inches image size. From the edition of 395 and framed in a contemporary, silver-tone frame. Initialed by the artist lower right and nu...

Lemur is an artwork realized in 1972 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original etching on cardboard. Good conditions. Leo Guida (1992 - 2017). S...

This digital print on handmade paper comes in a natural wood archival framing presentation I have called the body of work that I have done over the past decade “Imaging Biodiversity...

Wild Goose is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stut...

Dal Torchio Dell'Autore is an original black and white etching realized in 1973 by Leo Guida. Titled, dated and Hand-signed by the artist on the lower margin. Editions I/V. The st...

Owl is an etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009). Hand-signed on the lower right and numbered on the lower left in pencil. Ed...

Medium: etching and aquatint Edition of 250 Year: 2014 Image Size: 9 x 12 inches Signed, titled and numbered by the artist. Inspired by a scene of seven Canadian Geese in Lake Padde...

Pelican is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttga...

Red-Necked Phalarope is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published ...

Lithograph on Paper Page Size: 12.5 x 18 in. Frame Size: 19 x 24.75 Signed, bottom right, in pencil "Ancel Nunn" Numbered, bottom center, in pencil "77/90" Titled, bottom left, in pe...

Zebra is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is en...

Little Blue Birds is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published ...

Chien Turc Metis ( Dog breed) is an etching realized by Pierre Francois Tardieu in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description d...

Cock Tease is a lithograph on paper, initialed lower right 'BD', 9 x 9" image size. From the edition of 395, numbered XXIX/C (there were also 275 Arabic and 20 AP), framed in a conte...

Purple Martin is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Han...

Eagle is an etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of b...

Robert Greenhalf Curlews and Woodpigeons Limited Edition Print Woodcut on Paper Edition of 100 Paper Size: H 26cm x W49 cm Image Size: H 16cm x W 38.5...

The Mouse is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published...

Le Dogue de Forte Race is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du C...

The Donkey is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition...

Joseph Wolf Lithograph c.1940

Bewick's Swan is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870....

Parrots is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttga...

Artist: John Gould (English, 1804-1881) Title: "Platalea Leucorodia (Spoonbill)" (Vol. 4, Plate 32) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 750 Printer: Walter or Walter & Cohn, London, UK Publisher: Taylor and Francis, John Gould, London, UK Reference: Sauer No. 23; Ayer/Zimmer page 261; Wood page 365; Nissen No. IVB 372; Sitwell page 78 Framing: Recently beautifully framed in a gold Neo-Classical moulding with gold filet and 100% cotton rag matting from Holland. All archival Framed size: 23.5" x 30" Sheet size: 14.75" x 21.5" Image size: 12.5" x 19.5" Condition: One small tear at upper right edge which has been skillfully repaired from verso. Light mat stain in margins and one small area of discoloration upper left center. It is otherwise in very good condition with strong colors Notes: Provenance: private collection - Williamsburg, VA. Lithography and hand-coloring by John Gould and English artist Henry Constantine Richter (1821-1902). Comes from Gould's five volume "The Birds of Great Britain", (1862-1873) (First edition), which consists of 367 hand-colored lithographs. Other contributing lithographers were German artist Joseph Wolf...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep Portfolio Year: 1981 Medium: Portfolio of 7 Screenprints with Etching, each signed in pencil Edition: 65, AP 5 Size of Each: 33.5 x 31 in. (85.09 x 78.74 cm) Printed by Jerusalem Print...

Wild Pig and Hippopotamus is a color lithograph realized in the late 19th century by an anonymous illustrator representing a wild pig and a hippopotamus. The animals are designated ...

Cheetah - From Chats et Autres Bêtes is an original black and white lithograph realized in 1933 by Théophile Alexandre Steinlen. Signed on plate. The lithograph, on Arches vellum,...

Wonderful mid century modern wood cut of wild Penguins by Israeli artist Hannah Yakin Hiyze (Dutch/Israeli, b. 1933), 1967. 13/33. Signed, number, dated and titled lower left edge. Condition: some waviness to paper. Presented under glass with vintage painted wood frame. Image size: 14"H x 37"W. Born Hannah van Hulst in Amsterdam, during World War II, Hannah developed her artistic talents, experiencing "happy times in which necessity bore creativity." After the war she went to high school and studied art at Academia Artibus, Utrecht, the Netherlands and in Paris with famous poster designer and graphic artist Paul Colin. In 1956 she emigrated to Israel where she met and married the artist Abraham Yakin...

Lioness is a modern artwork realized by Evert Louis van Muyden (Albano, Lazio 1853 - 1922 Orsay) in 1900 . Black and white etching. Signature and date on plate. Includes passe-pa...

Le Marcassin - Le Cochon de lait is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is g...

Archival pigment print Signed and titled, verso 18 x 12 inches, image (Edition of 10) This artwork is offered by ClampArt, located in New York City.

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...