Animal Prints

Le Petit is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condit...

Special Gold Trio – Special Edition, Painting by Gavin Dobson A special collection of 3 handmade screen prints at a special price for a ltd period only. Additional information: E...

Le Sarigue is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good cond...

L'Ocelot is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condit...

Le Rhinoceros is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good c...

Original vintage poster: …BECAUSE SOMEBODY TALKED. Original World War II (2) linen-backed 1944 poster. Artist: Wesley Heyman. Size 20" x 28" Linen backed. Excellent condition. Antique poster ready to frame. Original issued U. S. Government fold marks touched up during linen backing. This is not considered a defect on World War II posters. Because Someone Talked portrays a cocker resting his head on his master's scarf. The gold star flag behind his head reveals that his master has been killed in action. The flag was awarded to mothers who lost sons. Published by the United States Government Printing Office Interpretation This poster, issued by the United States government during World War II, is a warning to citizens that discussing troop movements, or other military information that might be useful to the enemy, could have serious consequences. The Service Flag...

Le Tigre is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condit...

Cape Cross (13 March 1994 – 21 April 2017) was an Irish-bred Thoroughbred racehorse. He is a son of the July Cup winner Green Desert and Cheveley Park Stakes, winner Park Appeal who ...

La Chevre De Juda is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Go...

Le Porc is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions wi...

Le Lion is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi"....

Each frame is made with a Forensic UV plexi box As a contemporary artist, I am captivated by the intricate interplay between humanity and nature. Through my art, I delve into and acc...

L'elephant is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature ...

Zebra is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is en...

The Skeleton is an etching realized by Juste Madeline Rousselet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Go...

Paris: Jules Géruzet, 1860. Etching on cream laid paper, 3 1/2 x 5 inches (88 x 121 mm), full margins. Minor uniform age tone. Printed by George Bertauts, Paris. [Beraldi II.140.24...

Printed in 1943, by the U.S. Government Printing Office for the U.S. Department of Agriculture Forest Service. The poster features the beloved Disney characters, Bambi (deer), Thumper (rabbit), and Flower (skunk) in wide-eyed shock leaning towards fear. With the slogan "Please, Mister, don't be careless" the poster is designed to tug at the heartstrings of the viewer and make them consider what actions they could take in their own lives to prevent forest fires. Poster: 20" x 14 1/4" Frame: 30" x 22 1/2" Framed to conservation standards with a 100% cotton fiber matboard border and UV clear glass that filters 99% of UV Rays. UV Rays can be especially damaging and cause fading to the inks used in poster making. All of these features are housed in a contemporary natural wood frame. Smokey Bear...

Phalanger Femelle is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabine...

Le Margay is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulièr...

Le Milan is an etching realized by Jacques Baron in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pari...

Le Pecari is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condi...

Charles "Snaffles" Johnson Payne (1884–1967) was an English painter known for his humorous work and for his outstanding draughtsmanship and depiction of the horse in action. Pencil signed LL by the artist. w/ black & white remarque LR Print Sz: 19 1/2"H x 25 3/4"W Frame Sz: 26 1/2"H x 33 1/4"W circa 1950 In French mat and Hogarth frame Published by Messrs Fores Ltd., 123 New Bond St. W1 w/ The Crossroads of Sport...

L'Ocelot Femelle is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet...

Le Roi Des Vautour is an etching realized by F. Hubert in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi"...

Le Surikate is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du R...

L'once is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

L'orfraie is an etching realized by Madeleine Rousselet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...

Le Vansire is an etching realized by Madeleine Rousselet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...

La Fossane is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particuliè...

La Marte is an etching realized by Jean Gullaume Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artis...

Le Caciicame is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

Le Coendou is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature ...

Le Cocquar is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particuliè...

Le Belier is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condi...

This hand-colored engraving comes from "Histoire Naturelle Des Oiseaux," a famous set of volumes edited by Georges Louis Leclerc, le comte de Buffon (1707-1788). The book was publish...

This is an original 19th century hand-colored folio-sized lithograph entitled "Archibuteo Lagopus" (Rough-Legged Buzzard) by John Gould and Edward Lear, from Gould's "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Rough-Legged Buzzard perched on a branch of a tree looking to the left. This beautiful framed Gould hand-colored lithograph is presented in a gold-colored wood frame and cream-colored French mat, embellished by a gold-colored fillet. The frame measures 33" high, 25.5" wide and 1.25" thick. It is in excellent condition There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Syrnium Aluco" (Tawny or Brown Owl) by John Gould, from his "Birds of G...

La Caille is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

Hyena is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is en...

Le Chameau is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engrav...

Le Palmiste is an etching realized by Jean Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artist's s...

L'Urson is an etching realized by Antoine Defehrt in 1771. Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Paris: Imprimer...

Le Polatouche is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good c...

The Skeleton is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

Le Pinche is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condi...

Autre Kabassou is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et partic...

La Tourtereller Blanche is an etching realized by Jacques Blanchon in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. ...

La Foutine is an etching realized in 1771 by Jean Moitte Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la desc...

Le Dromadaire is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good c...

Le Rat is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions wit...

Le Hocco is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions w...

Le Kabassou is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good con...

La Genette is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good cond...

The Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particul...

La Marmotte is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good con...

L'Ondatra is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

Le Furet is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière...

L' Ecureuil is an etching realized by Jean Gullaume Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Ar...