Bird Animal Prints

Max Ernst (1891-1976) Surrealist Dream : Couple of Roosters, 1970 Original color lithograph Printed signature in the plate On Arches vellum 33.5 × 61 cm (c. 13 x 24 in) REFERENCES...

Gannets on the Bass Rock by Paul Bartlett Limited Edition print: Edition of 100 Giclée Print on Paper Sold unmounted and unframed Image size: H:36.5CM x W:30CM. Complete size of unmo...

Robert Rauschenberg Earth Day, 1970 Offset Lithograph Plate signed and dated on the front Publisher: Castelli Graphics 33 1/2 × 22 1/4 inches Unframed This is the original 1970 offse...

Image Size: 6" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2016

This artwork titled "Starling" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 82/150 in pencil by the artist. The artwork (image) size is 10 x 23.25 inches, framed size is 17.25 x 30.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs. About the artwork: This artwork required 3 different carved wood blocks and 7 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

Image Size: 4" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2016

Image Size: 7" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2013

Image Size: 4" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando

Image Size: 9" x 4.5" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2019

6" x 8" Limited Edition Etching + Aqua Tint + Chine colle, Hand coloured Hand Signed by Mariko Ando

Image Size: 6" x 4 1/4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2021

Image Size: 11" x 6" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2019

Image Size: 4.5" x 4.5" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2019

Image Size: 5" x 4" Unframed Limited Edition Etching of 10 Hand Signed by Mariko Ando

4 1/4" x 6" Unframed Limited Edition Etching + Aqua Tint + Chine colle,Hand coloured Hand signed by Mariko Ando 2021

Image Size: 13" x 7.5" Unframed Limited Edition Etching AP Hand Signed by Mariko Ando 2015

Image Size: 11" x 5 1/2" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2009

This artwork titled "Asagiri" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 150/200 in pencil by the artist. The artwork (image) size is 11.25 x 23.25 inches, framed size is 18.65 x 30 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs, barely visible. About the artwork: This artwork required 7 different carved wood blocks and 21 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

Artist: John James Audubon (American, 1785-1851) Title: "Greenshank (View of St. Augustine & Spanish Fort East Florida)" (Plate CCLXIX - 269; part No. 54) Portfolio: The Birds of America, Havell Edition Year: 1835 Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper Limited edition: approx. 180 Printer: Robert Havell Jr., London, England Publisher: John James Audubon, London, England Framing: Recently framed in an ornate black and gold moulding with fabric rag matting and gold filet Framed size: 26.25" x 31.75" Sheet size: 21.75" x 27.25" Platemark size: 15" x 20.63" Image size: 12" x 18" Condition: The sheet is laid down to board. Light toning and discoloration to sheet. The occasional pinhole or faint surface abrasion. In otherwise good condition with good colors Rare Notes: Provenance: private collection - Denver, CO. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". The would be "J. Whatman 1835" watermark is likely missing due to its trimming. The composition was probably painted in England in 1835, using a preserved specimen. Since no other than Audubon has ever claimed to have seen this European...

Tracey Emin Docket and His Bird Collection plate (uniquely hand signed and inscribed by Tracey Emin), 2019 Fine Bone China (Hand signed, warmly inscri...

Le Pigeon- Paon is an etching realized by Jacques Menil in 1771.Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description d...

Mark Sabin Noah's Ark - 1980 Print - Silkscreen print on Somerset Paper 34'' x 26'' Edition: Signed in pencil, titled, dated and marked 245/250 image size : 31" x 23.25" inches Ma...

Le Pigeon - Gravate is an etching realized in 1771 by Jacques De Sève. Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière ...

La Cresserelle is an etching realized by Juste Madeline Rousselet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabi...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Hi...

La Pie-Grieche Grise is an etching realized by Jaqcuse Baron in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du...

'Wading Egret', color woodblock, c. 1900 - 1910. Signed 'Koson' in black ink with the artist’s red seal beneath, lower left. A superb, skillfully-inked impression, with fresh colors,...

Artist: John Latham (English, 1740-1837) Title: "Parrot-billed Grosbeaks", "White backed Coly", "Banksian Cockatoo", and "Variegated Tanager" Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Sheet size (each): approx. 11.25" x 8.88" Image size (each): approx. 5.75" x 4.75" Condition: "Parrot-billed Grosbeaks" and "White backed Coly" have light offsetting to their sheets. "Banksian Cockatoo" and "Variegated Tanager" have moderate offsetting to their sheets. The "Variegated Tanager" also has a few light spots of discoloration at top in margins. They are all otherwise in good condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Parrot-billed Grosbeaks" and "Variegated Tanager" have an unidentified "1821" watermark lower right and upper right respectively. "Banksian Cockatoo" as a partially visible "1820?" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...

The single letter "U", from the alphabet, depends on phonics for the "ewe" to qualify for "U". All letters are available, and the full set of 27 etchings in folio box is available fo...

A limited edition mixed media print on canvas mounted to wood by American artist and educator Michael Knigin (1942 - 2011). Knigin's art incorporates his photography, collage and his...

Artist: George Edwards (English, 1694-1773) Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards" Portfolio: A Natural History of Uncommon Birds, and of Some O...

Anatomy of Animals is an etching realized by Marcel Gaillard in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet d...

Artist: George Edwards (English, 1694-1773) Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards" Portfolio: A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals / Gleanings Of Natural History Year: 1743-1764 Medium: Set of Two Original Hand-Colored Engravings on watermarked laid and wove papers Limited edition: Unknown Printer: C. Rickaby, London, UK Publisher: William Gardiner and Messrs. Robinson, London, UK Reference: Mullens and Swann page 194-195; Anker No. 124-126; Fine Bird Books page 93; Lisney page 128-144; Nissen IVB No. 286-288; Zimmer page 192-198 Sheet size (each): approx. 11.25" x 9" Image size (each): approx. 8.63" x 7.38" Condition: "90" has faint offsetting to sheet. "308" has one foxmark center right. They are both otherwise in excellent condition with strong colors Notes: Comes from Edwards seven volume portfolio "A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals" / "Gleanings Of Natural History" (1743-1764), which consists of 362 hand-colored engravings. "90" is on laid paper with a "fleur-de-lis" watermark at center left edge. "308" is on wove paper with no watermark. The last image of the cover title sheets is for reference/provenance; it is not included. Biography: George Edwards FRS (3 April 1694 – 23 July 1773) was an English naturalist and ornithologist, known as the "father of British ornithology". Edwards was born at West Ham...

Artist: Jack Coutu Title: Sulphur Breasted Toucan Medium: Etching Signed: Hand Signed Edition: From the edition of 200 Measurements: 23" x 31" Year: 1970 Note: This piece is so...

L'Ecorcheur is an etching realized by R. De Launay in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pa...

Insect is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

Le Coq is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière a...

François Nicolas Martinet (French, 1731 - c. 1800) Le Pigeon Ramier de Madacascar (The Wood Pigeon of Madagascar) • 18th century hand colored Copper Plate engraving • Plate No. 192 from : L' Histoir e des oiseaux, peints dans leurs aspects apparents et sensibles, published in 1790 (“The History of the Birds, painted in their appearing and sensitive aspects“) • Glased & ebonized hardwood frame contemporary to the engraving, ca. 43 x 33 cm Worldwide shipping is complimentary - There are no charges for handling & delivery. A rare pigeon print...

Le Dindon is an etching realized by Carl Guttenberg in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". P...

Le Hibou ou Moyen Duc is an etching realized by F. Hubert in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du R...

Insects is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

Birds is an etching realized in 1771 by Louis Legrand. The Artwork is depicted through confident strokes in aa well balanced composition. Good conditions.

Puffin, Painting by Gavin Dobson Puffin, limited edition silkscreen print A four layer CYMK elegant and colourful screen print. Signed 70cm x 50cm on Fabriano paper 310 gsm with a ...

Insects is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

Birds is an etching realized in 1771 by Robert De Launay. The Artwork is depicted through confident strokes in aa well balanced composition. Good conditions.

Interior of an Animal is an etching realized by Juste Chevillet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabine...

Late September by Robert Greenhalf [2021] Late September is a limited edition print by artist Robert Greenhalf. Made using woodcut printing techniques and an organic earthy color sc...

Le Vautour is an etching realized by F. Hubert in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Paris:...

L'emerillon is an etching realized by Carl Guttenberg in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi"....

Le Faucon Sort is an etching realized by N. De Launnay in 1771. The Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Paris:...

Le Hobreau is an etching realized by F. Hubert in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Paris:...

Le Grand Duc is an etching realized by Jacques Baron in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Three Flying Ducks, Painting by Gavin Dobson Three flying ducks is a limited edition print by artist Gavin Dobson. Featuring three ducks in an expressive style flying across the pi...

Each frame is made with a Forensic UV plexi box As a contemporary artist, I am captivated by the intricate interplay between humanity and nature. Through my art, I delve into and acc...

Radiance, Painting by Jane Peart Jane Peart Radiance Limited Edition Print Edition of 50 Image Size: H 30cm x W 47cm Signed Sold Unframed Please note that in situ images are purely...

Artist: John Latham (English, 1740-1837) Title: "New-Zealand Plover", "Nilid Grosbeak", "Black-throated Bunting", and "Variegated Chatterer" Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Sheet size (each): approx. 11.13" x 8.75" Image size (each): approx. 4.75" x 4.5" Condition: "New-Zealand Plover" has some light offsetting and a few faint areas of discoloration at top in margin. "Nilid Grosbeak" has some faint areas of discoloration. They are all otherwise in excellent condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "New-Zealand Plover" has an unidentified "1823" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Strix Flammea” (Barn Owl) by John Gould, from his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Barn Owl perched on a log its three baby owls to the left. Another adult owl in the background on the right, presumably a male, watches over his family. There are leaves on the right contributing to this pleasant landscape composition. This striking framed Gould...

Original travel poster: San Diego (Home Federal), artist: Robert Kinyon, 24.25" x 38", 1974; original Southern California poster. Excellent condi...