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Art Subject: Bird
Eared Grebe: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Wilson's Plover, 1. Male, 2. Young First Year", No. 97, Plate 482 from Audubon's "Birds of Ameri...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Cold Call (Arctic)
Located in Greenwich, CT
Cold Call (Arctic) is a lithograph on paper, 9 x 9 inches image size. From the edition of 395, numbered 138/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silve...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
The Texan Turtle Dove: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "The Texan Turtle Dove, Male", No. 100, Plate 496 from Audubon's "Birds of America, lithographed,...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Bell's Vireo: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Bell's Vireo Male", No. 97, Plate 485 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia in 1856. It depicts an adult male Bell's Vireo bird perched on a branch of a flowering plant facing to the left.
This original hand-colored Bell's Vireo lithograph is in very good condition, other than a few edge chips and irregularity of the left edge where it was previously bound in the publication, all of which will be obscured by a frame mat. The image portion is in excellent condition. The sheet measures 10.25" high by 6.63" wide.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Purple Gallinule: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "4128 Audubon, Purple Gallinule, Adult Male, Spring Plumage", No. 61, Plate 303 from Audubon's "B...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
I Am Elegant
Located in Bristol, GB
Screenprint
Edition of 125
Signed on the accompanying COA and numbered on the back
Excellent. Minor soft creasing in bottom left and right and top middle of print.
Please note that...
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Screen
Swallows in Summer, Mounted Linocut print, Landscape art, Nature, Birds
By Rob Barnes
Located in Deddington, GB
Swallows are a real signal that summer has arrived. I created this as a warm afternoon landscape with swallows providing movement.
Additional information:
Swallows in Summer [2023] ...
Category
2010s Contemporary Landscape Prints
Materials
Paper, Linocut
Game Cock
Located in Greenwich, CT
Game Cokc is a lithograph on paper, 9 x 9 inches image size. From the edition of 395, numbered 228/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-tone fr...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Saltmarsh Heron, Mounted Linocut print, North Norfolk coastal art, Nature, Birds
By Rob Barnes
Located in Deddington, GB
Out on the North Nofolk coast are saltmarshes. These attract Herons and Oystercatchers. In this linocut I wanted to create a natural environmental view of this part of the coast. The...
Category
2010s Contemporary Landscape Prints
Materials
Linocut, Paper
American Coot: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "4128 Audubon, Purple Gallinule, Adult Male, Spring Plumage", No. 61, Plate 303 from Audubon's "B...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Cloud Reflection, Seascape Print, Coastal Art, Beach Art, Bird Art, Animal Art
By Rob Barnes
Located in Deddington, GB
On a bright sunlit day at the coast, I was inspired by a cloud reflection on the wet sand. It was dramatic and completed by seeing a dog walker in the distance. The linocut is all ab...
Category
2010s Contemporary Landscape Prints
Materials
Paper, Linocut
David Shrigley - Fish Says Fuck You All
Located in Central, HK
David Shrigley
Fish Says Fuck You All, 2021
80 x 60 cm
Off-set lithography
Printed on 200g Munken Lynx paper
Category
2010s Animal Prints
Materials
Lithograph
Scolopaceous Courlan: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Scolopaceous Courlan", No. 63, Plate 312 from Audubon's "Birds of America, lithographed, printed...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Virginian Rail: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Virginian Rail, 1. Male, 2. Female, 3. Young", No. 63, Plate 311 from Audubon's "Birds of Americ...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Hudsonian Godwit 19th C. 1st Octavo Edition Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored 1st octavo edition lithograph entitled "Hudsonian Godwit, 1. Male, 2. Female, Summer Plumage", No. 70, Plate 349 from...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Large-billed Guillemot: Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Large-billed Guillemot, Male", No. 95, Plate 472 from Audubon's "Birds of America, lithographed,...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Inner World
Located in Zofingen, AG
The still life Inner World is dedicated to the inner world of a person. It can be hidden from our eyes, but it can be very deep, interesting, bright, fantastic, always special. It ca...
Category
2010s Art Deco Animal Prints
Materials
Digital Pigment
Common Scaup Duck: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Common Scaup Duck, 1. Male, 2. Female", No. 100, Plate 498 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia in 1856. It depicts male and female Scaup ducks sitting on a mound, looking to the right at water. A lighthouse is seen on a point of land in the background on the right.
This original hand-colored Common Scaup Duck lithograph...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Red-breasted Rail: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Great Red-breasted Rail or Fresh Water Marsh Hen, 1. Male Adult, 2. Young", No. 62, Plate 309 fr...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Yellow-breasted Rail: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Yellow-breasted Rail, Adult Male in Spring", No. 62, Plate 307 from Audubon's "Birds of America,...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Epimaque / Epine Vinette / Epipone / Equille; Pl. 151
Located in Mount Vernon, NY
Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...
Category
19th Century Animal Prints
Materials
Engraving
Missouri Meadow Lark: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Missouri Meadow Lark, Male", No. 98, Plate 489 from Audubon's "Birds of America, lithographed, p...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Least Water-Rail: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Yellow-breasted Rail, Adult Male in Spring", No. 62, Plate 307 from Audubon's "Birds of America,...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
Grallae - Etching by Jean Francois Turpin-1831
Located in Roma, IT
This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831. The work was made of 29 volumes, containing hundred...
Category
1830s Modern Animal Prints
Materials
Etching
Camacee - Etching by Jean Francois Turpin-1831
Located in Roma, IT
This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831. The work was made of 29 volumes, containing hundreds ...
Category
1830s Modern Animal Prints
Materials
Etching
Crittodibranchi... - Etching by Jean Francois Turpin-1831
Located in Roma, IT
This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831. The work was made of 29 volumes, containing hundreds ...
Category
1830s Modern Animal Prints
Materials
Etching
Topaza Pella
Located in Columbia, MO
J. Gould & HC Richter.
Topaza Pella
1945
Hand colored etching by J. Gould & HC Richter Del et Lith
Printed London c. 1860s at Hullmandel & Walton, Imp.
21.75 x 14.75 inches
23.75 x ...
Category
19th Century Realist Animal Prints
Materials
Etching
Grallae - Zoology - Etching by Jean Francois Turpin - 1831
Located in Roma, IT
This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831. The work was made of 29 volumes, containing hundred...
Category
1830s Modern Animal Prints
Materials
Etching
Eugenia Emperatrix
Located in Columbia, MO
J. Gould & HC Richter
Eugenia Emperatrix
1945
Hand colored etching by J. Gould & HC Richter Del et Lith
Printed London c. 1860s at Hullmandel & Walton, Imp.
21.75 x 14.75 inches
23...
Category
20th Century Realist Animal Prints
Materials
Etching
The Vulture. 1942 (Histoire Naturelle - Textes de Buffon, B.341)
Located in Greenwich, CT
The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
"Ver voces II" yellow contemporary surrealist serigraphy w/silver leaf
Located in Ciudad de México, MX
Nature is a central theme in Alejandra's work, and with this surreal vibrant landscape, we can notice her profound curiosity about the cycles that occur in the natural world that tur...
Category
2010s Surrealist Animal Prints
Materials
Screen
Toucans
Located in Greenwich, CT
Toucans is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered XXV/C (there were also 275 arabic and 20 AP).
Robert Deyber’s lith...
Category
2010s Contemporary Prints and Multiples
Materials
Lithograph, Paper
Original Holy Land Fly TWA Jets vintage travel poster 1960s Noah' Ark
By David Klein
Located in Spokane, WA
Original Holy Land TWA vintage travel poster. Artist David Klein. Size 25" x 40.5". Archival linen-backed authentic vintage TWA travel poster...
Category
1960s American Modern Animal Prints
Materials
Offset
Seal & Penguin
By Mervin Jules
Located in Provincetown, MA
Mervyn Jules studied at Baltimore City College and the Maryland Institute College of Art before moving to New York City and continuing his art education at the Art Students League of New York under the tutelage of, among others, Thomas Hart Benton. Jules was a Works Progress Administration artist in the 1930s, as a silk screen artist...
Category
Early 20th Century American Impressionist Animal Prints
Materials
Lithograph
David Gilhooly 'Early Autumn Years of My Dog Spot' Original Signed Print
Located in San Rafael, CA
David Gilhooly (1943-2013)
Early Autumn Years of My Dog Spot, 1988
Monoprint on BFK Rives Paper
Titled on the verso in pencil
Signed and dated in pencil, lower right
Published by Ma...
Category
1980s Contemporary Animal Prints
Materials
Monoprint
"Watch for the Next Bloom", Still Life, Cat Depiction Patterns, Woodcut Print
Located in Philadelphia, PA
This piece titled "Watch for the Next Bloom" is an original print by Jun Lee and is made by reduction woodcut. This piece measures 35"h x 26"w framed...
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Woodcut, Ink
"Reigning and Roosting" Folk Art inspired linoleum block bird print, deep blue
By Lisa Houck
Located in Wellesley, MA
Lisa Houck is a highly established artist from Boston, recently re-located to Maine, with a very large following devoted to her exceptional paintings, watercolors, mosaics and prints reminiscent of Folk Art, Matisse and Aborigine art. Houck is widely admired and recognized for a gorgeous sense of color and a sensibility both playful and serious that is uniquely her own.
This is one of her 3 most recent large format bird prints in various shades of blue and aqua in a series which now consists of a total of 10 related prints. They are outstanding installed individually or as groups. Houck's highly sophisticated and complex sense of pattern and design is delightfully whimsical, as well as extraordinarily compelling for its knowledge of so many artistic forms which the artist is miraculously able to reference and incorporate, while maintaining a style so distinctively recognizable as her own.
Lisa Houck
"Flittering and Fluttering"
2023
Linoleum Block Print
Edition 10
35.25 x 23.25 Inches
This print is not framed.
Lisa Houck has an outstanding reputation for not only her work as a printmaker but for achievements in painting, watercolor, mosaic and textiles as well. She has executed many large permanent public art commissions for interior and exterior sites in Boston and nationwide including ambitious murals for Dana Farber, The Children's Hospital, Frieda Garcia Park and numerous libraries, playgrounds and other public buildings. Her works have been featured in many museum and gallery exhibitions and are included in a multitude of public and private collections.
Artist's Statement:
"I work in watercolor, oil on wood, ceramics, mosaics and etching. Each medium allows me to invent new ways to express my view of nature through color and pattern. My artwork has been exhibited widely, and is in numerous public and private collections, including The Boston Athenaeum, Brigham and Women’s Hospital, Boston Children's Hospital, Fidelity Investments, four libraries in Broward County Florida, Hale and Dorr, Massachusetts General Hospital, and the Museum of Fine Arts, Boston."
LISA HOUCK
Education and Professional Affiliations:
Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989.
Rhode Island School of Design, Providence, RI: B.F.A. 1975.
Boston Printmakers
Selected Solo Exhibitions:
Beth Urdang Gallery, Boston, MA 2017, 2021
Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014
Rivers School, Weston, MA 2008
Bentley College: “All About the Square,” Waltham, MA 2003.
Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000.
Randall Beck Gallery: Boston, MA 1993, 1991.
Barbara Singer Fine Art: Cambridge, MA 1991.
Coyote Gallery: Cambridge, MA 1989.
Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988.
Modestino Gallery: Cambridge, MA 1987, 1986.
New England School of Art and Design: Boston, MA 1986.
Mott House: “The Comet and Other Phenomena,” Washington, DC 1986.
Selected Group Exhibitions:
Cove Street Arts, “Menagerie a Trois”, Portland, ME, 2022
Fuller Craft Museum: “Mosaics Today”, Brockton, MA 2022
Turtle Gallery, “Summer Show”, Deer Isle, ME 2022
Gallery Twist, Lexington, MA “impressions” 2019 and 2020
Boston Athenaeum, New England on Paper, Boston, MA 2017
Cotuit Center for the Arts: Marking Time: 70 Years of the Boston Printmakers, Cotuit, MA 2017 Arsenal Center for the Arts, Big Prints, Watertown, MA 2016
FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016
Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013
Highfield Hall, National Mosaic Exhibit on Cape Cod, Falmouth, MA, 2011
Fancy Plants: Bentley University, 2010
Contemporary Mosaics: Attleboro Arts Museum, 2010
Boston Children’s Museum: “I See Trees,” 2009.
Somerville Museum: “Art of Mosaic,” 2009.
Milton Academy: “Design/Build,” 2009.
Danforth Museum: Members Show, 2007
Boston Printmakers: North American Print Biennial, 2005.
Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004.
Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001.
Acacia Gallery: Gloucester, MA 2000.
Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000.
New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996.
Albers Gallery: Memphis, TN 1994, 1992,1991.
Pritam & Eames: East Hampton, NY 1992.
Boston Center for the Arts: Boston, MA 1989.
DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989.
Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989.
lisa houck
Selected Collections:
The Boston Company
The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand
Fidelity Investments
Fogg Art Museum
Goodwin Procter
Harvard Business School Harvard Community Health Plan
Grants/Projects:
Herman Miller
Lahey Clinic
Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus
New England Medical Center
State Street Bank and Trust
Valley Hospital, NJ
Wrapped a Radiology room with art at Boston Children’s Hospital 2019. Project consultant: Betty Bothereau, L’Attirude Gallery Boston
“City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014.
Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005.
Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council.
John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’.
Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003.
Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003.
Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001.
”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee.
Poster and button and display banners for First Night Boston, 1998.
Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council.
Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts.
Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988.
Grant from the Cambridge Arts Council for a mural for the Cambridge River Festival, installed in Inman Square, 1987.
Poster for the Haystack Mountain School of Crafts, 1987.
education and professional affiliations
Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975.
Boston Printmakers
New England Mosaic Society
Publications:
Maine Gallery...
Category
2010s Folk Art Prints and Multiples
Materials
Linocut
Call of the Wild (Megaphone)
Located in Greenwich, CT
Call of the Wild is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 103/275 (there were also 100 Roman and 20 AP).
Robert Deyber’s lithographs were create...
Category
2010s Contemporary Prints and Multiples
Materials
Lithograph, Paper
Heron Moon
Located in San Francisco, CA
This artwork titled "Heron Moon" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed, titled and numbered 58/150 in pencil by the artist. The artwork (image) size is 8.5 x 21 inches, framed size is 15.75 x 28.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs, barely visible.
About the artwork:
This artwork required have 5 different carved wood blocks and 9 layers of colors to complete.
About the artist:
Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85).
She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa.
Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections.
Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines.
STUDIES:
Yoshida Woodblock Print Studio Tokyo, 84-85
Nova Scotia College of Art & Design, Halifax, 74-75 BFA
Ecole du Musee des Beaux Arts, Montreal, 74
Ontario College of Art, Toronto, 71-73
Mt. Allison University, 69-72
SELECTED SOLO SHOWS:
25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews.
Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999.
Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue)
Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991
New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987.
Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988
Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982
SELECTED GROUP SHOWS:
"A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog
"Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs
"Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...
Category
Late 20th Century Realist Figurative Prints
Materials
Woodcut
"Flittering and Fluttering" Folk Art inspired linoleum print of birds, deep aqua
By Lisa Houck
Located in Wellesley, MA
Lisa Houck is a highly established artist from Boston, recently re-located to Maine, with a very large following devoted to her exceptional paintings, watercolors, mosaics and prints reminiscent of Folk Art, Matisse and Aborigine art. Houck is widely admired and recognized for a gorgeous sense of color and a sensibility both playful and serious that is uniquely her own.
This is one of her 3 most recent large format bird prints in various shades of blue and aqua in a series which now consists of a total of 10 related prints. They are outstanding installed individually or as groups. Houck's highly sophisticated and complex sense of pattern and design is delightfully whimsical, as well as extraordinarily compelling for its knowledge of so many artistic forms which the artist is miraculously able to reference and incorporate, while maintaining a style so distinctively recognizable as her own.
Lisa Houck
"Flittering and Fluttering"
2023
Linoleum Block Print
Edition 10
35.25 x 23.25 Inches
This print is not framed.
Lisa Houck has an outstanding reputation for not only her work as a printmaker but for achievements in painting, watercolor, mosaic and textiles as well. She has executed many large permanent public art commissions for interior and exterior sites in Boston and nationwide including ambitious murals for Dana Farber, The Children's Hospital, Frieda Garcia Park and numerous libraries, playgrounds and other public buildings. Her works have been featured in many museum and gallery exhibitions and are included in a multitude of public and private collections.
Artist's Statement:
"I work in watercolor, oil on wood, ceramics, mosaics and etching. Each medium allows me to invent new ways to express my view of nature through color and pattern. My artwork has been exhibited widely, and is in numerous public and private collections, including The Boston Athenaeum, Brigham and Women’s Hospital, Boston Children's Hospital, Fidelity Investments, four libraries in Broward County Florida, Hale and Dorr, Massachusetts General Hospital, and the Museum of Fine Arts, Boston."
LISA HOUCK
Education and Professional Affiliations:
Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989.
Rhode Island School of Design, Providence, RI: B.F.A. 1975.
Boston Printmakers
Selected Solo Exhibitions:
Beth Urdang Gallery, Boston, MA 2017, 2021
Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014
Rivers School, Weston, MA 2008
Bentley College: “All About the Square,” Waltham, MA 2003.
Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000.
Randall Beck Gallery: Boston, MA 1993, 1991.
Barbara Singer Fine Art: Cambridge, MA 1991.
Coyote Gallery: Cambridge, MA 1989.
Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988.
Modestino Gallery: Cambridge, MA 1987, 1986.
New England School of Art and Design: Boston, MA 1986.
Mott House: “The Comet and Other Phenomena,” Washington, DC 1986.
Selected Group Exhibitions:
Cove Street Arts, “Menagerie a Trois”, Portland, ME, 2022
Fuller Craft Museum: “Mosaics Today”, Brockton, MA 2022
Turtle Gallery, “Summer Show”, Deer Isle, ME 2022
Gallery Twist, Lexington, MA “impressions” 2019 and 2020
Boston Athenaeum, New England on Paper, Boston, MA 2017
Cotuit Center for the Arts: Marking Time: 70 Years of the Boston Printmakers, Cotuit, MA 2017 Arsenal Center for the Arts, Big Prints, Watertown, MA 2016
FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016
Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013
Highfield Hall, National Mosaic Exhibit on Cape Cod, Falmouth, MA, 2011
Fancy Plants: Bentley University, 2010
Contemporary Mosaics: Attleboro Arts Museum, 2010
Boston Children’s Museum: “I See Trees,” 2009.
Somerville Museum: “Art of Mosaic,” 2009.
Milton Academy: “Design/Build,” 2009.
Danforth Museum: Members Show, 2007
Boston Printmakers: North American Print Biennial, 2005.
Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004.
Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001.
Acacia Gallery: Gloucester, MA 2000.
Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000.
New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996.
Albers Gallery: Memphis, TN 1994, 1992,1991.
Pritam & Eames: East Hampton, NY 1992.
Boston Center for the Arts: Boston, MA 1989.
DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989.
Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989.
lisa houck
Selected Collections:
The Boston Company
The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand
Fidelity Investments
Fogg Art Museum
Goodwin Procter
Harvard Business School Harvard Community Health Plan
Grants/Projects:
Herman Miller
Lahey Clinic
Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus
New England Medical Center
State Street Bank and Trust
Valley Hospital, NJ
Wrapped a Radiology room with art at Boston Children’s Hospital 2019. Project consultant: Betty Bothereau, L’Attirude Gallery Boston
“City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014.
Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005.
Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council.
John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’.
Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003.
Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003.
Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001.
”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee.
Poster and button and display banners for First Night Boston, 1998.
Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council.
Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts.
Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988.
Grant from the Cambridge Arts Council for a mural for the Cambridge River Festival, installed in Inman Square, 1987.
Poster for the Haystack Mountain School of Crafts, 1987.
education and professional affiliations
Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975.
Boston Printmakers
New England Mosaic Society
Publications:
Maine Gallery...
Category
2010s Folk Art Prints and Multiples
Materials
Linocut
James Lewin - Icons of Africa, Photography 2023, Printed After
By James Lewin
Located in Greenwich, CT
Available sizes:
18” x 24.5” - Edition of 8
28” x 38.11” - Edition of 8
38” x 51.73” - Edition of 6
48” x 65.34” - Edition of 6
It has been a dream to pair one of the world's most c...
Category
2010s Contemporary Black and White Photography
Materials
Platinum
Spanish Artist hand signed limited edition original art print cromolithograph n2
Located in Miami, FL
Salvador Dali (Spain, 1904-1989)
'La conquête du cosmos. Philosophe écrasé par le Cosmos', ca.1970-1989
cromolithograph, dry point on paper Rives BFK 300 g.
39.2 x 27.6 in. (99.5 x 7...
Category
Late 20th Century Surrealist Prints and Multiples
Materials
Drypoint, Paper
Spanish Artist hand signed limited edition original art print cromolithograph n1
Located in Miami, FL
Salvador Dali (Spain, 1904-1989)
'La conquête du cosmos. Le Caducée de Mars alimenté par la boule de feu de Jupiter', ca. 1970-1989
cromolithograph, dry point on paper Rives BFK 300 ...
Category
Late 20th Century Surrealist Prints and Multiples
Materials
Drypoint, Paper
Bonaparte’s Flycatching-Warbler (Great Magnolia) /// Ornithology Bird Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Bonaparte’s Flycatching-Warbler (Great Magnolia)" (Plate 73, No. 15)
Portfolio: The Birds of America, First Royal Octavo Edit...
Category
1840s Victorian Animal Prints
Materials
Lithograph, Watercolor
HOMAGE TO SIGMUND FREUD Signed Lithograph, Surreal Portrait, Psychoanalysis
By Chaim Gross
Located in Union City, NJ
HOMAGE TO SIGMUND FREUD, is an original hand drawn, stone lithograph by the American artist/sculptor Chaim Gross. HOMAGE TO SIGMUND FREUD was hand proofed and printed from hand drawn lithographic stones on archival Arches paper in shades of warm yellow for the background texture and red brown for the master drawing. HOMAGE TO SIGMUND FREUD is a surrealistic portrait composition depicting Sigmund Freud's face(one portraying him with spectacles) surrounded by symbolic imagery including swirling birds, a child opening a heart-shaped lock, an embracing couple, fingers and bare leg. HOMAGE TO SIGMUND FREUD expresses an intriguing variety of visualized psychological references.
This original, hand printed lithograph measures 18.5" x 22", registration marks are visible in print margins as evidence of the master printer's use of age-old printing methods first utilized in fine art lithography printmaking.
HOMAGE TO SIGMUND FREUD is unframed, in excellent condition, pencil signed, dated and inscribed B.A.T., Trial Proof aside from the edition by Chaim Gross. Edition was published in 1976 as a fundraiser for the Hebrew University in Israel.
Print size - 18.5 x 22 in., unframed, very fine condition, from the master printer's private collection
Printer - Joseph Kleineman, J K Fine Art Editions Co. NYC
Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921.
In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976).
In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture.
In the 1950s Gross began to make more bronze...
Category
1970s Contemporary Portrait Prints
Materials
Lithograph
Moon and Fish
Located in Toronto, ON
Image Size: 6" x 4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2016
Category
2010s Animal Prints
Materials
Etching
Surrealist Dream : Couple of Roosters - Original lithograph (Spies #p. 438)
By Max Ernst
Located in Paris, FR
Max Ernst (1891-1976)
Surrealist Dream : Couple of Roosters, 1970
Original color lithograph
Printed signature in the plate
On Arches vellum 33.5 × 61 cm (c. 13 x 24 in)
REFERENCES...
Category
1970s Surrealist Animal Prints
Materials
Lithograph
Gannets on the Bass Rock by Paul Bartlett, Bird Art, Limited Edition Print
Located in Deddington, GB
Gannets on the Bass Rock by Paul Bartlett
Limited Edition print: Edition of 100
Giclée Print on Paper
Sold unmounted and unframed
Image size: H:36.5CM x W:30CM.
Complete size of unmo...
Category
2010s Contemporary Animal Prints
Materials
Archival Paper, Giclée
Earth Day, Original historic limited edition lithographic poster Rauschenberg
Located in New York, NY
Robert Rauschenberg
Earth Day, 1970
Offset Lithograph
Plate signed and dated on the front
Publisher: Castelli Graphics
33 1/2 × 22 1/4 inches
Unframed
This is the original 1970 offse...
Category
1970s Pop Art Animal Prints
Materials
Lithograph, Offset
Moon and Bird
Located in Toronto, ON
Image Size: 6" x 4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2016
Category
2010s Animal Prints
Materials
Etching
Owl in The Velvet Woods
Located in Toronto, ON
Image Size: 4" x 4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2016
Category
2010s Animal Prints
Materials
Etching
Starling
Located in San Francisco, CA
This artwork titled "Starling" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 82/150 in pencil by the artist. The artwork (image) size is 10 x 23.25 inches, framed size is 17.25 x 30.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs.
About the artwork:
This artwork required 3 different carved wood blocks and 7 layers of colors to complete.
About the artist:
Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85).
She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa.
Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections.
Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines.
STUDIES:
Yoshida Woodblock Print Studio Tokyo, 84-85
Nova Scotia College of Art & Design, Halifax, 74-75 BFA
Ecole du Musee des Beaux Arts, Montreal, 74
Ontario College of Art, Toronto, 71-73
Mt. Allison University, 69-72
SELECTED SOLO SHOWS:
25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews.
Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999.
Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue)
Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991
New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987.
Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988
Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982
SELECTED GROUP SHOWS:
"A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog
"Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs
"Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...
Category
Late 20th Century Realist Figurative Prints
Materials
Woodcut
Betelgeuse
Located in Toronto, ON
Image Size: 7" x 4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2013
Category
2010s Animal Prints
Materials
Etching
Mind the Feather
Located in Toronto, ON
Image Size: 4" x 4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
Category
2010s Animal Prints
Materials
Etching
At the Foolish Fair
Located in Toronto, ON
Image Size: 9" x 4.5" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2019
Category
2010s Figurative Prints
Materials
Etching
Lost and Found
Located in Toronto, ON
6" x 8"
Limited Edition Etching + Aqua Tint + Chine colle, Hand coloured
Hand Signed by Mariko Ando
Category
2010s Animal Prints
Materials
Etching
Small Voice
Located in Toronto, ON
Image Size: 6" x 4 1/4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2021
Category
2010s Animal Prints
Materials
Etching