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Arthur KolnikShtetl Scene Expressionist woodcut
About the Item
Arthur Kolnik was born in Stanislavov, a small town in Galicia, which was then part of the Austro-Hungarian Empire. His father, who was originally from Lithuania, worked as an accountant and his mother, who was originally from Vienna, ran a shop. In 1905, he discovered Yiddish literature in Czernowitz, on the occasion of the first conference on Yiddish language, which was organized by several writers including I. L. Peretz, Cholem Aleichem, Shalom Asch, and Nomberg.
In 1909, Kolnik joined the School of Fine Arts in Krakow and took classes taught by Jacek Malezcewski and Joseph Mehoffer, a portrait painter and an artist who produced stained-glass windows in Fribourg (Switzerland).
He was mobilized in the Austrian army in 1914. He was wounded in 1916 and repatriated to Vienna, where he met the Judaic painter Isidor Kaufmann. In 1919, Kolnik settled in Czernowitz, which was then annexed by Romania. There, he met writer and poet Itzik Manger and storyteller Eliezer Steinberg for whom he produced several illustrations. In 1920, Kolnik left for the United States, bringing fifty paintings with him, after he saw an advertisement in a Yiddish newspaper about an exhibition of Jewish Polish painters in New York. He found out that it was too late for his Judaica paintings to be exhibited in this exhibition, but he luckily met photographer Alfred Stieglitz who found him a gallery and organized an exhibition of his work.
In 1931, Kolnik arrived in Paris with his family. For several years, he gave up painting. His wife taught piano and he drew for fashion journals. In 1934, he produced an album of twenty-four engravings, Sous le chapeau haut de forme (Underneath the Top Hat), which was prefaced by Henri Barbusse. He later produced twelve plates for Grosbart’s Les Personnages (The Characters). In 1948, he illustrated I.L. Peretz’ Métamorphoses d’une mélodie (Metamorphosis of a Melody).
In 1940, he was interned at the Récébédou camp in Haute-Garonne with his wife and daughter.
Following the war, Arthur Kolnik stayed in London, New York, Krakow, Vienna, Riga, and Buenos Aires, where he exhibited his work. He contributed to the journal Nos Artistes (Our Artists). In 1955, in New York, he was awarded the Chaban prize for his graphic work. In 1962, his fist solo exhibition took place in Paris at the Galerie Creuze. That same year, he traveled to Israel for the first time.
- Creator:Arthur Kolnik (1890 - 1972, Polish, Ukrainian)
- Dimensions:Height: 14 in (35.56 cm)Width: 10 in (25.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38210500732
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Located in Surfside, FL
This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet.
This was printed at Mourlot in Paris, France, on velin D'Arches paper.
Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture.
Artist's alternative names: Apel·les Fenosa, Apelles Fenosa
Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend.
In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges.
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2021 Apel·Les Fenosa ,Galeria Marc Domenech ,Barcelona, Spain
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2022 Figurative Expressionism ,Galeria Marc Domenech ,Barcelona, Spain (with Josep Guinovart and Jean Dubuffet)
2021 The point of sculpture ,Fundació Joan Miro ,Barcelona, Spain
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