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Bernard Aptekar
The Football Players

1981

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction." The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11. The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. This work "The Football Players" has been conceived while Aptekar was working on a monumental piece of 23 x 45 x 17 feet titled "The Defeat of the City of Plutonium: A Holocaust Prevented". The players, depicted as hooked to weird machines, is meant to be as a symbol of humanity struggle to defeat destructive forces. This is print #9 of an edition of 20
  • Creator:
    Bernard Aptekar (1936, American)
  • Creation Year:
    1981
  • Dimensions:
    Height: 38 in (96.52 cm)Width: 50 in (127 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    Seller: BA0041stDibs: LU24921347063

More From This Seller

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They Won't Be Stopped
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category

1980s Expressionist Figurative Prints

Materials

Paper, Screen

A Tough Citizen
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
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1980s Expressionist Figurative Prints

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Paper, Screen

Man Into Machine
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category

1980s Expressionist Figurative Prints

Materials

Paper, Screen

Moving Woman
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction." The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11. The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. This work "Moving Woman" has been conceived while Aptekar was working on a monumental piece of 23 x 45 x 17 feet titled "The Defeat of the City of Plutonium: A Holocaust Prevented". The strong image of a human female naked body depicted as being one of the building parts...
Category

1980s Expressionist Figurative Prints

Materials

Paper, Screen

A Piece of Technology
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category

1980s Expressionist Figurative Prints

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Screen

Hand Into Meat
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category

1980s Expressionist Figurative Prints

Materials

Paper, Screen

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