Picasso Etching Vollard Suite
to
22
122
51
109
4
2
1
1
1
181
4
2
102
15
6
4
148
57
36
32
24
139
28
14
1
1
116
30
34
Overall Height
to
Overall Width
to
97
83
76
56
49
34
33
25
18
12
6
6
4
4
4
3
3
3
2
2
1
1
39
4
Sort By
Pablo Picasso, "Scène bacchique au Minotaure" from La Suite Vollard, etching
By Pablo Picasso
Located in Chatsworth, CA
This piece is an original etching by Pablo Picasso, 1933. It is from "La Suite Vollard", a series
Category
1930s Surrealist Figurative Prints
Materials
Etching
Masked Figures and Bird Woman, from: The Suite Vollard - Greek Mythology
By Pablo Picasso
Located in London, GB
24th plate in La Suite Vollard, Picasso's most important series of etchings, and was realised on 19th
Category
1930s Cubist Figurative Prints
Materials
Aquatint, Etching
Man Unveiling a Woman, 1931 (Vollard Suite, B.138)
By Pablo Picasso
Located in Greenwich, CT
.
The Vollard Suite etchings, reflecting the neoclassical component of Picasso’s work, span the years
Category
20th Century Modern Prints and Multiples
Materials
Paper, Drypoint
Winged Bull Watched by Four Children, from: The Suite Vollard - Mythology Greek
By Pablo Picasso
Located in London, GB
is the 13th plate in La Suite Vollard, Picasso's most important series of etchings, and was realised
Category
1930s Other Art Style Figurative Prints
Materials
Etching
Famille de Saltimbanques (B163 Vollard)
By Pablo Picasso
Located in Tbilisi, GE
From la suite Vollard, signed in pencil, not numbered - Printed by Lacourière - Published by
Category
20th Century Contemporary Prints and Multiples
Materials
Etching
Picasso, Minotaure aveugle guidé par Marie-Thérèse, 1934 Signed Etching
By Pablo Picasso
Located in Long Island City, NY
A fabulous impression of this scarce Picasso etching from the Vollard Suite published in 1939. In
Category
1930s Modern Figurative Prints
Materials
Aquatint, Etching
Modèle et Grande Tête Sculptée (B170 Vollard)
By Pablo Picasso
Located in Tbilisi, GE
From la suite Vollard, signed in pencil, not numbered - Printed by Lacourière - Published by
Category
20th Century Contemporary Prints and Multiples
Materials
Etching
Personnages Masqués et Femme Oiseau - Etching by Pablo Picasso - 1934
By Pablo Picasso
Located in Roma, IT
Hand Signed. Edition of 99 prints. Plate 24 from "La Suite Vollard".
Catalogue Bloch n.227
Category
1930s Cubist Figurative Prints
Materials
Etching, Paper
H 19.69 in W 27.56 in D 0.04 in
Femme Nue se Couronnant de Fleurs - Etching by Pablo Picasso - 1930
By Pablo Picasso
Located in Roma, IT
Etching on Montval with watermark "Vollard"
Hand Signed in pencil.
One of 260 proofs
Ref
Category
1930s Cubist Figurative Prints
Materials
Paper, Etching
H 27.56 in W 19.69 in D 0.04 in
Sculpteur, Modèle Accroupi et Tête Sculptée - Etching by Pablo Picasso - 1933
By Pablo Picasso
Located in Roma, IT
"Suite Vollard", probably the most popular and appreciated graphic suite by Picasso..
Ref. Catalogue
Category
1930s Cubist Figurative Prints
Materials
Etching, Paper
H 27.56 in W 19.69 in D 0.04 in
Le repos du sculpteur devant un nu à la draperie, pl. 51 (B160 Vollard)
By Pablo Picasso
Located in Tbilisi, GE
From la suite Vollard, signed in pencil, not numbered - Printed by Lacourière - Published by
Category
20th Century Contemporary Prints and Multiples
Materials
Etching
Whorehouse Scene : The Toilet - Etching
By (after) Edgar Degas
Located in Paris, FR
(c. 10 x 13 inch)
In the early 1920s, Ambroise Vollard (the great art seller, editor of Picasso
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Model Contemplating Sculpture
By Pablo Picasso
Located in New York, NY
complex compositions among the artist and model group of the Vollard Suite etchings, generally as here
Category
1930s Cubist Figurative Prints
Materials
Etching
Whorehouse Scene : Champagne Before Love - Etching
By (after) Edgar Degas
Located in Paris, FR
Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas the monotypes
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Waiting for a Client - Original etching
By (after) Edgar Degas
Located in Paris, FR
(c. 10 x 13 inch)
In the early 1920s, Ambroise Vollard (the great art seller, editor of Picasso
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Le Viol II
By Pablo Picasso
Located in Wien, 9
- handsigned on the lower right
- dated and unreadable inscripted in the plate
- from the Suite
Category
1930s Modern Figurative Prints
Materials
Drypoint, Etching, Aquatint
Homme dévoilant une Femme. (Man uncovering a woman).
By Pablo Picasso
Located in Storrs, CT
. Vollard Suite, plate 5. Printed by: Lacourier, Paris. Published by Vollard. From the edition of 250 on
Category
Mid-20th Century Modern Portrait Prints
Materials
Etching
MODELE CONTEMPLANT UN GROUPE SCULPTE (BLOCH 175)
By Pablo Picasso
Located in Aventura, FL
Plate 66, from La Suite Vollard. Georges Bloch 175. Brigitte Baer 328. Etching on Montval laid
Category
1930s Cubist Nude Prints
Materials
Etching, Paper
Whorehouse Scene : Group of Nude Prostitutes - Etching
By (after) Edgar Degas
Located in Paris, FR
Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas the monotypes
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : Celebration for Madam Mother - etching
By (after) Edgar Degas
Located in Paris, FR
Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas the monotypes
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : A Shy Client - Original etching
By (after) Edgar Degas
Located in Paris, FR
Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas the monotypes
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : A Gorgeous Woman - Original etching
By (after) Edgar Degas
Located in Paris, FR
Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas the monotypes
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Client Arriving in a Whorehouse - Original etching
By (after) Edgar Degas
Located in Paris, FR
Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas the monotypes
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Two Women : a Delicate Choice - Original etching
By (after) Edgar Degas
Located in Paris, FR
Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas the monotypes
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : Prostitutes in Nightie - Original etching
By (after) Edgar Degas
Located in Paris, FR
Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas the monotypes
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : Blond Hair Girl - Original etching
By (after) Edgar Degas
Located in Paris, FR
Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas the monotypes
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : The Drunk Prostitutes - Original etching
By (after) Edgar Degas
Located in Paris, FR
, editor of Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : The Yellow Saloon - Original etching
By (after) Edgar Degas
Located in Paris, FR
Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas the monotypes
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
GARCON ET DORMEUSE A LA CHANDELLE (BLOCH 226)
By Pablo Picasso
Located in Aventura, FL
Plate 26 from La Suite Vollard. Bloch 226. Baer 440. Etching, engraving and aquatint, on Montval
Category
1930s Cubist Nude Prints
Materials
Paper, Engraving, Etching, Aquatint
Les Pauvres (The Poor), from the famous Blue Period
By Pablo Picasso
Located in Fairlawn, OH
paper, 1905
From: "La Suite de Saltimbanques" (Acrobats) [14 plates]
From the Vollard edition of 1913
Category
Early 1900s French School Figurative Prints
Materials
Etching
Whorehouse Scene : Prostitutes Dressed as Ballerinas - etching
By (after) Edgar Degas
Located in Paris, FR
13 inch)
In the early 1920s, Ambroise Vollard (the great art seller, editor of Picasso (Suite Vollard
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : Briefing with Madam Mother - Etching, 1935
By (after) Edgar Degas
Located in Paris, FR
Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas the monotypes
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : Nude Waiting on a Bed - Etching
By (after) Edgar Degas
Located in Paris, FR
Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas the monotypes
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : Shy and Challenging Prostitutes - Original etching
By (after) Edgar Degas
Located in Paris, FR
seller, editor of Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : Prostitute Dressing her Hair - Original etching
By (after) Edgar Degas
Located in Paris, FR
seller, editor of Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : Prostitutes Sharing a Meal - Original etching
By (after) Edgar Degas
Located in Paris, FR
, editor of Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : A Group of Prostitutes - Original etching
By (after) Edgar Degas
Located in Paris, FR
, editor of Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : Model with Arched Back - Original etching
By (after) Edgar Degas
Located in Paris, FR
, editor of Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : In the Room with a Miror - Etching
By (after) Edgar Degas
Located in Paris, FR
Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas the monotypes
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : In the Intimacy of the Room - etching
By (after) Edgar Degas
Located in Paris, FR
seller, editor of Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
Whorehouse Scene : Waking Up After a Long Love Night - Etching
By (after) Edgar Degas
Located in Paris, FR
, editor of Picasso (Suite Vollard), Cezanne, Renoir or Georges Rouault) bought from the Estate of Degas
Category
1930s Modern Figurative Prints
Materials
Etching, Aquatint
The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
By Pablo Picasso
Located in Greenwich, CT
etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
H 24.125 in W 20.5 in
The Turkey, 1942 (Histoire Naturelle - Textes de Buffon, B.346)
By Pablo Picasso
Located in Greenwich, CT
etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
H 24.125 in W 20.5 in
The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
By Pablo Picasso
Located in Greenwich, CT
etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
By Pablo Picasso
Located in Greenwich, CT
etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
H 24.125 in W 20.5 in
The Vulture. 1942 (Histoire Naturelle - Textes de Buffon, B.341)
By Pablo Picasso
Located in Greenwich, CT
etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
H 24.125 in W 20.5 in
The Rooster, 1942 (Histoire Naturelle - Textes de Buffon, B.344)
By Pablo Picasso
Located in Greenwich, CT
etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
H 24.125 in W 20.5 in
The Spider, 1942 (Histoire Naturelle - Textes de Buffon, B.353)
By Pablo Picasso
Located in Greenwich, CT
etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
H 24.125 in W 20.5 in
The White Eagle, 1942 (Histoire Naturelle - Textes de Buffon, B.340)
By Pablo Picasso
Located in Greenwich, CT
etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Lizard, 1942 (Histoire Naturelle - Textes de Buffon, B.355)
By Pablo Picasso
Located in Greenwich, CT
etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
H 24.125 in W 20.5 in
The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
By Pablo Picasso
Located in Greenwich, CT
etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
H 24.125 in W 20.5 in
The Donkey, 1942 (Histoire Naturelle - Textes de Buffon, B.329)
By Pablo Picasso
Located in Greenwich, CT
etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
H 24.125 in W 20.5 in
The Wasp, 1942 (Histoire Naturelle - Textes de Buffon, B.351)
By Pablo Picasso
Located in Greenwich, CT
varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
H 24.125 in W 20.5 in
The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
By Pablo Picasso
Located in Greenwich, CT
etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
By Pablo Picasso
Located in Greenwich, CT
varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
H 24.125 in W 20.5 in
The Ox, 1942 (Histoire Naturelle - Textes de Buffon, B.330)
By Pablo Picasso
Located in Greenwich, CT
varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
The Frog, 1942 (Histoire Naturelle - Textes de Buffon, B.357)
By Pablo Picasso
Located in Greenwich, CT
varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
H 24.125 in W 20.5 in
The Bull, 1942 (Histoire Naturelle - Textes de Buffon, B.331)
By Pablo Picasso
Located in Greenwich, CT
varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
H 24.125 in W 20.5 in
The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
By Pablo Picasso
Located in Greenwich, CT
etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
TAUREAU AILE CONTEMPLE PAR QUATRE ENFANTS (BLOCH 229)
By Pablo Picasso
Located in Aventura, FL
Plate 13 from La Suite Vollard. Bloch 229. Baer 444. Etching on Montval paper. Signed in pencil
Category
1930s Cubist Animal Prints
Materials
Paper, Engraving
- 1
Get Updated with New Arrivals
Save "Picasso Etching Vollard Suite", and we’ll notify you when there are new listings in this category.
Picasso Etching Vollard Suite For Sale on 1stDibs
You are likely to find exactly the picasso etching vollard suite you’re looking for on 1stDibs, as there is a broad range for sale. Find Post-Impressionist versions now, or shop for Post-Impressionist creations for a more modern example of these cherished works. If you’re looking to add a picasso etching vollard suite to create new energy in an otherwise neutral space in your home, you can find a work on 1stDibs that features elements of beige, gray, black and more. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in etching, drypoint and engraving can add an especially memorable touch. A large picasso etching vollard suite can be an attractive addition to some spaces, while smaller examples are available — approximately spanning 8.5 high and 12 wide — and may be better suited to a more modest living area.
How Much is a Picasso Etching Vollard Suite?
A picasso etching vollard suite can differ in price owing to various characteristics — the average selling price for items in our inventory is $20,000, while the lowest priced sells for $6,684 and the highest can go for as much as $70,000.
Finding the Right Prints and Multiples for You
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.
Read More
Science Uncovers Hidden Truths behind Young Pablo Picasso’s Blue Period
From 1901 to 1904, Picasso limited his palette to bluish hues in producing some of his most famous early works. A new show looks at the recycled materials, hidden underpaintings, surprising influences and bohemian lifestyle that led to their creation.
Who Are the Most Popular Artists on 1stdibs?
Learn the stories of some of the world's most recognizable artworks and their makers.