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Dogs in the Roman Countryside - Original Etching After Charles Coleman - 1992

1992

$276.11List Price

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Les Bords de l'Escaut - Original Etching by Nicolas Toussaint Charlet - 1841
Located in Roma, IT
Les Bords de l'Escaut is an original artwork realized by Nicolas Toussaint Charlet (1792-1845). Etching print. Signed on plate on the lower left. Dat...
Category

Early 19th Century Modern Figurative Prints

Materials

Etching

Landscape - Etching - Late 20th Century
Located in Roma, IT
Landscape is an original etching realized in the mid-late 20th Century.. Hand-signed, signature unreadable. The artwork is realized in a well-bala...
Category

Late 20th Century Modern Figurative Prints

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Etching

City Landscape - Original Etching by C. Meryon - 1866
By Charles Meryon
Located in Roma, IT
City Landscape is an Original Etching realized by Charles Meryon in 1866. The artwork is in good condition included a cream colored cardboard passpartout (35.5x46 cm). No signature...
Category

Early 20th Century Modern Figurative Prints

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Etching

Countryside - Original Etching by Jean Frélaut - 19th Century
By Jean Frélaut
Located in Roma, IT
Countryside is an Original Etching realized by Jean Frélaut (1879-1954). The artwork is in good condition included a white cardboard passpartout (50x32 cm). No signature. Jean Fré...
Category

19th Century Modern Figurative Prints

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Etching

View of Castle of Nemours - Original Etching by Eugène Bléry - Mid 19th Century
By Eugene Blery
Located in Roma, IT
View of Castle of Nemours is an Original Etching realized by Eugène Blery (1805-1886). Good condition, included a white cardboard passpartout (48.5x35 cm). Late draw, no signature, titled on the lower margin. Eugène Stanislas Alexandre Bléry (3 March 1805, Fontainebleau - 10 June 1887, Paris) was a French engraver and draftsman. He began his study of engraving at a young age, and from 1835 to 1840 he created in pen and pencil views of places in the Dauphiné, Switzerland and Auvergne. He also made large collections of etchings, such as Forests and Landscapes and the Surroundings of Fontainebleau, from his drawings or works by Dutch authors such as Meindert Hobbema and Jacob van Ruisdael.
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19th Century Modern Landscape Prints

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Etching

Radicofani - Original Etching by Bettino Craxi - 1980s
By Bettino Craxi
Located in Roma, IT
Radicofani is an original contemporary artwork realized by Bettino Craxi in the first years of the 1980s. Original Etching on cardboard. Good conditions. Beautiful etching depi...
Category

1980s Modern Landscape Prints

Materials

Etching

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Low Country (South Carolina)
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An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
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