Georges Rouault

Crucifixion - woodcut

Salvador Dali (1904-1989) Purgatory 13 - The Second Terrace Color woodcut on paper Printed signature 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") REFE...

Honoré Broutelle Mythology : Harvest with Bacchus, Fauna and Nymph, 1921 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm...

Paul Vera Summer, 1924 Original woodcut Handsigned in pencil Numbered /160 On vellum 25 x 33 cm (c. 9,8 x 12,9 in) Edited for the 'Imagier de la Gravure sur Bois...

Salvador DALI Alice in Wonderland : The Rabbit Sends in a Little Bill, 1968 Heliogravure and Woodcut Handsigned on pencil Printed signature in the plate Justificated E.A (artist pro...

Fascinating artwork titled Le Vieux manusrits (old writings Seoul Korea) by Paul Jacoulet. (French-Japanese 1896-1960) finely crafted with lovely graduating background color blue to light green. Depicts a figure seated on a pink pillow wearing a Korean hat...

Gaston Suisse (1896-1988) Panthère noire dans les bambous, 1927 Gravure sur bois, sur papier Velin de Van Gelder. Rehaussé aux lavis d’encre de Chine par l’artiste Signé en bas à gauche et daté 1927 en bas à droite Black panther in a forest of bamboos, 1927 A handcolored woodcut on Velin de Van Gelder paper Signed and dated 1927 Bibliographie /Literature Gaston Suisse, splendeur du laque art déco. Emmanuel Bréon. Somogy Éditions d'art, Paris 2013, reproduite page 105 (un autre exemplaire reproduit) The artist made a wood engraving of which he made about twenty prints himself. These proofs were not marketed as is, Gaston Suisse reworked each of the proofs using Indian ink washes in order to obtain different effects for each proof, which are thus unique original works. Born in 1896 in a family of artists, his father Georges was a close friend of Siegfried Bing and a great lover of Japanese art and a bibliophile. He passed his taste for art to his son whom he often took to draw at the Botanic Garden . Around 1910, Gaston Suisse, who hasn't entered yet the artistic school, met Paul Jouve, then 18 years his elder, who was already famous. In 1911, at the age of 17, he entered the National School of Decorative Art where he followed the teachings of Paul Renouard. Thanks to his knowledge and taste for the Japanese art, he chose lacquer painting as his specialty. His practice of this noble and demanding subject were so much appreciated that he was awarded with two gold medals in 1913 and 1914. Mobilized during the war , he joined the army and go in Salonika where he found his friend Jouve. In 1918, he finished his studies at the School of Applied Arts in order to perfect his training. He learned in particular the techniques of gilding and oxidation of metals. The first productions of Gaston Suisse, furniture and objects in lacquer with geometrical patterns, were an instant success and Suisse was appointed as member of Salon d'Automne in 1924, the very year of his first exhibition. Considered as an artist-decorator, his sincere and deep friendship with Jouve linked him in parallel with the groups of the animaliers of the Jardin des Plantes and became a close friend of Edouard-Marcel Sandoz. When travelling to Maghreb and Middle-East between 1923 and 1925, he produced numerous drawings representing antelopes, apes and fennec foxes...

Black and white figurative woodcut print by Polish artist Franciszek Bunsch. Print comes from limited edition, it is numbered and signed by the artist. FRANCISZEK BUNSCH (1926-2025...

Black and white with figurative woodcut print by Polish artist Franciszek Bunsch. Print comes from limited edition, it is numbered and signed by the artist. FRANCISZEK BUNSCH (1926...