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Jim Dine
Jim Dine Study of Pigs for the Oo La La portfolio box with Ron Padgett blue

1970

Price:$1,200

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Vintage Jim Dine poster Boymans Museum (Two Ties) red black 1970s retro pop art
By Jim Dine
Located in New York, NY
Original poster produced on the occasion of Jim Dine's 1971 exhibition at the Boymans Museum, Rotterdam. This vintage poster reproduces the artist’s lithograph Two Ties: neckties ske...
Category

1970s Pop Art Figurative Prints

Materials

Offset

Vintage Jim Dine tool Poster Kestner Gesellschaft 1970 (Hammers 1970) retro red
By Jim Dine
Located in New York, NY
This vintage exhibition poster reproduces Jim Dine’s 1970 lithograph Hammers, which is in the collection of the Museum of Contemporary Art, Chicago. It w...
Category

1970s Pop Art Still-life Prints

Materials

Lithograph

Paolozzi Signed 1969 poster Galerie Mikro vintage futuristic psychedelic pop art
By Eduardo Paolozzi
Located in New York, NY
Printed in chartreuse, dark green, bright yellow, orange, and brown, this surreal scene features a grey-walled room populated with strange machinery and a red chair. Paolozzi creates...
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1960s Pop Art Figurative Prints

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Offset

Vintage Jim Dine tool poster Kunsthalle Bern (Saw) neon blue 1970s retro font
By Jim Dine
Located in New York, NY
Original exhibition poster printed on the occasion of Jim Dine's 1971 exhibition at Kunsthalle Bern, featuring Saw, 1971. Against a sea of electric blue, Dine has written “saw” in lo...
Category

1970s Pop Art Figurative Prints

Materials

Paper, Offset

Large Bus by Allen Jones classic British 1960s pop art in bright primary colors
By Allen Jones
Located in New York, NY
This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...
Category

1960s Pop Art Abstract Prints

Materials

Lithograph

The Old Professor (Oo La La) Jim Dine lithograph and Ron Padgett poetry
By Jim Dine
Located in New York, NY
Bright orange leaps up like flames, or swaying grass, over which hovers a large-eyed bee sketched in black and orange. Over the fire-red in neat handwriting Ron Padgett...
Category

1970s Pop Art Figurative Prints

Materials

Lithograph

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