Items Similar to Winter Fun — Mid-century Modernism, Central Park, New York City
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Louis LozowickWinter Fun — Mid-century Modernism, Central Park, New York City1940
1940
About the Item
Louis Lozowick, 'Winter Fun', lithograph, 1940, edition 20, 250 (1941). Flint 188. Signed in pencil, with the artist’s monogram in the stone, lower left. A superb, finely nuanced impression, on off-white wove paper, with margins (11/16 to 1 5/8 inches); a repaired tear (3/8 inch) in the bottom center sheet edge, well away from the image; minor skinning in the bottom left margin and top center margin, verso (not showing recto), otherwise in good condition.
This impression from the second edition printed by master lithographer George C. Miller for Associated American Artists in 1941.
Image size 9 1/2 x 12 7/8 inches (241 x 327 mm); sheet size 11 3/4 x 15 7/8 inches (298 x 403 mm). Archivally matted to museum standards, unframed.
This captivating image of children playing in New York City's Central Park, after a fresh snowfall, is rendered in the artist's celebrated precisionist style.
Impressions of this work are in the following museum collections: Achenbach Foundation, Cleveland Museum of Art, Davison Art Center (Wesleyan University), de Young Fine Arts Museums of San Francisco, Farnsworth Art Museum, Harvard Art Museums, Indianapolis Museum of Art, Memphis Brooks Museum of Art, Metropolitan Museum of Art.
ABOUT THE ARTIST
“A beautifully articulated synthesis of strong personal visions and an extraordinary command of black-and-white lithography remained constant. His prints have withstood the inevitable fluctuations of fashion and taste, and today are deservedly appreciated by both connoisseurs and a new generation as among the finest created in twentieth-century America.”
—Janet Flint, The Prints of Louis Lozowick: A Catalogue Raisonné, Hudson Hills Press, NY, 1982.
Born in Russia in 1892, Lozowick came to this country at the age of 14 to join his brother in New York City. By 1919 he had attended art school, finished college, served in the army, and traveled throughout the United States visiting major cities which would later become subjects of his work. From 1919 to 1924 Lozowick lived and traveled throughout Europe, staying in Paris, Berlin, and Moscow. While in Berlin he became friends with Laszlo Moholy-Nagy, El Lissitsky, and the avant-garde Russian artists affiliated with the November-gruppe. On his return to New York in 1924 he joined the executive board of the New Masses and exhibited his machine age drawings, the ‘Machine Ornament’ series in the 1926 exhibition of Katherine Dreier’s Société Anonyme; three years later he made his first prints.
Having assimilated European Constructivist and Cubist theories, and the Bauhaus manifesto promoting the integration of applied and fine art, Lozowick was inspired to present the rapidly growing New York City skyline with its monumental skyscrapers as modern symbols of optimism. Like many other Depression-era artists, he identified closely with the common worker and valued the consummate craft and workmanship dictated by the printmaking process. His versatility and range of interests were exemplified by his stage sets for the 1926 production of Georg Kaiser’s play “Gas,” the first Constructivist production seen in America. A year later, his images and essay were centerpieces in the pivotal 1927 Machine Age Exposition in New York. Lozowick’s first solo exhibition of lithographs depicting primarily soaring urban cityscapes and industrial scenes was mounted by the renowned Weyhe Gallery in 1929.
Assigned to the WPA New York Graphic Arts Division in 1935, he left in 1936 to accept a commission from the prestigious Treasury Relief Art Project for two large oil paintings for the Post Office at 33rd Street in Manhattan. His preliminary lithographic studies for the paintings are among his most compelling images of New York skyscrapers and bridge forms.
Returning to the Project in 1938, Lozowick experimented with various printmaking mediums, including wood engraving, drypoint, and screen printing, until the end of his appointment in 1940. During the next three decades, encouraged by Carl Zigrosser of the Weyhe Gallery, he devoted himself primarily to lithography, mounting several solo exhibitions at major New York galleries, and a retrospective at the Whitney Museum of American Art in 1972. Posthumous solo and group exhibitions of Lozowick’s work include the Hirshhorn Museum and Sculpture Garden (2001), de Young Museum (2007), British Museum (2008), National Gallery of Art, Washington D.C. (2015), Whitney Museum of American Art (2015), Brooklyn Museum of Art (2015), and the Palmer Museum of Art (2019).
Louis Lozowick’s graphic works are held in numerous prominent museum collections including the Amon Carter Museum of American Art, Art Institute of Chicago, Baltimore Museum of Art, Brooklyn Museum, Cornell University Library, Museum of Fine Arts (Boston), Museum of Modern Art, New York Public Library, Philadelphia Museum of Art, Smithsonian American Art Museum, Walker Art Center, and the Whitney Museum of American Art.
- Creator:Louis Lozowick (1892 - 1973, American)
- Creation Year:1940
- Dimensions:Height: 9.5 in (24.13 cm)Width: 12.88 in (32.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:Seller: 1040231stDibs: LU532310358312
Louis Lozowick
Louis Lozowick is widely recognized as a key figure in America's Precisionist movement and a leader in mid-20th-century modernist printmaking. His graphic works and paintings have been acquired by numerous museums including the Art Institute of Chicago, Brooklyn Museum, Crystal Bridges Museum of American Art, Fine Arts Museums of San Francisco, Metropolitan Museum of Art, Museum of Modern Art, New York Public Library, Philadelphia Museum of Art, Smithsonian American Art Museum, U. S. Library of Congress and the Whitney Museum of American Art.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2016
300 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Shipping from: Myrtle Beach, SC
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllKris Dancer, Bali
By Albert Al Hirschfeld
Located in Myrtle Beach, SC
Al Hirschfeld, 'Kris Dancer, Bali', color lithograph, 1941, edition 1,000. Signed in the stone, lower right. A fine, clean impression, with fresh colors, on cream wove paper, the ful...
Category
1940s American Modern Figurative Prints
Materials
Lithograph
'Girl with Hands to Face' — Mid-century Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Girl with Hands to Face', two-color lithograph, 1940, edition 30, Fine and Looney 180. Signed, titled, and annotated 'Ed. 30' in pencil. A superb impression, on cr...
Category
1940s American Modern Figurative Prints
Materials
Lithograph
$960 Sale Price
20% Off
'Eyes for the Night' — Mid-century Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'Eyes for the Night', color lithograph, 1948, edition 35, Fine and Looney 261. Signed, dated, and titled, and annotated 'Ed 35' in pencil. A fine impression with fresh colors, on cream wove paper; the full sheet with margins (1 to 1 3/8 inches), in excellent condition. Printed by master lithographer Theodore Cuno. Image size 19 x 13 inches; sheet size 21 1/8 x 15 1/4 inches. Archivally matted to museum standards, unframed.
Selected by the artist for his retrospective exhibition 'Benton Spruance: Lithographs...
Category
1940s American Modern Figurative Prints
Materials
Lithograph
'Dancing' — 'les années folles' Paris Masterwork, 1928
By Yasuo Kuniyoshi
Located in Myrtle Beach, SC
Yasuo Kuniyoshi, 'Dancing', lithograph, 1928, edition 30, Davis L-29. Signed, dated, and numbered '8/30' in pencil. A superb, richly-inked impression, printed on cream chine appliqué on heavy off-white wove backing; the full sheet with wide margins (1 3/8 to 4 7/8 inches), in excellent condition. Printed by Desjobert, Paris. Scarce. Matted to museum standards, unframed.
Impressions of this work are in the collections of the Museum of Modern Art, Whitney Museum of Modern Art, and Yasuo Kuniyoshi Museum (Japan).
ABOUT THIS WORK
The French economy boomed from 1921 until the Great Depression reached Paris in 1931. This period called 'Les années folles' or the 'Crazy Years', saw Paris reestablished as a capital of art, music, literature, and cinema. Paris in the 1920s and 1930s was the home and meeting place of some of the world's most prominent painters, sculptors, composers, dancers, poets, and writers. For those in the arts, it was, as Ernest Hemingway described it, "A moveable feast". Paris was home to an exceptional number of galleries, art dealers, and a network of wealthy patrons who offered commissions and held salons.
Pablo Picasso, perhaps the most famous artist in Paris, shared renown with a remarkable group of others, including the Romanian sculptor Constantin Brâncuși, the Belgian René Magritte, the Italian Amedeo Modigliani, the Russian émigré Marc Chagall, the Catalan and Spanish artists Salvador Dalí, Joan Miró, Juan Gris, and the German surrealist...
Category
1920s American Modern Nude Prints
Materials
Lithograph
Slack Rope Artist
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Slack Rope Artist', lithograph, 1930, edition 30, Fine and Looney 35. Signed and titled in pencil. Numbered '2' in the bottom right margin. A fine impression, with ...
Category
1930s American Modern Figurative Prints
Materials
Lithograph
'Broken Carousel' — Mid-Century American Symbolism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'Broken Carousel', color lithograph, 1950, edition 35, Fine and Looney 285. Signed, titled, and numbered '18/35' in pencil. Initialed in the stone, lower right. A fine, richly-inked ...
Category
1950s American Modern Figurative Prints
Materials
Lithograph
You May Also Like
"Leonard Bernstein" - Rare Signed Figurative Lithograph in Ink on Paper
Located in Soquel, CA
"Leonard Bernstein" - Figurative Lithograph in Ink on Paper
Bold lithograph by Eugene Hawkins (American, b. 1933). Leonard Bernstein is raising both ha...
Category
1960s American Modern Figurative Prints
Materials
Paper, Ink, Lithograph
"The Little One" - Rare Signed Figurative Lithograph in Ink on Paper
Located in Soquel, CA
"The Little One" - Figurative Lithograph in Ink on Paper
Bold lithograph by Eugene Hawkins (American, b. 1933). A young child is kneeling, facing away ...
Category
1960s American Modern Figurative Prints
Materials
Paper, Ink, Lithograph
$540 Sale Price
20% Off
1930s Black and White Lithograph of House at Gregory Point, Colorado Landscape
By Arnold Rönnebeck
Located in Denver, CO
This original lithograph by renowned modernist Arnold Ronnebeck (1885-1947) depicts a charming home in Gregory Point, near Central City, Colorado. Created during the 1930s, this piec...
Category
1930s American Modern Landscape Prints
Materials
Paper, Lithograph
Original Karting (Go-kart) vintage French racing poster
Located in Spokane, WA
Original French poster. Linen-backed KARTING HAFA motor oil KARTING poster estimated to be in the late 1950s—early 60s. It is in excellent condition and ready to frame.
COUPE d´ E...
Category
1950s American Modern Figurative Prints
Materials
Lithograph
Man with Mask
By Joseph Hirsch
Located in Fairlawn, OH
Man with Mask
Lithograph, 1969
Signed in pencil by the artist
95/100
Printed by Lucien Detruit, Paris
Published by AAA, New York
Reference: AAA Index No. 60
Condition: Mint
Image siz...
Category
1960s American Modern Figurative Prints
Materials
Lithograph
Pool Diver - Lithograph (Olympic Games Munich 1972)
By David Hockney
Located in Paris, IDF
David HOCKNEY
Pool Diver
Original lithograph
Signature printed in the plate
On paper 101 x 64 cm (c. 40 x 26 inch)
Made for the Olympic Games in Munich, 1972
Excellent condition
Category
1970s American Modern Figurative Prints
Materials
Lithograph
Recently Viewed
View AllMore Ways To Browse
Post Modern Memphis Era
Metropolitan Ornament
Mid Century Modern Skyline Painting
Poster Brugge
Purple Vintage Suitcase
Raphael Soyer Team
Renato Guttuso On Sale
Rene Quillivic
Renoir Maternite
Retour Magritte
Richard Roland Holst
Robert Philippi
Rosenquist Somewhere To Light
Roy Lichtenstein Drowning Girl New York Moma Print
Roy Lichtenstein Hopeless
Roy Lichtenstein Signed Whaam
Roy Lichtenstein Thinking Of Him
Ruth Waddy