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Aaron BohrodCity Park, Winterc. 1947
c. 1947
About the Item
City Park, Winter
Lithograph, c. 1947
Signed in pencil lower right (see photo)
Published by Associated American Artists
Printed by George C. Miller, New York
Edition: c. 250
In the Bohrod papers at Syracuse University, the artist states that it is a view of Pittsburgh. It depicts the George Washington Monument in Allegheny Commons Park, dedicated in 1891. The sculptor f the monument is Edward Ludwig Albert Pausch (1856-1931).
Condition: Excellent
Image size: 9 1/4 x 13 7/16 inches
Frame size: 19 x 23 inches
Provenance: Estate of Adolf Dehn
Reference: AAA Index No. 848
Aaron Bohrod (21 November 1907 – 3 April 1992) was an American artist best known for his trompe-l'œil still-life paintings.
Education
Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings.
Career
He returned to Chicago in 1930 where he painted views of the city and its working class. He eventually earned Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' Army War Art Unit, then in Europe for Life magazine. In 1948, he accepted a position as artist in residence, succeeding John Steuart Curry, at the University of Wisconsin–Madison, and remained in that capacity until 1973. In 1951, Bohrod was elected into the National Academy of Design as an Associate member, and became a full member in 1953. He died from liver cancer at his home in Madison, Wisconsin on 3 April 1992, at the age of 84.
Trompe-l'œil
In the 1950s, Bohrod developed the trompe-l'œil style of highly realistic, detailed still-life paintings which give an illusion of real life. It was this style with which he became internationally identified.
Works
Bohrod's America, its history
Bohrod's works can be found in the collections of many American museums such as the Art Institute of Chicago, the Metropolitan Museum of Art, the Whitney Museum of American Art in New York, and the Hirshhorn Museum in Washington, D.C. The Aaron Bohrod Gallery at the University of Wisconsin–Fox Valley was named in his honor.
Courtesy Wikipedia
- Creator:Aaron Bohrod (1907 - 1992, American)
- Creation Year:c. 1947
- Dimensions:Height: 9.25 in (23.5 cm)Width: 13.44 in (34.14 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
Aaron Bohrod
Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life, which comprised most of Bohrod's early work. Under Sloan's tutelage, Bohrod came to subscribe to the belief that painters should find the subjects of their art in the immediate world around them. These paintings emphasized architecture unique to north Chicago and featured Chicagoans engaged in such everyday activities as working, playing or going to the theatre. The romantic aspect was conveyed by the use of misty colors, and the realism by attention to detail. In 1936, Bohrod won the Guggenheim Fellowship award in creative painting. It enabled him to travel the United States, producing similar regionalist paintings on a much broader range of subjects. Nevertheless, most of his early work centered on Chicago and the urban Midwest. In 1943, Bohrod was commissioned by editors of Life magazine to cover the battlefronts as a war correspondent and artist. Three years later, Bohrod was invited to become the Artist in Residence at the University of Wisconsin, a position that became vacant with the unexpected death of John Steuart Curry. He would remain at the University from 1948 to his retirement in 1973. Then, quite atypically, fantasy started to appear in his work. Elements of Surrealism, supposedly inspired by his concurrent involvement in ceramics with F. Carlton Ball, began influencing his landscapes. By 1953, Bohrod had completely ceased painting landscapes, turning instead to often symbolic still-life subjects. He abandoned his earlier romantic realism to paint in the luminous trompe l'oeil tradition of William Harnett. Bohrod continued to produce these meticulously crafted fantasies exclusively. While in his position at the University of Wisconsin, Bohrod painted covers for Time magazine and authored two books, A Pottery Sketch-book (1959) and A Decade of Still Life (1966), in which are produced many of his trompe l'oeil paintings.
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- The Golden GateBy Adolf Arthur DehnLocated in Fairlawn, OHThe Golden Gate Lithograph on wove paper watermarked GC, 1940 Signed in pencil by the artist (see photo) Publisher: Associated American Artists Edition: 189, unnumbered The image depicts The Golden Gate Bridge which connects San Francisco and Marin County, California References And Exhibitions: Illustrated: Adams, The Sensuous Life of Adolf Dehn, Fig. 13.17, page 324 Reference: L & O 325 AAA Index 391 Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. 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