Patrick Nagel 'Texas / Rio' Serigraph Print, 1983

1983

Papillon Gallery, 1981 Serigraph on 100% cotton archival grade heavyweight rag paper Published by Mirage Editions, Santa Monica, signed in plate Total tirage 1275 plus proofs (there ...

Cleon Peterson (b. 1973) Out Of Darkness (Gold), 2018 Screenprint on Coventry Rag paper 28 x 28 inches (71.1 x 71.1 cm) (sheet) Ed. 131/150 Signed, numbered and dated in pencil along...

'Nagel Commemorative Eleven' (NC 11), 1987 Serigraph on 100% cotton archival grade heavyweight rag paper Published by Mirage Editions, a limited run edition, signed in plate Printed ...

Alex Katz (born 1927) Vincent, 1972 From the Prints for Phoenix House portfolio Chalk lithograph in two gray colors on Arches paper Signed in pencil and numbered 93/120 Printed by Pa...

In 2012, along with Adams’ completion of his 42 minute video Malraux’s Shoes, he was simultaneously referencing his own extensive library and archive documenting the intellectual climate of the 1960s. Entitled Tagging the Archive, this suite of 24 text pieces are montaged over revolutionary ephemera from the 60s as well as book covers such as Abbie Hoffman’s Steal this Book (1971), Franz Erhard Walther’s Objekte, benutzen (1968), Jean Luc Godard’s Le Petit Soldat, Claude Levi Strauss’s Tristes Tropiques, Henry Miller’s Black Spring, and others. This was Adams’ opportunity to formulate a critical dialogue filled with ambiguous clues. Juxtaposed against forerunners such as Broodthaer’s Departement des Aigles (1968-72), or Aby Warburg’s Mnemosyne Atlas (1866-1929), or Malraux’s Le Musee Imaginaire, or Richard Prince’s extensive personal library of vintage pulp...

In 2012, along with Adams’ completion of his 42 minute video Malraux’s Shoes, he was simultaneously referencing his own extensive library and archive documenting the intellectual climate of the 1960s. Entitled Tagging the Archive, this suite of 24 text pieces are montaged over revolutionary ephemera from the 60s as well as book covers such as Abbie Hoffman’s Steal this Book (1971), Franz Erhard Walther’s Objekte, benutzen (1968), Jean Luc Godard’s Le Petit Soldat, Claude Levi Strauss’s Tristes Tropiques, Henry Miller’s Black Spring, and others. This was Adams’ opportunity to formulate a critical dialogue filled with ambiguous clues. Juxtaposed against forerunners such as Broodthaer’s Departement des Aigles (1968-72), or Aby Warburg’s Mnemosyne Atlas (1866-1929), or Malraux’s Le Musee Imaginaire, or Richard Prince’s extensive personal library of vintage pulp...

Original vintage poster: Aspen Winternational 1983 and Subaru World Cup Races, printed 1982 by artist Terry Rose. The ASPEN WINTER NATIONAL skiing poster...

Les Amériques en Bal Original Poster by Razzia – Linen-Backed, Excellent Condition. Archival linen-backed and ready to frame. This poster is hand-signed in the lower right corner by...