Vienna Secession Art Posters
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Ottokar Mascha Folio, plate 8: "Poster for the 1st Vienna Secession Exhibition"
By Gustav Klimt
Located in Chicago, IL
Vienna’s Secession, Mascha believed that modernity required a new definition of Art and that old
Category
1910s Vienna Secession Figurative Prints
Materials
Lithograph
Fromme's Kalender Art Nouveau Lithograph Poster Koloman Moser Vienna Secession
By Koloman Moser
Located in Chicago, IL
out of time" (Vienna Secession, Denscher, p. 45). As the poster was originally used in 1899, the
Category
1890s Art Nouveau Figurative Prints
Materials
Paper, Lithograph
1901 Original poster by Alfred Roller Wiener Kunststickereien Vienna Secession
Located in PARIS, FR
Beautiful, original poster, emblematic of advertising art created by Austrian artist Alfred Roller
Category
Early 1900s Art Nouveau Prints and Multiples
Materials
Paper, Lithograph
Original Vintage Secession Poster celebrating the emperor's jubilee
Located in Zurich, CH
trends. Graf was the president from 1909.
The poster announces the celebratory procession in Vienna held
Category
Early 1900s Vienna Secession Figurative Prints
Materials
Paper
Free Shipping
H 48.82 in W 36.42 in D 0.04 in
1989 Cindy Sherman 'Vienna Secession'
By Cindy Sherman
Located in Brooklyn, NY
_Additional Details: Original exhibition Poster for Cindy Sherman in Austria, 1989_x000B__x000B_Shipping and
Category
1980s Contemporary Prints and Multiples
Materials
Offset
Ottokar Mascha Folio: plate 11 "5th Secession Exhibition Poster" by Kolo Moser
By Koloman Moser
Located in Chicago, IL
after KOLOMAN MOSER (1868-1918) 5TH SECESSION EXHIBITION POSTER, 1899, (In Mascha, no. 11) A
Category
1910s Vienna Secession Figurative Prints
Materials
Lithograph
Ottokar Mascha Folio, plate 9: "Darmstadt Poster"by Joseph Maria Olbricht
By Joseph Maria Olbrich
Located in Chicago, IL
founding members of the Vienna Secession and a highly esteemed architect, Olbricht was charged with
Category
1910s Vienna Secession More Prints
Materials
Lithograph
Ottokar Mascha Folio, plate 18: "Shaw Oder Die Ironie Poster" by Egon Schiele
By Egon Schiele
Located in Chicago, IL
against a red-hot ground creates a vivid fascial form of communication. The poster art form provided a
Category
1910s Vienna Secession Figurative Prints
Materials
Lithograph
E. Strache, Handzeichnungen folio, "Crouching Female Nude" Collotype plate V
By (after) Egon Schiele
Located in Chicago, IL
early years of 20th century Vienna, there was no clear separation between fine art, science, sociology
Category
1920s Vienna Secession Figurative Prints
Materials
Paper
R. Layni, Zeichnungen folio, "The Artist's Wife, Seated" Collotype plate VI
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1910s Vienna Secession Portrait Prints
Materials
Paper
Gerlach's Allegorien Plate #37: "Music" Lithograph
By Koloman Moser
Located in Chicago, IL
(Kunstlerhausgenessenschaft) to found the Vienna Secession the very next year in 1898. Klimt became the Secession’s first
Category
1890s Vienna Secession Figurative Prints
Materials
Lithograph
Gerlach's Allegorien Plate #30: "Love" Lithograph
By Koloman Moser
Located in Chicago, IL
(Kunstlerhausgenessenschaft) to found the Vienna Secession the very next year in 1898. Klimt became the Secession’s first
Category
1890s Vienna Secession Figurative Prints
Materials
Lithograph
Gerlach's Allegorien Plate #20: "Song, Love, Music, Dance" Lithograph
By Koloman Moser
Located in Chicago, IL
(Kunstlerhausgenessenschaft) to found the Vienna Secession the very next year in 1898. Klimt became the Secession’s first
Category
1890s Vienna Secession Figurative Prints
Materials
Lithograph
Gerlach's Allegorien Plate #35: "Love & Wine" Lithograph
By Koloman Moser
Located in Chicago, IL
(Kunstlerhausgenessenschaft) to found the Vienna Secession the very next year in 1898. Klimt became the Secession’s first
Category
1890s Vienna Secession Figurative Prints
Materials
Lithograph
Gerlach's Allegorien Plate #75: "Hunting, Fishing, Rowing, Cycling"
By Koloman Moser
Located in Chicago, IL
(Kunstlerhausgenessenschaft) to found the Vienna Secession the very next year in 1898. Klimt became the Secession’s first
Category
1890s Vienna Secession Figurative Prints
Materials
Lithograph
Gerlach's Allegorien Plate #51: "Summer" Lithograph
By Koloman Moser
Located in Chicago, IL
(Kunstlerhausgenessenschaft) to found the Vienna Secession the very next year in 1898. Klimt became the Secession’s first
Category
1890s Vienna Secession Figurative Prints
Materials
Lithograph
Gerlach's Allegorien Plate #89: "Bookplate Spring" Lithograph
By Koloman Moser
Located in Chicago, IL
(Kunstlerhausgenessenschaft) to found the Vienna Secession the very next year in 1898. Klimt became the Secession’s first
Category
1890s Vienna Secession Figurative Prints
Materials
Lithograph
H 17.25 in W 13.75 in
Gerlach's Allegorien Plate #94: "Heads" Lithograph
By Koloman Moser
Located in Chicago, IL
(Kunstlerhausgenessenschaft) to found the Vienna Secession the very next year in 1898. Klimt became the Secession’s first
Category
1890s Vienna Secession Figurative Prints
Materials
Lithograph
Gerlach's Allegorien Plate #47: "Morning in the Spring" Lithograph
By Koloman Moser
Located in Chicago, IL
(Kunstlerhausgenessenschaft) to found the Vienna Secession the very next year in 1898. Klimt became the Secession’s first
Category
1890s Vienna Secession Figurative Prints
Materials
Paper
Gerlach's Allegorien Plate #44: "Music" Lithograph
By Koloman Moser
Located in Chicago, IL
(Kunstlerhausgenessenschaft) to found the Vienna
Secession the very next year in 1897. Klimt became the Secession’s first
Category
1890s Vienna Secession Figurative Prints
Materials
Lithograph
E. Strache, Handzeichnungen folio, "Nursing Mother with Child" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1920s Vienna Secession Figurative Prints
Materials
Paper
E. Strache, Handzeichnungen folio, "Portrait Study (Head of a Girl)" Collotype
By (after) Egon Schiele
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1920s Vienna Secession Portrait Prints
Materials
Paper
E. Strache, Handzeichnungen folio, "Female Nude, Walking" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1920s Vienna Secession Figurative Prints
Materials
Paper
E. Strache, Handzeichnungen folio, "Female Model, Seated" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1920s Vienna Secession Figurative Prints
Materials
Paper
E. Strache, Handzeichnungen folio, "Kneeling Female, Semi-Nude" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1920s Vienna Secession Figurative Prints
Materials
Paper
E. Strache, Handzeichnungen folio, "Self-Portrait" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1920s Vienna Secession Portrait Prints
Materials
Paper
E. Strache, Handzeichnungen folio, "Reclining Female Nude Glancing Up" Collotype
By (after) Egon Schiele
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1920s Vienna Secession Figurative Prints
Materials
Paper
E. Strache, Handzeichnungen folio, "Standing Female Nude" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1920s Vienna Secession Figurative Prints
Materials
Paper
E. Strache, Handzeichnungen folio, "Kneeling Female Nude" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1920s Vienna Secession Figurative Prints
Materials
Paper
E. Strache, Handzeichnungen folio, "Artist's Sister-in-Law" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1920s Vienna Secession Figurative Prints
Materials
Paper
E. Strache, Handzeichnungen folio, "Female Nude, Back View" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1920s Vienna Secession Figurative Prints
Materials
Paper
E. Strache, Handzeichnungen folio, "Reclining Girl, Half-Figure" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1920s Vienna Secession Figurative Prints
Materials
Paper
E. Strache, Handzeichnungen, "Seated Female Nude w/Orange Drapery" Collotype
By (after) Egon Schiele
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1920s Vienna Secession Figurative Prints
Materials
Paper
R. Layni, Zeichnungen folio, "One-Year-Volunteer Private" Collotype plate V
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1910s Vienna Secession Portrait Prints
Materials
Paper
R. Layni, Zeichnungen folio, "Woman with Greyhound" Collotype plate III
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1910s Vienna Secession Portrait Prints
Materials
Paper
R. Layni, Zeichnungen folio, "Seated Woman with Bent Knee" Collotype plate I
Located in Chicago, IL
Secession Exhibition in 1918, the responsibility to create an exhibition poster and art for the main gallery
Category
1910s Vienna Secession Figurative Prints
Materials
Paper
R. Layni, Zeichnungen folio, "Portrait of a Child" Collotype plate X
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1910s Vienna Secession Figurative Prints
Materials
Paper
R. Layni, Zeichnungen folio, "Russian Soldier" Collotype plate VII
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1910s Vienna Secession Figurative Prints
Materials
Paper
R. Layni, Zeichnungen folio, "Reclining Nude w/Green Stockings" Collotype PL XI
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1910s Vienna Secession Nude Prints
Materials
Paper
R. Layni, Zeichnungen folio, "Male Nude in Red Loincloth" Collotype plate II
Located in Chicago, IL
Secession Exhibition in 1918, the responsibility to create an exhibition poster and art for the main gallery
Category
1910s Vienna Secession Figurative Prints
Materials
Paper
R. Layni, Zeichnungen folio, "Two Girls, Lying Entwined" Collotype plate VIII
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1910s Vienna Secession Nude Prints
Materials
Paper
R. Layni, Zeichnungen folio, "Kneeling Female Semi-Nude" Collotype plate XII
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1910s Vienna Secession Figurative Prints
Materials
Paper
R. Layni, Zeichnungen folio, "Torso" Collotype plate IV
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1910s Vienna Secession Figurative Prints
Materials
Paper
R. Layni, Zeichnungen folio, "Nude With Raised Arm" Collotype plate IX
Located in Chicago, IL
, Schiele had naturally taken up the torch as Klimt’s successor. As leader of the 49th Vienna Secession
Category
1910s Vienna Secession Nude Prints
Materials
Paper
Paul Hankar Architect by Adolphe Crespin, Art Nouveau Japon lithograph, 1897
By Adolphe Crespin
Located in Chicago, IL
artists of the Vienna Secession and the Darmstadt Artists' Colony in Germany.
While this poster was
Category
1890s Art Nouveau Prints and Multiples
Materials
Lithograph
H 11.5 in W 8.38 in D 0.2 in
"From the Saga of the Nibelungs"
By Friedrich König
Located in Wien, Wien
Tannhauser, Munich
Secession, Munich
Private collection, Vienna
Friedrich König was a founding member of
Category
Early 1900s Figurative Paintings
Materials
Oil
Convolution, 1940s Modern Black White Abstract Lithograph of Kinetic Movement
By Herbert Bayer
Located in Denver, CO
life-long attachment to the mountains. A devotee of the Vienna Secession and the Vienna Workshops
Category
1940s Abstract Abstract Prints
Materials
Paper, Lithograph
H 23 in W 26.75 in D 1.25 in
"Head of an Italian Woman" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna
Category
1910s Symbolist Figurative Prints
Materials
Paper
"The Holy Hour with Six Figures" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna
Category
1910s Symbolist Figurative Prints
Materials
Paper
"The Holy Hour with Four Figures" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna
Category
1910s Symbolist Figurative Prints
Materials
Paper
"Chestnut Tree" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna
Category
1910s Symbolist Figurative Prints
Materials
Paper
H 27.63 in W 17.75 in
"Portrait of Herrn Willy Russ-Young" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna
Category
1910s Symbolist Figurative Prints
Materials
Paper
"William Tell" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna
Category
1910s Symbolist Figurative Prints
Materials
Paper
H 27.63 in W 17.75 in
"Love" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna
Category
1910s Symbolist Figurative Prints
Materials
Paper
"Dying Woman" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna
Category
1910s Symbolist Figurative Prints
Materials
Paper
H 17.75 in W 27.63 in
"Girl in the Garden" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna
Category
1910s Symbolist Figurative Prints
Materials
Paper
"Three Mountaintops Emerging From Fog" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna
Category
1910s Symbolist Figurative Prints
Materials
Paper
"The Reformation, Hannover" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna
Category
1910s Symbolist Figurative Prints
Materials
Paper
"Woman Turning Around" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna
Category
1910s Symbolist Figurative Prints
"Portrait of Prof. Dr. Hermann Sahli" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna
Category
1910s Symbolist Figurative Prints
Materials
Paper
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Vienna Secession Art Posters For Sale on 1stDibs
Find a variety of vienna secession art posters available on 1stDibs. Browse a selection of Expressionist versions of these works for sale today — there are 8 Expressionist examples available. These items have been produced for many years, with earlier versions available from the 19th Century and newer variations made as recently as the 20th Century. You can search the vienna secession art posters that we have for sale on 1stDibs by color — popular works were created in bold and neutral palettes with elements of beige, orange and white. These artworks have been a part of the life’s work for many artists, but the versions made by Gustav Klimt, Fritz Lovensohn, Koloman Moser, Berthold Löffler and Egon Schiele are consistently popular. Each of these unique pieces was handmade with extraordinary care, with artists most often working in lithograph and paper. Not every interior allows for large iterations of these items, so small vienna secession art posters measuring 11.5 inches across are available.
How Much are Vienna Secession Art Posters?
Vienna secession art posters can differ in price owing to various characteristics — the average selling price for items in our inventory is $6,200, while the lowest priced sells for $4,400 and the highest can go for as much as $13,700.
Finding the Right Prints and Multiples for You
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.
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