Advertising Figurative Prints

Steinlen, Alexandre Theophile. Cover for Les Chansons de Montmartre, 1899. Lithograph [2nd state of 3], before the borders were cut. Ref: Crauzat 218. Steinlen was born in Switze...

Blazer, Hermann. PKZ [Hand putting Rose into lapel of Suit]. 1936, Color lithograph. On Linen. Blazer was a Graphic Designer who designed posters for the PKZ Dept. store in Swit...

Vins Camp Romaine. Ca. 1935. Color lithograph, 62 1/2 x 46 1/2" on linen

D'Horticulture de France. Ca 1899. Color lithograph. On Linen 47 x33". Bourgeois was a painter of landscapes and murals. Bourgeois received a bronze medal in1889 and 1900 ...

Artist: Eric Drooker, American (1958 - ) Title: Wake Up Man from Bullet Space, Your House is Mine Year: 1988-1992 Medium: Silkscreen, signed in pencil Edition: 126/150 Size: 23...

VALERIO ADAMI b. 1935 Born in Bologna 1935 (Italian) Title: Man with Cigarette Technique: Original Hand Signed and hand numbered Serigraph/SilkScreen in colours on vellum pap...

Soviet / American Array VI is a 1991 color intaglio by Robert Rauschenberg. Soviet / American Array VI is part of a larger series entitled Soviet / American Array where Rauschenberg pairs pictures of the Soviet Union with those of the United States. Soviet / American Array VI is from an edition of 59 plus artist and printers proofs. Soviet / American Array VI is signed by Rauschenberg.

1967 Screenprint in colors, on thin wove paper 45 x 24 1/4 in. (114.3 x 61.6 cm) Edition of 500 Signed on the front

Original Mexico Pan Am Pan American vintage travel poster. The world's most experienced airline. Festivals Old and New. Artist: Edward McKnight Kauffer. Printer: Gugler Lithographic Company, USA. Linen-backed, ready to frame. In very fine to excellent condition. No restoration, flaws, stains, or fading. Edward McKnight Kauffer was an American artist who became renowned for his work as a graphic designer and poster artist, particularly during the early 20th century. While he was born in the United States in 1890, he spent much of his career working in Europe, particularly in London, where he moved in 1914 and eventually settled. Kauffer's style was highly innovative for its time, blending Cubism, Futurism, and abstraction elements into his designs. He was known for his bold use of color, geometric shapes, and dynamic compositions, which made his work highly distinctive and influential. Kauffer made significant contributions to poster art, particularly through his commissions for various companies and organizations. One notable client was Pan American Airways, for whom he created a series of iconic posters promoting air travel and the destinations served by the airline. The Pan Am to Mexico poster is a striking example of Kauffer's modernist style, characterized by bold colors, geometric shapes, and simplified forms. In this particular piece, Kauffer employed vibrant hues and abstract imagery to capture the allure and excitement of air travel to Mexico. During the 1940s, Pan American Airways, commonly known as Pan Am, was at the forefront of international air travel, significantly shaping the global aviation industry. Here are some key aspects of Pan Am's operations and influence during that period: Linen backed, ready to frame. Original McKnight Kauffer vintage travel poster to Mexico via Pan American Airlines. The World's Most Experienced Airline. Festivals Old and New. Linen-backed and in excellent condition. Printed in the United States. A young man stands in a shop doorway, holding a rooster and selling local souvenirs; a bullfight...

Limited Edition Geclee Print 1 of 50 Edition, on Watercolor Paper , hand-embellished by watercolor. The size of geclee print is 11"X14" . Size with the white matt is 20″X16″. Frame ...

Original mixed media, unknown year. Edition of 80 signed and numbered impressions on Arches paper. Mimmo Rotella was an Italian post-war artist, best known for his decollage and psyc...

Original poster: Portugal. Printed by the Portuguese government for travel. Excellent condition. Linen backed. Lithograph. With a hat of sun and flowers, this travel poster e...

Shepard Fairey Terry Hall Tribute - Musack Edition (The Specials, Operation Ivy, Fishbone, Chalkie Davies) Screenprint on heavy True White Speckletone paper Year: 2023 Size: 24x18in ...

Original vintage poster: Bergasol. Artist: Bernard Villemot Professional mounted on acid-free archival linen. Ready to frame. In very fine condition. The Bergasol poster i...

Shepard Fairey Raise the Level (Peace) (Harmony, Straat Museum, Painterly, Diplomacy over Conflict) Screenprint on thick cream Speckletone paper Year: 2023 Size: 18x24 inches Edition...

"New Masses" Vol 1, No 1, May 1926, Actual Magazine, VG Condition Hugo Gellert New Masses Magazine. May 1926, Inaugural: Vol 1, No 1. Published by the New Masses Inc., 39 West 8th St., New York City. New Masses (1926-1948) was an American Marxist magazine launched in New York City. It was closely associated with the Communist Party USA. With the coming of the Great Depression in 1929 America became more receptive to ideas from the political Left and New Masses became highly influential in intellectual circles. The magazine has been called the principal organ of the American cultural left from 1926 onwards. It featured the work of an array of independent writers and artists. The Metropolitan Museum of Art’s recent exhibition, “Art for the Millions: American Culture and Politics in the 1930s” celebrated the American spirit during the depression era. In the exhibition several issues of "New Masses" are exhibited, but not Vol 1. No. 1. We offer that. Lithograph by Hugo Gellert on the cover and multiple illustrations in magazine. Hugo Gellert (1892-1985) was a Hungarian-American illustrator and muralist. A committed radical and member of the Communist Party of America, Gellert is considered by some art critics as among the best political work of the first half of the 20th century. The artists who works are inside Vol 1, No. 1 include: William Gropper, Adolph Dehn, Stuart Davis, Art Young, I. Klein, Boardman Robinson, Wanda Gag, Louis Lozowick, F. S. Hynd, New Masses, Otto Soclow, Hans Stengel and Arnold Ronnebeck. The writers included in this issue: Babette Deutsch, Robert Dljnn, Robinson Jeffers, William Carlos Williams, Nathan Asch, Norman Studer, M. H. Hedges, Art Shields, Karol Rembov, Hal Saunders-White, Edwin Seaver, George Sterling, Scott Nearing and Whittaker Chambers. Editors: Egmont Arens, Joseph Freeman, Hugo Gellert, Michael Gold, James Rorty, and Joan Sloan.Executive Board: Egmont Arens, Maurice Becker, Helen Black, John Dos Passos, Robert Dunn...

Milton Glaser Posters 1967-1980: A curated collection of 8 individual vintage Milton Glaser posters (1967-1980): Collection Includes: - Saratoga Festival Poster 1980: 24x36 inches. Created for the annual summer arts festival held in Saratoga New York. - Bob Dylan Souvenir Poster c. 1967: 33x22 inches. Most iconic of all Milton Glaser posters, created for Bob Dylan's "Greatest Hits" LP. - Sony Tape Full Color Sound poster 1980: 30x45 inches. Original vintage poster created by Glaser for the world-recognized brand Sony. - Temple University Music Festival...

Created in 2000, this color screenprint is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left margin and is numbered from the edition ...

Created in 2006, this etching and aquatint on wove paper is hand-signed by Edward Ruscha (1937, Nebraska - ) in pencil in the lower right margin and is numbered from the edition of 3...

Framed in a bright yellow boarder, Roy Lichtenstein Reflections on Minerva, from Reflections, 1990 shows a distressed Minerva partially obscured by reflective lines. As if she is beh...

HETRÉAU, Remy. Les Vignobles De France - Vins du Val de Loire (The Vineyards of France - Wines of the Loire Valley) Paris 1954 Fine colour printed promotional map of the wine regions of the Loire Valley, drawn by Remy Hetréau in 1954. Framed and glazed, overall size: 83.7 by 70 by 2cm. One from a series of 11 titled Les Vignobles de France; these posters were commissioned by the Comité National de Propagande en Faveur du Vin, a government agency that promoted the French wine industry, as well as tourism to the regions. Remy Hétreau was a French artist, printmaker, illustrator and designer, known for his etchings and engravings; he illustrated numerous books. Among his other activities, he created designs for Haviland Limoges china...

1965 Screenprint in colors, on wove paper 37 5/8 x 27 5/8 in. (95.6 x 70.2 cm) Edition of 200 Signed and numbered in pencil, lower margin Framed, excellent condition

Banksy Visit Historic Palestine Color Offset Lithograph on fine paper Year: 2018 Dry Stamp, Embossed Logo in the lower Left Corner Size: 22.6 ...

L'Amore dei Tre Re is a colored lithographed original manifesto on cardboard, realized in 1913 by the Italian artist Luigi Caldanzano. Printed by Offi...

William Mackendree Bazaar, 2004 lithograph/woodblock, ed. of 30 28 1/2 x 23 3/4 in. (72.4 x 60.3 cm)

MAN is a hand pulled, original limited edition relief print created using woodcut and serigraphy(silkscreen) printmaking techniques on white archival heavyweight paper, 100% acid free. Pencil signed, titled and dated in pencil on lower margin by Elizabeth Catlett, embossed with printers chop mark lower left, print documentation provided. MAN is an impactful portrait head woodcut depicting an indigenous Mexican male face carved by the renowned American and Mexican woman printmaker and sculptor, Elizabeth Catlett. Strong impression printed in rich black ink on white paper with a row of paper doll like cutout people silkscreened printed in gradient shades of yellow, orange, and brown beneath the Man's head, reminiscent of Mexican folk art paper-cutting, Artist: Catlett, Elizabeth (1915-2012) Title: Man Date: 1975, printed 2003 Medium: woodcut and color silkscreen Dimensions: 26 x 17.75 inches (paper size) Edition: 250 published by the Print Club of Cleveland, number 83, 2005 About the artist - Elizabeth Catlett graduated from Howard University in Washington, D.C., in 1935, where she studied under a number of notable artists, including Lois Maillou Jones...

Artist: John Giorno Title: May All the Tiny Black Insects Crawling on the Peonies... Portfolio: Welcoming the Flowers Date: 2007 Screenprint, signed, numbered, and dated in pencil Ed...

RF ART Corona 3D-construction Year: 2021 Signed and numbered by hand Edition: 10 Size: 33.1 × 23.4 on 33.7 × 24.0 inches COA provided *Lead Time may vary bet...

RF ART Consume 3D-construction Year: 2021 Signed and numbered by hand Edition: 50 Size: 23.4 × 16.5 on 23.8 × 16.9 inches COA provided Rf Art is a Street Art...

Think & Create Offset lithograph on paper Year: 2020-2021 Signed and dated by hand Size: 24 x 36 inches COA provided *Lead Time may vary between 2-3 weeks Frank Shepard Fairey (bor...

Raymond Pettibon illustrated Punk flyer 1981: Throbbing Gristle at Veteran's Auditorium May 22, 1981 featuring original artwork by Raymond Pettibon. ...

REED, ETHEL (1874 -1926) "Quest of the Golden Girl" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bea...

Artist: John Giorno Title: Sunflowers Snuggle Their Heads On My Lap And Gaze Up at the Sky Portfolio: Welcoming the Flowers Date: 2007 Screenprint, signed, numbered, and dated in pe...

TECHNICAL INFORMATION: Andy Warhol Pete Rose Trial Proof 1985 Screenprint on Lenox Museum Board 39 3/8 x 31 1/2 in. Trial Proof Edition of 30 Pencil signed ...

1990s Keith Haring exhibition poster: Original Exhibition poster for Keith Haring at San Francisco Museum of Modern Art, May 08-September 08, 1998; an exhibit which featured a complete retrospective of Haring's work, from his childhood doodles and early New York subway drawings to large-scale paintings during his final years. Off-set lithograph on heavy wove paper. 24 x 36 inches. Unsigned from an edition of unknown. Bright, vibrant colors. Some minor signs of handling; otherwise very good overall. Contains trademark of Haring Estate on lower center edge. Further Background: Image featured in this poster is Haring's, "Drawing for Headstand 1988. De Young Museum's regarding Haring's symbolism here: "Human figures depicted upside-down are usually B-boys and B-girls, the dancers of hip-hop, doing the iconic move in which they spin on their head. Figures contorting in backbends or jumps are probably also depictions of break dancers." Haring’s work has long been a part of San Francisco’s visual culture. He created works for diverse venues in San Francisco during his lifetime, including murals for DV8, a club once located in the South of Market neighborhood, and a huge, multi-panel painting for the South of Market Childcare Center (also known as the Saint Patrick's Daycare Center). Haring’s outdoor sculpture Untitled (Three Dancing Figures) (1989), located at Third and Howard Streets, is a prominent feature of Moscone Convention Center, and his triptych altarpiece The Life of Christ (1990) is installed in the AIDS Chapel at Grace Cathedral...

Elizabeth Catlett “Man” 1975 (The Print Club of Cleveland Publication Number 83, 2005) Woodcut and Color Linocut Printed in 2003 at JK Fine Art Editions Co., Union City, New Jersey Signed and Dated By The Artist Lower Right Titled Lower Left Ed. of 250 Image Size: approx 18 x 12 inches Elizabeth Catlett (1915-2012) is regarded as one of the most important women artists and African American artists of our time. She believed art could affect social change and that she should be an agent for that change: “I have always wanted my art to service black people—to reflect us, to relate to us, to stimulate us, to make us aware of our potential.” As an artist and an activist, Catlett highlighted the dignity and courage of motherhood, poverty, and the working class, returning again and again to the subject she understood best—African American women. The work below, entitled, “Man”, is "carved from a block of wood, chiseled like a relief. Catlett, a sculptor as well as a printmaker, carves figures out of wood, and so is extremely familiar with this material. For ‘Man’ she exploits the grain of the wood, allowing to to describe the texture of the skin and form vertical striations, almost scarring the image. Below this intense, three-dimensional visage parades seven boys, printed repetitively from a single linoleum block in a “rainbow roll” that changes from gold to brown. This row of brightly colored figures with bare feet, flat like a string of paper dolls, raise their arms toward the powerful depiction of the troubled man above.” Biography: Elizabeth Catlett (1915-2012) Known for abstract sculpture in bronze and marble as well as prints and paintings, particularly depicting the female figure, Elizabeth Catlett is unique for distilling African American, Native American, and Mexican art in her work. She is "considered by many to be the greatest American black sculptor". . .(Rubinstein 320) Catlett was born in Washington D.C. and later became a Mexican citizen, residing in Cuernavaca Morelos, Mexico. She spent the last 35 years of her life in Mexico. Her father, a math teacher at Tuskegee Institute in Alabama, died before she was born, but the family, including her working mother, lived in the relatively commodious home of his family in DC. Catlett received a Bachelor of Arts degree from Howard University, where there was much discussion about whether or not black artists should depict their own heritage or embrace European modernism. She earned a Master of Fine Arts degree in 1940 from the University of Iowa, where she had gone to study with Grant Wood, Regionalist* painter. His teaching dictum was "paint what you know best," and this advice set her on the path of dealing with her own background. She credits Wood with excellent teaching and deep concern for his students, but she had a problem during that time of taking classes from him because black students were not allowed housing in the University's dormitories. Following graduation in 1940, she became Chair of the Art Department at Dillard University in New Orleans. There she successfully lobbied for life classes with nude models, and gained museum admission to black students at a local museum that to that point, had banned their entrance. That same year, her painting Mother and Child, depicting African-American figures won her much recognition. From 1944 to 1946, she taught at the George Washington Carver School, an alternative community school in Harlem that provided instruction for working men and women of the city. From her experiences with these people, she did a series of paintings, prints, and sculptures with the theme "I Am a Negro Woman." In 1946, she received a Rosenwald Fellowship*, and she and her artist husband, Charles White, traveled to Mexico where she became interested in the Mexican working classes. In 1947, she settled permanently in Mexico where she, divorced from White, married artist Francisco Mora...

This piece is a color silkscreen, constructed from various pieces of propaganda that Kitaj encountered while studying in Vienna in 1951. It also includes photographs of Kitaj himself...

Livre Russe et Francais, J.Povolozky/Editeur & Cie, Ca 1922. Color lithograph, signed in the stone. Rare Vintage Poster. As a painter, Natalia Gontcharova was, together with her ...

Theatre Libre for Monsieur Bute. November 1890. Pochoir. Framed. Ref: Artistes et Theatres d'Avant-Garde Programmes illustres Paris 1890-1900 p.19; Artists and the Avant-Garde Thea...