Advertising Figurative Prints

Original 1924 "David Grahams Seger" Swedish Silent Movie Poster, also called Little Church Around the Corner. This silent film poster is professionally linen-backed in very fine con...

This lithographic poster was printed in 1984 at the Atelier Mourlot in Paris. It is based on a 1947 lithograph entitled La Femme au Fauteuil. The image was composed of six colors, an...

Commissioned by The Ault & Wiborg Co., USA. Color Zincograph on wove paper, 1896. Hand-signed in black crayon. Wittrock C (of C) edition. Reference: Wittrock; P28, vol. 2 pg 810. ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

Pojdziesz Ponad Sadem - Vintage Poster is a vintage poster realized by Unknown Artist, in 1974s. Mixed colored offset print. The artwork represented a Polish film poster. Director...

Raymond Pettibon Black Flag 1982: Flyer / handbill for gig by Black Flag, Circle One, Saint Vitus, the Nig-Heist featuring artwork by Raymond Pettibon at Dancing Waters; August 6, 19...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

Original Vintage Poster, issued 1987 by the ETH in Zurich on the occasion of its exhibition on Le Corbusier's famous – and revolutionary – Villa Savoye, c...

"Man Pull" is an original color lithograph poster by Ducelier. It features a figure dressed in a striped shirt with a hat pulled down over their eyes. The artist's name is inscribed ...

Raymond Pettibon Black Flag: 1982 Raymond Pettibon illustrated Black Flag punk flyer published on the occasion of: Black Flag, Saccharine Trust, The Minutemen...

Trieb, Anton. Gran Bodega Espanola Urania, Zurich Ca 1910.Color lithograph. On Linen. Anton Trieb was a watercolor painter , draftsman , illustrat...

THE JOY OF MARILYN is a fine art exhibition poster by the renowned American photographer and film producer, Sam Shaw produced in 1986 in conjunction with Sam Shaw's photography exhib...

Rare Original 1912 Théâtre National de L'Opéra Paris Poster - ROMA Opera - Rochegrosse Art - Jules Massenet - Classical Theater Collectible. This poster is archival, linen-backed, ...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

An original color lithograph by Jules Cheret numbered 52 of three dancers. 31 5/8" x 23 3/4" art 37 1/2" x 29 5/8" framed Jules Chéret (31 May 1836 – 23 September 1932) was a Frenc...

When the cinematic Bond was born. The most complete account of the making of the first James Bond film, Dr. No (1962). “Bond, James Bond.” Since Sean Connery uttered those immortal...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

The New Year graphisms & 13. 1979, paper, silk screen, 15,5x21,5 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga A...

Exhibition of the Rose (Plate 74) is an 1887 lithograph of Carlos Schwabe's poster, printed at Imprimerie Chaix by Jules Chéret and included in the fame...

“Mozart en France” – Original French Exhibition 1956 Poster, Linen-Backed. Grade A- condition, ready to frame. Fold marks restored. A striking, authentic mid-century poster creat...

"Men Who Are Men" is a pseudo-documentary written and directed by Jeff Balsmeyer and Kirby Dick. The film was showcased at the Bleecker Street Cinema, a renowned venue in New York Ci...

Original Vintage Airline Poster by Harold Foster. He created several designs commissioned by the British Overseas Airways Corporation ...

Original cruise with S.S. Oceanic to the Bahamas and the Caribbean (original travel poster). This image features the original stamp from the travel agency on the right side. Linen-ba...

CAPPIELLO, LEONETTO (1875 - 1942) "Katabexine" Lithograph in color, linen-backed c. 1903 Sheet size: 54.25” x 39” Cap./GP, 252; Cap/StV, 4.22; DFP-II, 118; Schardt, pp. 174-5; PAI-V...

This original and visually striking artifact from the First World War is a vintage U.S. Marine Corps recruiting poster titled ‘He Did His Duty.' It stands as a testament to the power...

FOSSEY (DATES UNKNOWN) EUGENE / ONDULATION PERMANENTE. 1926. Shee Size: 35 1/4x22 1/2 inches, 89 1/2 x 57 cm. C. Courtois, Paris. This is a gorgeous example of art deco artwork...

Original vintage Swedish movie poster, 1921 lithograph. Step back into the glamour and intrigue of early 1920s cinema with this **original Swedish movie poster** for *I Singapores ki...

Richard Prince, Dude Ranch Nurse, Lithograph with Collage, 2008 Lithograph with collage with offset lithography, hand colouring, hand cutting and pencil F...

Poster of Stowackiego theater is an original offset print realized in 1975 for "Ulani". Signed on the lower right " M. Gorowski 75". Good conditions except for light and small cutt...

Ryan McGinness “Women: The Blacklight Paintings": Hand signed exhibition poster created by the artist for The Standard Hotel, 2010. Screen-print with b...

Vintage lithographed advertising poster realized by Leonetto Cappiello in 1910s. Framedcm. 43x35. Very good condition.

Blazer, Hermann. PKZ [Hand putting Rose into lapel of Suit]. 1936, Color lithograph. On Linen. Blazer was a Graphic Designer who designed posters for the PKZ Dept. store in Swit...

"Les Petites Barnett" is an original color lithograph poster by Charles Levy. This poster features five dancers in matching dresses and it advertises an Operette. Unsigned. 23" x 30...

Original Doctor Zhivago vintage US 1-sheet, Style C, movie poster. Archival linen-backed in very fine condition, ready to frame. There was no restoration other than touch-up of the original theater release fold marks. Add a cinematic masterpiece to your collection with this original movie poster for David Lean’s epic film, Doctor Zhivago. This stunning poster, professionally linen-backed for long-lasting preservation and presentation, showcases vibrant colors, striking character portraits, and unique vintage artwork actual to its 1960s release. Crafted for the film’s original theatrical run, the poster features the acclaimed tagline, "From the Most Acclaimed Novel Of Our Time Come These Brilliant Character Portrayals," and charismatic illustrations of the cast that capture the emotional and dramatic essence of Boris Pasternak’s timeless story. This gorgeous collectible is ideal for classic film aficionados, vintage poster collectors, or anyone seeking a touch of golden age Hollywood style. Own a piece of movie history with this authentic Doctor Zhivago poster...

Original, “For A Few Dollars More”, professionally linen-backed US one sheet movie poster with restored original fold marks: for Sergio Leone's Per qualche dollaro in piu, Eastwood! ...

Original 1921 Swedish Silent Movie Poster – "Om kvinnan bara visste" ("If Only Women Knew"). Linen-backed, ready to frame. Grade A- condition. These posters were hand printed one co...

Original Vintage Poster, Moscow 1980, Olympic Games. Levi's Skiing North America. Original first printing of this poster. Official sponsors of the US team for the 1980 Olympic Games. The campaign was titled “Levi’s Olympic Opportunity Sweepstakes," and each poster emphasized the sport associated with one of the six continents: Great artwork depicting a sliding red skier with the globe behind, highlighting the North American continent. This poster is linen-backed and in excellent condition, ready to frame. One of six posters produced by Levi-Strauss for the 1980 Moscow Olympic Games. The posters were created with a sport that was associated with of the six continents. Levi's logo and stylized title text in the margin below the images. Levi's commissioned FCB Advertising in San Francisco to produce a set of six posters and designed by some of the top commercial artists of the 1970s and 1980s. The US pulled out of the Moscow Olympics due to the Soviet Union's invasion of Afghanistan. A small group of these posters was printed. Levi’s abandoned the promotions. The posters were withdrawn following the decision by US President Carter to boycott the Olympics in protest after the USSR invaded Afghanistan in December 1979. The U.S. boycott in 1980 applied to the Moscow SUMMER Olympic Games The artists who created the Levi 1980 Olympic posters...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Kopernik - Vintage Poster is a vintage poster realized by M. Swierzy, in 1974s. Mixed colored offset print. The artwork represented a Polish film poster. Good conditions, except ...

Porozmawiajmy o kobietach (Carnal Knowledge) is a vintage poster realized by Mucha Ihnatowicz, in 1974s. Mixed colored offset print. The artwork represented a Polish film poster. ...

Ex Libris Georges Goury is an original Modern Artwork realized in the 1920s. Original B/W woodcut print on ivory-colored paper. The work is glued on cardboard. Total dimension...

Poster Adverting the Entertainer Simon Frevalles. 1923. Color lithograph. On Linen. An outstanding twentieth century painter, printmaker and illustrator, Marcel Vertes moved from his native Hungary to Paris during the First World War. The art of Marcel Vertes was at its peak during the vibrant and somewhat wild decade of the 1920’s. Concentrating upon scenes of Paris street life, portrayals of women and depictions of circus and cabaret acts, Vertes left a legacy of original lithographs and drawings that superbly capture the spirit of 1920’s Paris. Vertès is also responsible for the original murals in the Café Carlyle...

- Dans La Menagerie - is an original Modern Artwork realized in 1888. Original Lithograph on paper. Passepartout is included. Dimensions: 70 x 50 cm. ...

Manzu Collection is an original offset poster print realized in 1981 by Giacomo Manzu. The artwork was realized on the occasion of the exhibition In the National Gallery of Modern A...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Original Ambassadeurs Les Cinq Demi-Vierges. Linen backed in B condition. It was folded at one time with the fold marks laid down during the linen backing process. There are som...

Verde e Azzurro is a colored lithographed original manifesto on cardboard, realized around 1914 by the Italian artist Enrico Sacchetti. Printed by Officine Ricordi, Milan, this adver...

Raemakers, Louis. Blom & van der AA. Ca 1920s. Color lithograph Louis Raemaekers, was a Dutch cartoonist who gained international fame with his anti-German cartoons during World W...

At the Buttes-Chaumont (Plate 169) is an 1899 lithograph of Jules Chéret's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque po...

Loupot, Charles. Waschemagazine, Munsterberg 2/Metzger/B. Brunnen Freistrasse/Herrenhemden-Kragen Damenwasche & Aussteuern. 1922. Color lithograph. On linen.Good condition with the e...

Banksy Authorised Graffiti Area, 2004 Authorized VIP sticker on Fasson backing 5 9/10 × 4 13/100 inches Unframed, not signed This early (2004) Banksy sticker is a rare and highly col...

Screen print in colors on wove paper. Hand signed, numbered & dated by the artist in pencil. Published by The Paris Review, New York. Edition of 200 (there were also 30 artist's pro...

Mulholland Drive 2001 Original Movie Poster featuring Laura Harring Original Vintage Theatrical Unfolded Single-Sided One-Sheet Movie Poster One sheet measures 27″ x 40″ inches / 6...

Keith Haring . Original vintage Vinyl . 1987 , Mint Condition

This impressive color lithograph by Joan Ponc was created in the context of the XII International Festival of Music in Cadaques in 1983. The renowned artist, born in Barcelona in 192...

"Viviane, Maindron" is an original color lithograph by Jules Cheret. It is an advertisement for a five-act ballet from 1886. It depicts a performer in a yellow dress with other dance...

This double-sided lithograph by Paolo Garretto features a Vanity Fair cover "The Face Off" on the front and a Camel Cigarette ad on the back. It was pu...

Ex libris realized by Renzo Alessandri in 1959. Woodcut print on paper. Hand signe. Excellent condition.

Harper's March (Plate 20) is an 1886 lithograph of Edward Penfield's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque posters...