Baby Figurative Prints

Jours de Fetes is a vintage Poster realized for the exhibition of Soungouroff in 1976. In Cannes to the Galerie 20 . Good condition, signed by the artist. Antonin Ivanovitch...

Decorative Wall Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century. Signed on the plate. Goo...

Cupid and Animals from "Antiquities of Herculaneum" is an etching on paper realized by Secondo De Angelis in the 18th Century. Signed on the plate. Good conditions. The etching be...

Edipe is an original Etching print realized by the artist Paul Titeux de La Croix. Hand Signed and dated on the right corner. On the left corner titled "E...

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This rare original lithograph is an artist proof in ve...

Poppea II is a lithograph realized by Tono Zancanaro in 1981. Hand-signed. numbered. Edition 125 prints. Good conditions.

Dogmania is an Original Linocut Print realized by Mino Maccari in 1951. Very good condition, not signed. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and journ...

Cupid In Three Frames from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Nolli in the 18th Century. Signed on the plate. Good conditions with some foxing an...

Signed, titled and numbered from the edition of 50. Roz is particularly interested in exploring the relationship between photography and drawing, line and light. His current work is...

Fragment (Frammento) is an original etching realized by Gaetano Pompa. Image dimensions: 15 x 12.5 cm. Very good conditions. Edition of 60 prints, numb...

Brian - White Flower and House is an original offset of 1980, realized by Douglas Prince. The state of preservation of the artwork is good. On the left margin, Signed, Titled and ...

Forgiveness is an offset and lithograph print, realized by George Grosz. The artwork is from the suite of illustrations realized by Grosz for the book "Kobes". 1st edition printed ...

Boy with Cherries is a modern artwork realized after Edouard Manet by Henri Bérengier. Black and white etching. Signature on plate. Proof printing before the print run. 17 x 15 cm dimensiones plate.

The Dressing is an original Etching and Drypoint Print realized by Mino Maccari in 1925. Hand-signed in pencil. Good condition with diffused foxing. Mino Maccari (1898-1989) was a...

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Homage to Caravaggio is an offset print realized after the Sicilian artist Renato Guttuso, 1980s. Very good conditions. Renato Guttuso (Bagheria, Palermo 1912 - Rome,1987) was a f...

Explosion of the Grenade is an original artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Original Lithograph. Hand-signed on the lower right in pencil, t...

Metka Krasovec (Slovenian, 1941-2018), Three Erotica Lithographs, comprising: "Turn Around, Woman", 1982, signed in pencil lower right, numbered "30/30", dated and inscribed lower le...

Group of Astragalos Players from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Billy after Camillus Paderni in the 18th Century. Signed on the plate. Good ...

Horses is an original woodcut print on paper realized in 1962 by an Anonymous artist of the 20th Century. Hand-signed on the lower right and dated, ill...

Medium: Lithograph on grand vélin d'Arches spécial paper Year: 1961 Paper Size: 14.8 x 11 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Les Côtes Norm...

Medium: Lithograph on grand vélin d'Arches spécial paper Year: 1961 Paper Size: 14.8 x 11 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Les Côtes Norm...

The Love is a beautiful colored lithograph realized by Stefania Guidi in 1993. Hand-signed in pencil on the lower right margin. Dated on the lower right. Numbered on the lower left. Edition 66/150. Original title: "Amore". Good conditions with slight foxing along the white right margin. Stefania Guidi (Rome, 1929) belongs to the Marche family of the Marquises Guidi Giovanissima. In 1958, she had her first personal exhibition of sculptures and drawings at the Giosi gallery in Via del Babbuino in Rome. She married the musician and composer Michele Paradiso on 1 July 1978 in Campidoglio. From 1956 to 2014, the work of Stefania Guidi was expressed in various techniques and materials with great craftsmanship. She made 192 etchings on copper and zinc; 40 lithographs on stone...

Two faces of Women is a print realized by Massimo Campigli in 1965. Etching on paper. The artwork is signed on plate on the lower right margin and numbered es. 84/300 on the left corner. This artwork is part of "The Memories of Casanova" by Italo Calvino...

Knight is a Woodcut Print realized by Charles Sterns in the mid-20th Century. The little artwork is in good condition on a cream colored cardboard. No signature.

Cupid in Four Seasons from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Billy in the 18th Century. Signed on the plate. Good conditions with some folding....

Portrait of men and women is an original etching artwork realized by Thomas Holloway after Lebrun and Chodowiecki, for Johann Caspar Lavater's "Essays...

Cupid In Three Frames from "Antiquities of Herculaneum" is an etching on paper realized by Various Authors in the 18th Century. Monogrammed on the plate. Good conditions. The etch...

Cow is a Woodcut Print realized by an Unknown Chinese artist in early 20th century. Good condition on a grey paper, included a white cardboard passpartou...

Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century. Signed on the plate. Good conditions with foxing, due to the time. ...

Non Angli sed Angeli is an original lithograph on ivory-colored paper, realized by G. Scharf and E. Webb. The state of preservation of the artwork is good. On the lower left margin...

Purple Woman Martin Barooshian, Armenian/American (1929–2022) Date: circa 1979 Etching and Aquatint on Arches, signed in pencil Image Size: 21 x 17.75 inches Size: 30 x 22 in. (76.2 ...

Navona Square - Rome is an original serigraph realized by Carlo Mazzoni (1922). Hand-signed by the artist in pencil on the lower right corner. Numbered on the lower-left corner. Edi...

Ancient Roman Scene from the series "Antiquities of Herculaneum", is an etching on paper realized by Nicola Fiorillo in the 18th Century. Signed on the plate. Good conditions with ...

Black and white etching on wire rod paper, representing the Greek myth of the nymph Echo. Wonderful plate with fresh impression and a beautiful use of chiaroscuro, from the volume “...

"Nude Body II" is an modern art in cubism and abstract line print after the famous Bulgarian artist Dimiter Buyukliiski-Mitchy, TECHNIQUE: oil painting Edition : Limited 1 of 10 c...

Departure is an artwork realized in the Early-20th Century. Original print in etching technique. Hand-signed (illeggibile). Good conditions. This artwork is depicted through sof...

Parisiens surpris par la marée (…) is a b/w lithograph (plate n.13) from the satirical series “Les Trains de Plaisir”, composed of caricatures “de mœurs” (of behaviours), realized by...

Fragments for the promised land is an original modern artwork realized by Pericle Fazzini on a text by Giuseppe Ungaretti Good conditions except for some folds, foxings and yellowin...

The General is an Etching realized by Enrico Baj in the 1970s. Mixed colored lithograph. Hand-signed and numbered on the at the left sleeve of the General. Edition 55/150.

The Wave is an artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Lithograph print. Hand-signed on the lower right in pencil. Numbered on the lower left, the edition of 8/75 prints. Good conditions. The artwork represents an impressive scenery of men behind barbed wire, through deft strokes, the drawing of the figure has an authentic style of Morando inspired by his tragic experiences of war. Pietro Morando (Alessandria 1889- 1980). He occasionally studies at the Albertina Academy in Turin; a scholarship (1913) allows him to enroll in painting courses at the Brera Academy of Fine Arts in Milan. He meets Angelo Morbelli whose studio he frequents and temporarily shares the passion for pointillism.His love for drawing led him to produce numerous works, even using the poor means of luck that the First World War allowed him. He thus realizes tragic war drawings...

This figuration of a man in combat in front of the reeds is the work of the japanese artist Utagawa Kunisada (1786-1865), otherwise known as Toyokuni III. Whether through the use of...

Letter of the Alphabet E from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good condition...

Oil Lamp is an Etching realized by Giovanni Battista Casanova (1735-1810). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...

Portrait of Two Actors is an original modern artwork realized by Utagawa Kunisada (Japanese, active 1825–75) in 1857. Woodcut print oban format, 1857. Signature: Toyokuni ga. Censor...

Cupid in Four Seasons from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century. Signed on the plate. Good conditions and aged. The ...

Phallus fascinum in ancient Roman religion, from the series "Antiquities of Herculaneum", is an original etching on paper realized in the 18th century...

Medium: Lithograph on vélin d'Arches Arjomari paper Year: 1965 Paper Size: 11.81 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Lettr...

Tavern is a black and white etching on paper, realized in 1952 by Marcel Gromaire (1892-1971). Monogrammed on plate on the lower left corner. Good conditions except for some foxing...

Medium: Lithograph on vélin d'Arches Arjomari paper Year: 1965 Paper Size: 11.81 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Lettr...

My Apartment. Offset print by Mr. (Iwamoto Masakatsu) Offset print, numbered and signed by the artist 57.5 x 45cm Edition 166/300

Ancient Roman Scene from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good conditions. Th...

Medium: Lithograph on vélin d'Arches Arjomari paper Year: 1965 Paper Size: 11.81 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Lettr...

Phallus fascinum in ancient Roman religion, from the series "Antiquities of Herculaneum", is an original etching on paper realized in the 18th century...

Talk is an original etching and aquatint realized by Leo Guida in 1985. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the author. Artist p...

The spies is an original offset and lithograph realized by George Grosz. The artwork is part of the suite of 10 offset and lithographs realized by Grosz for the book "Kobes". 1st e...

Apocalypse of John the Evangelist is an original black and white etching by Giorgio De Chirico in the half of XX century. Hand signed on the lower right margin. Numbered on the low...

Ex Libris Gigi Raimondo is an Etching by Michel Fingesten, in 1937. Hand signed with pencil, included a white cardboard passpartout (30x24 cm). In excellent conditions: As good as new. Michel Fingesten (1884 - 1943) was a Czech painter and engraver of Jewish origin. He is considered one of the greatest Ex Libris artists in history. From an Austrian weaver father and a Jewish mother from Trieste. At 16 he studied at the Vienna Academy, together with Oskar Kokoschka. From 1902 to 1906 he wandered around America, and then Australia, before arriving in Palermo in 1907. He went up the peninsula via Trieste and returning to Germany, first settling in Munich in Franz von Stuck's studio, practicing caricature and small format graphics and then in Berlin. In 1913 he began to record. He returned to Italy in 1935 to visit his maternal relatives from Trieste and remained there because of the racial persecutions to which the Jews in Silesia were subject, settling in Milan. In this period he recorded about 500 exlibris. On 9 October 1940 he was arrested and interned as a foreigner in the camp of Civitella del Tronto and then of Ferramonti, (Cosenza) from November 1941 and will be accused by the Nazis of having painted degenerate art...

This lithograph from the portfolio "Egon Schiele" is a reproduction of "Edith Schiele mit Hund Lord", an original artwork realized by Egon Schiele in 1917. The portfolio, that includ...

Abstract Composition is an Original Etching and Drypoint realized by Jeanette Déséglise. Good condition, the little artwork is on a white paper. Hand-signed and numbered (41/60) on...