Book Figurative Prints

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Mel Bochner's Head Honcho, 2012, is a unique monoprint that exemplifies his exploration of language's power and ambiguity. This work is part of his ongoing series inspired by thesaur...

The Kid First National Pictures, American (1917–1936) Date: of Original: 1921 Reproduction Three Sheets Poster, numbered in pencil bottom left Edition of 125 Size: 86 x 46.5 in. (218...

Rain Dance: A Benefit for the African Emergency Relief Fund, 1985: Rare original 1980s Keith Haring & Jean-Michel Basquiat illustrated poster published on the occasion of a UNICEF benefit exhibition at 292 Lafayette Street (February 2-23 1985) & benefit party at Larry Levan’s legendary Paradise Garage (January 30, 1985). Organized & curated by Keith Haring on behalf of UNICEF’s African Emergency Relief Fund. Medium: Offset lithograph in colors on smooth wove paper. 1985. Dimensions: 22.5 x 30.5 inches. Very good overall vintage condition. Well-preserved. Featuring printed signatures by hosts: Keith Haring, Jean-Michel Basquiat,  Andy Warhol, Roy Lichtenstein, & Yoko Ono. From an edition of unknown. Scarce. Literature / References: Keith Haring: Posters (Jürgen and Osten). More on Keith Haring Rain Dance: Curated and organized by Keith Haring, Rain Dance was a 1985 benefit for UNICEF’s African Emergency Relief Fund. Participating artists famously included: Jean-Michel Basquiat, Larry Levan, Fred Brathwaite, Christo, Francesco Clemente, George Condo, Crash, Futura 2000, Jenny Holzer, John Lennon, Roy Lichtenstein, Robert Mapplethorpe, Brice Marden, Robert Morris, Yoko Ono, Lee Quiñones, Robert Rauschenberg, Kenny Scharf, Julian Schnabel, Richard Serra, Cindy Sherman, Tseng Kwong Chi, and Andy Warhol. Related Categories: Keith Haring figurative drawings. Keith Haring activist posters. Keith Haring Dancers. Street art. Graffiti. 1980s. Keith Haring Larry Levan. Keith Haring Paradise...

Marc Chagall Cover for Derriere le Miroir, 1964 is a vibrant cover detailing the artists whimsical rendering of a man gently falling from the sky, with t...

RF ART Consume 3D-construction Year: 2021 Signed and numbered by hand Edition: 50 Size: 23.4 × 16.5 on 23.8 × 16.9 inches COA provided Rf Art is a Street Art...

Museum, 1978 Signed and numbered Lithograph Sheet: 10 x 23 inches Frame: 15.25 x 28.75 inches Edition 38 of 150

Agent X Brittany Brooks Year: 2019 Medium: Offset Lithograph Signed Edition: 125 30 x 30 inches 76 x 76 cm

Norman Rockwell "Charwomen in Theater" 1946 Lithograph Signed in Pencil Lower Right Numbered Lower Left 160/200 Site Size: approx 26 x 20 inches Framed Size: approx. 34.5 x 28.5 inc...

Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: Triangle Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 35 Image: 32.5 x 24 inches Size: 36 x 26 ...

Jean-Emile Laboureur (1877-1943), Le Diner a L’Auberge, 1917-1922), engraving, signed in pencil lower left and numbered (45/55) lower right. Reference: Sylvain Laboureur 173, second ...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction." The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11. The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. This work "The Football Players...

Theatre Libre for Monsieur Bute. November 1890. Pochoir. Framed. Ref: Artistes et Theatres d'Avant-Garde Programmes illustres Paris 1890-1900 p.19; Artists and the Avant-Garde Thea...