Coat Figurative Prints

"Loneliness" Photography 24" x 24" inch Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. A...

Linda Stein, Gender Scrambling 848: Veteran Feminists of America Signed Limited Edition Feminist Contemporary Art Print Prints from this series are in the Permanent Collections of V...

"Men's World 2" Black & White Photography 31" x 31" in Ed. 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tub...

16 x 11.5 inches - Edition 7 of 7 with 2 APs Shot in 2012 in Amsterdam Inspired by Van Eyck’s Arnolfini Marriage, 1434 Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien). Their current photographic project, In Empathy We Trust, presents viewers with re-imagined iconic images from the history of art. The collaborators re-envisioned the work of old master painters beginning with the Flemish Primitives and spanning nearly 600 years. With subjects enacting roles with varied representations of race, age, and sexual orientation, e2 “remakes with a twist” works by artists such as van Eyck, Rafael, Velázquez, Rembrandt, Vermeer, Fragonard, and Manet. Inspired by the original paintings, e2 hopes to “jar viewers” into questioning their own perceptions. They invite viewers to see these images, and indeed the world anew, using humor, wit and playfulness. In addition they hope that the viewers will see how stereotypes can lead to prejudice and discrimination. The collaboration began in 2010, after completing work on the traveling exhibition and book project Before (During) After: Louisiana Photographers Respond to Hurricane Katrina. This natural and man-made disaster brought social inequities in Louisiana into vivid focus. Conversations between Kleinveld and Julien revealed their mutual interest in issues of social justice. Accompanying e2’s series is its own coat of arms, bringing new meaning to the traditional symbol of the aristocracy. Heralded with pelicans and a fleur de lis, the shield reflects the artists’ Louisiana roots. It also features their motto: In Empathy We Trust, which reflects the core values of e2’s work. The artists believe in the power of empathy...

Salvador Dali - Eye Watches - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

"Red for Love 2" Figurative Photography 24 x 37 in Ed 1/11 by Tetiana Kalivoshko "The Red One - That Is Love" "The Red One - That Is Love" is a thought-provoking art series by Tetia...

"Men 2" Black & White Photography 24" x 24" inch Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube...

"I'm at Home" Black & White Photography 24" x 24" in Ed of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube...

30.75 x 24 inches - Edition 3 of 5 with 2 APs Already Framed Shot in 2012 in Amsterdam Inspired by Van Eyck’s Arnolfini Marriage, 1434 Photography and acting are kindred spirits ...

29" x 16.5" Unframed Limited Edition Giclee with Hand Embellishment of 135 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in his stolen scenes serve or are served-wine, coffee, cigarettes, cigars, and martinis. He creates timeless scenes of diverse attraction, of known intimacy. Within the exaggerated features and textured skin of his characters lies truth, yours and theirs. Distinctive bodies and details to lips, eyes, hair, skin, hands and what is held in each, separate and blend his characters’ lives. The smoke that rises from their lips, the drinks that linger at their fingertips, the clothing that adorns their bodies and the crowd created among lovers, friends, patrons and co-workers all speak a certain poetry. Each character depicts the subtleties of what one shows and what one hides. An asymmetrical face tells of an asymmetrical life, of how life wears and how we wear life — what we choose to carry in our hands and on our faces — how we wear ourselves, what smoke and color we stand in. Todd’s paintings are captivating, demanding a second look, often invoking humor or thoughts of familiar feelings — I’ve been there, I know them. Above all, the work is infectious and has caught the attention of the public (galleries cannot keep enough of Todd’s work in stock) as well as celebrities (Vin Diesel, Hugh Hefner, Macaulay Culkin, Eric McCormack, Ryan Stiles and Joe Rogan are collectors of Todd’s oil paintings). But who is the artist behind the art and where did his unique style come from? Todd began in at Warner Bros. Studios while working on the popular series, tiny toons. Through character clean-up and development, Todd began to forge his own artistic style. Shortly thereafter, Todd became part of the lead animation team for the internationally renowned cartoon, sponge bob square pants. Over the next three years, Todd sharpened his eye in storyboarding, illustration and character design. Throughout this period, Todd privately experimented with style and concept, eventually arriving at a process which guides him through every piece. The impact is apparent in his paintings; Todd’s rat-pack-meets-Picasso style results, in part, from his desire to reveal his characters’ innermost thoughts and emotions on their faces. Todd likens his portraits to his favorite episode of the Twilight Zone in which people wore masks that later became their faces and revealed who they truly were. Fast forward ten years later, and until Todd can conceptually see the story in his head, he refuses to paint a single signature knuckle curled around one of his famous martinis. "I actually name my pieces first and then i visualise each face and its personality. Then I develop each person’s story." The stark, unblemished delivery of his subjects is very much intended: whatever isn’t necessary to the story isn’t on my canvas. "I don’t waste a lot of time with backgrounds because they don’t interest me. They aren’t necessary. Instead i focus on what is essential. For example, the hands." Hands are a focal point for Todd, reflecting the subject’s state of mind as much as any body language or facial expression. Everyone’s hands are full of personality he surmises. Take Al Pacino; without his hands, he’s not nearly as interesting to watch. In addition to more obvious influences, such as Austrian expressionist Egon...

Hand signed and numbered by the artist. Serigraph on paper. Sheet size 32 x 42 inches. Image size 27 x 36 inches. Edition of 275. Artwork is in excellent condition. Certificate...

Muntadas 6 Mai 1994, 1994 Photo silkscreen 33 x 13 1/2 inches (image) 43 3/16 x 31 1/8 inches (frame) Edition 37 of 75 Signed

Linda Stein, Gender Scrambling 759: Copelon, Wiesen Cook, Steinem, Kennedy Prints from this series are in the Permanent Collections of Victoria Gallery & Museum in the UK and Konstm...

Edition of 100 Digital print on paper Hand signed by the artist

New mixed media Original artwork, 1/1

1896 Print Sz: 14 1/2"H x 9"W Mat Sz: 20"H x 12 7/8"W Samuel Loates (1865–1932) was a British Thoroughbred horse racing jockey who was the Champion Jockey of 1899 in his home coun...

Honore Daumier (1808-1879), La Fortune Fait Oblier Les Amis, lithograph, from the series Caricaturana, plate 31, 1838. Daumier Register 385, third state (of...

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

"I'm at Home" Photography 31" x 31" inch Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. A...

India dreams 2 - Jean-Francois Charles Lithograph signed and numbered on 40 by hand 40x50cm Circa 2014 190€

Prints from this series are in the Permanent Collections of Konstmuseet i Skövde in Sweden and Durham University Art Collection in the UK. Stein's Armored for Today's Events print...

Linda Stein, Gender Scrambling 762 Prints from this series are in the Permanent Collections of Victoria Gallery & Museum in the UK and Konstmuseet i Skövde in Sweden. Stein's Gende...

Two-dimensional interpretation of Jim Rennert's A Deal's A Deal. Work is a UV print on ultra-clear polyester faced with acrylic with white backing on an aluminium back. Edition of 10.

Walking the Horse by Mackenzie Thorpe Framed Serigraph on Panel signed and numbered by the artist. Edition 195/275 Framed dimensions: 27.25 x 34.5 inche...

Soody Sharifi, Archival Inkjet Print, Middle Eastern Artist. Framed artwork in excellent condition. Edition of 3. Signed and numbered by artist on verso.

The Kid First National Pictures, American (1917–1936) Date: of Original: 1921 Reproduction Three Sheets Poster, numbered in pencil bottom left Edition of 125 Size: 86 x 46.5 in. (218...

Artist: Julian Opie Title: Stephanie and Joshua Portfolio: Standing Couples Medium: Relief print with collage on archival Museum Board, presented in a sprayed white frame specified b...

Title: David Salle and Janet Leonard (From the portfolio 'Pas de Deux ') Artist: Alex Katz 1927 - PRESENT Year: 1993 Technique: Color screenprint Alex Katz's paintings and sculptures monumentalize common moments of everyday life. Katz was influenced by the golden age of the billboard business when hand-painted advertisements...

NEW GENERATION is a hand drawn, limited edition lithograph printed using hand lithography techniques on archival Arches paper, 10% acid free, by the renowned African American woman artist...

TECHNICAL INFORMATION: Alex Katz Vivien in White Coat 2021 Silkscreen 54 x 39 in. Edition of 60 Pencil signed and numbered

This screenprint in colors was created in 1993/94. Hand-signed by the artist and numbered, from the edition of 150 measuring 36 x 20 in. (91.5 x 51 cm.).