Photography Figurative Prints

Self-Portrait is an etching realized by Edouard Dufeu (1840-1900). Proof artist. Signed and dated on the upper left corner. Edouard Jacques Dufeu , bo...

The Sicilian is an Etching realized by Enotrio Pugliese in 1963. Limited edition of 11 copies numbered and signed by the artist. Good condition on a white cardboard. Enotrio Pugli...

Little Soldier is an original artwork realized by Nicolas Touissaint Charlet in the first half of the XIX Century. Original lithograph on paper. Passepartout included (cm 50 x 31.5...

This color pochoir was created in 1925 on Arches paper and depicts two women in Japanese kimonos. T he print is a bookplate pulled from a book that was issued in a numbered edition ...

Artist: Mike McKenzie, American (1954 - ) Title: Truman Capote and Snake Year: circa 1992 Medium: Silkscreen, signed and numbered in pencil Edition: 10/20 Size: 15 x 12 in. (38.1 x 3...

Portrait is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...

Modena is an original offset print by Luigi Ghirri. The artwork is the offset poster of the exhibition held by the artist at Rondanini Galleria d'Arte Contemporanea in 1980. Th...

Portrait is an Etching realized in the 19th Century. Good condition.

Artist: Theophile Alexandre Steinlen (Swiss, 1859-1923) Title: Classe 17 Year: 1917 Medium: Lithograph Edition: Numbered 61/100 in pencil Paper: Wove Image size: 10.5 x 14.25 inches ...

Portrait after Raphael is an etching realized by Nicholas Cochin in 1755. Signed in the plate. Good conditions with foxing and folding. The artwork is depicted through confident s...

Mythology is an original Contemporary Artwork realized in Italy in 1987. Original etching on paper. Image Dimensions: 8 x 9 cm Hand-signed and dated by the artist on the lower left...

Clown is an original contemporary artwork realized in the late 20th century by Anna Veruda. Mixed colored silkscreen. Hand signed on the lower right margin. Numbered on the lower ...

Tender, black and white scene of children bundled up in sweaters and hats for snow. Evoking the chilly weather and the spirit of winter holidays, this painterly monotype is ready to ...

Gli Extra-Terrestri is an original photolithograph realized by the Italian politician Bettino Craxi. Hand-signed in pencil on the lower right. A precious specimen, numbered on the ...

The Crucifixion is an etching and drypoint on paper realized by Gian Paolo Berto in 1974. Good conditions, except for light scratches at the top marg...

Portrait of Thomas Moore is an original etching on paper realized by Balthasar Moncernet in the second half of 17th Century. The state of preservation is good. With the descriptio...

Very rare xylograph of the artist, who was considered one of the 20th Century Masters in xylography. Title and signature printed on the lower margin. Very good condition. Passepartout included (cm 55 x 45). The artwork was made in Paris, where he used the name of his mother "Martini de la Valle...

Artist: Adriaen Van Ostade (Dutch, 1610-1685) Title: The Organ Grinder Year: 1647 Medium: Etching Paper: Laid paper Image (plate mark) size: 4.35 x 3.5 i...

VIII Hunter Battalion is an original lithograph by Antonio Zezon. Naples 1853. Interesting colored lithograph which describes some members of the Hunter Battalion: A Spoiler in grea...

Femme Nue Allongée is a sensual color lithograph realized by Bernadette Kelly (1933-) in the 20th century. Dimensions: cm 32 x 24. Very good conditions. This suggestive artwork is ...

The Princess by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and age ...

Artist: Quinn, Marc Title: Stealth Kate Date: 2013 Medium: Digital Print with silkscreen glaze and diamond dust on 330gsm Somerset Satin Paper Unframed Dimensions: 36.50" ...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th Century. Signed on the plate on the lower...

Carlo Goldoni is an amusing black and white etching realized by Raffaello Morghen, also known as Raffaele Morghen (Portici, Naples, 1758 - Florence,...

Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 46. All reasonable offers will be considered.

Portrait of Marat is an original Lithograph realized by an unknown artist in the early 19th Century. Good conditions. The artwork is depicted with perfect hatching and strong stro...

Portrait of Georges Couthon is an original Lithograph realized by an unknown artist in the early 19th Century. Good conditions. The artwork is depicted with perfect hatching and st...

Seated Monkey is an original etching print realized by Leo Guida in 1975. Artist's proof. Good condition. Leo Guida (1992 - 2017). Sensitive to current issues, artistic movements...

Lon Megargee 1883-1960 "The War Bonnet" Wood block print Signed: original pencil signature, lower right Image size: 11 x 11 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew...

Hand signed and numbered by the artist. Etching and aquatint on lana paper. Image size 19.3 x 14.9 in. Frame size approx 29 x 25 in. Edition of 95. Certificate of authenticity includ...

Political Corps of the Army is an original lithograph by Antonio Zezon. Interesting colored lithograph which describes some members of the Army: on the left, a Head of Department ;...

L'Enfant Aux Cerises is an original print in etching technique on ivory paper, realized after Edouard Manet (French Painter; 1832-1883) and by Henri Berengier, engraver and sculptor....

The Bird is an original contemporary artwork realized by Miguel Angel Ibarz (Barcelona, 1958). Original etching on paper. Hand-signed in pencil on the lower right. Good condition...

Figures is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 cm. In good conditions. The...

Figures in the Dark is a black and white etching realized by the French artist Michel Ciry during the mid-20th century. The artwork portrays a woman and a man looking at each other....

Portrait is a Etching realized by Constant Le Breton in the mid-20th Century. Good conditions. Monogrammed on plate. The artwork is depicted thro...

Portrait is an original modern artwork realized by George Gorvel in the 19th Century. Black and white etching. The artwork is depicted through soft strokes in a well-balanced compo...

Italian Liberal Party Card is an original artwork realized in 1945. Mixed colored woodcut print. The artwork is th eoriginal Italian Card of the Liberal Party realized in 1945. In...

To live long - Advertising Print is an original artwork realized in the half of 20th Century. A vintage mixed colored lithograph on which the adver...

Orignal pencil signed lithograph by Adolf Arthur Dehn (1895-1968). Titled “Easter Parade” and created 1933. Lumsdaine/O'Sullivan 270. Edition 300, Contemporary Print Group. Image si...

The Pleaded is an original artwork realized by after Théodore Géricault in 1866 Black and white etching. Printed by: François Nys The artwork repr...

Giclee on canvas. Hand signed and numbered on front by the artist. Canvas image size 40 x 30 in. Artwork is in excellent condition. Certificate of authenticity included. Edition of ...

Arab Game is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in marker on the lower right. Artist's proof. Very good conditio...

Solitude is an original etching on ivory-colored paper realized by an unknown artist of the late 20th Century. Hand-signed on the lower, illegible. Numbered, edition of 20/100 print...

Pariesienne is an original artwork realized by Fernand Desmoulin in 1886. Etching on paper. Titled on the lower central margin; "Supplement de Paris-Noel" at the bottom; "L. Eudes ...

Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...

The Physiognomy - The Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and th...

Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Lo...

Portrait of Erasmusis an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Ma...

Portrait of a man is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind",...

Les Partageuses is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. From series of "Masques et Visages". Titled on the lower. Good conditions except for some foxings. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land...

Theatre Osterwy - Posteris a vintage offset print realized in 1974. Signed on the plate Good conditions.

Portrait of Charles XII is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London, Bensley, 1810. A the bottom center the name of the man portrayed "Charles XII - King of Sweden...

Portrait of Winkelmann is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowled...

Allegory is an original Contemporary artwork realized in 1973 by the italian artist Leo Guida. Etching on paper. Numbered in Roman Numerals, Title...

Portrait is an original screen print realized by Bettino Craxi in 1992. The artwork is from the portfolio "The World", Ed. Serigraph, 1992. Signed and numbered in the bottom by the...

The Darkness is an original etching on paper realized by Spanish artist Ricardo de los Ríos in 1880 ca. Signed on the plate on the lower center. In very good condition. Included a...

Image dimensions: 19.3 x 17.5 cm. Antonio Canova is a beautiful black and white etching on paper, realized between 1770-1810 by the Italian old master, Giovanni Elia Morghen (1721-1789), after a painting by Pellegrini, as the inscriptions on plate report. Title on plate on the lower margin at the center. This original print represents Antonio Canova the Italian sculptor and painter, the greatest exponent of Neoclassicism in sculpture and for this reason called "the new Phidias", in the official portrait reserved to the great personalities. Realized with full mastery of the technique, this old master's print is in excellent condition, as good as new. Absolutely to collect! Giovanni Elia Morghen (Florence, 1721) Giovanni Elia Morghen came from a family of engravers in Florence. According to the testimony of Raphael, the most illustrious member of the family, his grandfather was originally from Montpellier and, after marrying a Genoese woman, he moved to Florence, where he opened a lace shop. Both their sons, Giovanni Elia and Filippo, specialized in chalcographic art: Giovanni was predominantly a draftsman, whilst Filippo mastered the art of carving. In Florence, Giovanni Elia Morghen was a pupil of Giovan Domenico Ferretti, and he probably also worked at the workshop of Carlo Bartolomeo Gregori. Indeed, he, with the other artists of the school, made 26 of the engravings present in the second Florentine edition (1766) of the Salon paintings at the palace of Florence. He then moved to Naples with his brother. From 1756, he began participating in the creation of the tables of the Antiquities of Herculaneum, a work of several volumes published in Naples with various interruptions in the late nineteenth century. In 1767, he published six tables with representations of the temples of Paestum, taken from drawings by Antonio Joli...