Photography Figurative Prints

Color screen print on 300 GSM somerset paper. Hand signed on front by Snik. Donated by Graffitiprints for the Eco Moyo Auction 2018. Unnumbered edition (outside the main edition o...

Silkscreen on canvas with diamond dust. Hand signed, dated, and numbered on verso by Carole A Feuerman. Edition of 25. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Carole A. Feuerman (American, born 1945) is a Hyper-Realist sculptor. Along with artists like Duane Hanson...

Rust on archival paper Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...

Going North in the Work of Jessica Houston By L. Sasha Gora Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...

Available sizes: 27.5 x 35.4 in 70 x 90 cm Archival Pigment Print Edition of 7 39.4 x 51.2 in 100 x 130 cm Archival Pigment Print Edition of 5 51.2 x 67 in 130 x 170 cm A...

The Worshipper 2004/2005 Signed, titled, dated, and numbered in pencil, l.r. Silkscreen 41.625 x 29.125

Available sizes: 23.6 x 31.5 in 60 x 80 cm C-Print Edition of 7 35.4 x 47.2 in 90 x 120 cm Archival Pigment Print Edition of 5 47.2 x 63 in 120 x 160...

Linoleum cut printed in colours, 1963, on Arches woven paper, signed in pencil and numbered 30/50. Printed by Hidalgo Arnéra, and published by Galerie Louise Leiris, Paris.

Emilie Arnoux hails from Normandy, France. From a young age, she became fascinated by the ocean and the laid back lifestyle surf-culture engenders. Her work captures the divine energ...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

Robert Longo, Angel's Wing (Small Version), Contemporary, 21st Century, Pigment Print, Limited Edition Pigment print Edition of 30 55,3 x 75,5 cm (21.7 x 29.7 in.) Signed, accompanie...

Norman Rockwell "Charwomen in Theater" 1946 Lithograph Signed in Pencil Lower Right Numbered Lower Left 160/200 Site Size: approx 26 x 20 inches Framed Size: approx. 34.5 x 28.5 inc...

Dame Laura Knight (1877-1970) "The Circus Dressing Room" 1925 Aquatint Engraving Signed in Pencil Lower Right Image Size: approx 14 x 9 inches Framed Size: approx. 23.5 x 18.5 inche...

Vintage chromogenic print (negative sandwich) retouched with ink (Edition of 12) Estate stamp in black ink, verso Also numbered in black ink, l.r. 16 x 20 inches, sheet 12.75 x 19.5...

Chromogenic LightJet print (Edition of 5) Signed and numbered, verso 20 x 16 inches, sheet This artwork is offered by ClampArt, located in New York City. Robert Flynt...

Alexis Fidetzis How to Brutally Construct an Absurd Sense of Pride digital print on paper 30 x 150 cm (7 pieces)