Items Similar to "Femme au Boa" etching by Steinlen
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Théophile Alexandre Steinlen"Femme au Boa" etching by Steinlen1900
1900
About the Item
STEINLEN, THEOPHILE ALEXANDRE
(1859 -1923)
"Femme au Boa"
Crauzat 61
Etching, Drypoint and Aquatint, c. 1900
Signed in pencil, lower right
From the edition of 13 total impressions
Image Size: 8 5/8” x 5 ½”
The Parisian woman of Paris-fashionably dressed in the city’s café-concerts or on the boulevards was a staple theme rife with meaning in the art and literature of late 19th-century France. From the bourgeois beauty at her mirror to the elegant and successful courtesan, from shop clerks to dancers, the female body and persona occupied center stage within the spectacle and sophistication of belle époque Paris. Steinlen produced hundreds of images of women in different media, including a number of lithographic covers for the publication Gil blas illustré to accompany the short stories of contemporary realist authors. A major artist of the French Art Nouveau era, Theophile Alexandre Steinlen came to Paris from his native Switzerland at the age of twenty. Mainly self-taught, he quickly established himself as aleading illustrator of popular journals such as Le Rire. He also contributed a large amount of drawings and lithographs to the radical press publications, Pere Peinard, Les Temps Nouveaux and La Chambard. In order to avoid political repercussions for some of his art dealing with strong social content he often employed pseudonyms such as, 'Treelan' and 'Pierre'. In the 1890's Steinlen's wonderful use of line and design led to some of the most famous posters of the Art Nouveau movement. These include, Tournee du Chat Noir(1896), La Rue(1896) and Lait pur Sterilise(1894). Yet the majority of his art continued to explore the life of the poor and humble. Known as "the Millet of the Streets", Steinlen's influence was vast. Among other artists both Toulouse-Lautrec and the young Picasso paid direct homage to his art. In total, Steinlen created 382 original lithographs and 115 etchings. Like Toulouse-Lautrec, Steinlen contributed some original lithographs to publishers of popular songs who would use them as cover art for their sheet music. Théophile Steinlen died in 1923 in the Cimetière Saint-Vincent in Montmartre. Today, his works can be found at many important museums around the world including at the Hermitage Museum in St. Petersburg, Russia and the National Gallery of Art in Washington, D.C., United States.
- Creator:Théophile Alexandre Steinlen (1859 - 1923, French)
- Creation Year:1900
- Dimensions:Height: 24.5 in (62.23 cm)Width: 20.5 in (52.07 cm)Depth: 2 in (5.08 cm)
- More Editions & Sizes:From tonal edition of 13Price: $4,950
- Medium:
- Movement & Style:
- Period:
- Condition:This piece is in excellent condition for a piece of it's age. It is in a custom frame with UV protective plexiglass.
- Gallery Location:Hinsdale, IL
- Reference Number:Seller: 12591stDibs: LU138426826062
Théophile Alexandre Steinlen
Theophile Alexandre Steinlen was born in Lausanne in 1859. He was naturalized French in 1901. He was a painter, engraver, illustrator, poster artist and sculptor. Before settling in Paris, he made a detour to Mulhouse where one of his uncles placed him in the studio of one of the best lithographers of the time. He settled definitively in Montmartre in 1881. Willette introduced him to his companions of the Cabaret du Chat-Noir animated by Rodolphe Salis. He met Toulouse-Lautrec, Forain, Léandre, Debussy, Eric Satie, Verlaine, Alphonse Allais and Aristide Bruant. He took part in the performances of the famous cabaret's shadow theater with animal stories and, most often, sequences featuring cats, for which he has a particular affection. The felines will appear throughout his activity as "parentheses" in a tormented work. There is, in this torment, the expression of no personal problem but a painful compassion for the lives of the exploited and marginal beings. He painted and drew idylls, balls and bastrings, workers, kids and gosselin, the poor, the little workers, girls and marlous. He sometimes made posters. In the most successful of them (« Le lait pur de la Vingeanne » et le « Fer Bravais ») he imposed, relevant or not, the presence of cats.
In 1901, Steinlen worked for L'Assiette au beurre , the most virulent satirical newspaper ever published and takes readily to target the institutions of the 3rd Republic.
His works are found in numerous Public Collections, such as Petit Palais in Geneva, Hermitage Museum in Saint Petersburg, and the National Gallery of Art in Washington.

About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1994
1stDibs seller since 2020
42 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Shipping from: Hinsdale, IL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All"Portrait of Madame Georges Menier" By Helleu
By Paul César Helleu
Located in Hinsdale, IL
HELLEU, PAUL CÉSAR
(1859 - 1927)
MADAME GEORGES MENIER
Montesquiou XXI
Drypoint in colors, c. 1900
Signed in pencil, lower right
Printed on wove paper
Full Margins
22 1/4” x 13...
Category
Early 19th Century Art Nouveau Figurative Prints
Materials
Drypoint, Etching
"La Danse à la Campagne", 2nd plate by Pierre-Auguste Renoir
By Pierre-Auguste Renoir
Located in Hinsdale, IL
RENOIR, PIERRE AUGUSTE
(1841 -1919)
"La Danse à la Campagne", 2nd plate
(The Country Dance (second plate))
Delteil 2, Stella 2
Soft-ground Etching in black ink, c. 1890
Only State...
Category
1890s Art Nouveau Figurative Prints
Materials
Etching
"La Danse à la Campagne", 2nd plate by Pierre-Auguste Renoir
By Pierre-Auguste Renoir
Located in Hinsdale, IL
RENOIR, PIERRE AUGUSTE
(1841 -1919)
"La Danse à la Campagne", 2nd plate
(The Country Dance (second plate))
Delteil 2, Stella 2
Soft-ground Etching in black ink, c. 1890
Only State on smooth wove paper
With the stamped signature, as issued
Image Size: 8 5/8” x 5 1/3”
Fine strong and tonal impression with full margins
The most famous etching...
Category
1890s Art Nouveau Figurative Prints
Materials
Etching
"Ludovic Halevy Backstage" from La Famille Cardinal after Edgar Degas
By (after) Edgar Degas
Located in Hinsdale, IL
Degas, Edgar (after)
(1834 -1917)
"Ludovic Halevy Backstage"
Monod 5797, Adhemar 71, Skira 58, Stern 25
Soft-Ground Etching created from a Monotype, 1938-9
First State. # 251 from ...
Category
Early 20th Century Art Nouveau Figurative Prints
Materials
Etching
"Femme Nue" by Steinlen
By Théophile Alexandre Steinlen
Located in Hinsdale, IL
STEINLEN, THEOPHILE ALEXANDRE
(1859 -1923)
"FemmeNue"
(A Nude Woman)
Original etching, c. 1900
Signed and numbered in Pencil
Provenance: From the atelier of the artist
Image Size: ...
Category
Early 20th Century Art Nouveau Figurative Prints
Materials
Etching
"Ludovic Halevy Meeting Madame Cardinal Backstage" after Edgar Degas
By (after) Edgar Degas
Located in Hinsdale, IL
Degas, Edgar (after)
(1834 -1917)
"Ludovic Halevy Meeting Madame Cardinal Backstage"
Soft-Ground Etching created from a Monotype, 1938-9
First State. # 251 from the edition of 350 o...
Category
Early 20th Century Art Nouveau Figurative Prints
Materials
Etching
You May Also Like
Ex Libris. Paper, etching, 11x7 cm
Located in Riga, LV
Ex Libris A. Zuyeva
Paper, etching, 11x7 cm
Category
1990s Jugendstil Nude Prints
Materials
Paper, Etching
$166 Sale Price
20% Off
Three graces. Paper, etching, 12x11cm
Located in Riga, LV
Three graces. Paper, etching, 12x11cm
Category
1990s Jugendstil Nude Prints
Materials
Paper, Etching
$258 Sale Price
20% Off
Les Bars, selected prints
By Almery Lobel-Riche
Located in Wilton, CT
6 plates from the Lobel- Riche books, Les Bars depicting pre- war Paris fashions in the bars and nightclubs.
Category
1910s Art Nouveau Figurative Prints
Materials
Etching
$480 Sale Price
20% Off
Les Bars
By Almery Lobel-Riche
Located in Wilton, CT
A very fine copy of "Les Bars," an album of ten original etchings by the master Lobel-Riche, representing fashionable women in various Parisian social settings. This album, part of a...
Category
1910s Art Nouveau Figurative Prints
Materials
Etching
$8,000 Sale Price
20% Off
Adam and Eva
Located in Wilton, CT
With 15 (8 signed) coloured original etchings and aquatints by C. E. Uphoff. Original vellum with gilt cover vignette in private linen case with gilt title on spine (stained due to m...
Category
1920s Art Nouveau Figurative Prints
Materials
Aquatint
$5,200 Sale Price
35% Off
L'Aieule (The Grandmother)
By Louis Legrand
Located in Fairlawn, OH
L'Aieule (The Grandmother)
Etching and aquatint printed in colors, 1904
Signed with the red stamp of the publisher, Gustave Pellet, Lugt 1193 and numbered (see photo)
Edition: 100 (81/100)
Reference: Arwas 202 iv/IV
IFF 98
Condition: Excellent, the sheet aged as usual
Image size: 14 1/4 x 18 5/8"
Sheet size: 16 15/16 x 24 1/4"
Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906.
Life
Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops.
Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all."
Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine.
Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891.
In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes).
Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others.
He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur.
Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion.
Books illustrated
de Maupassant, Guy: Cinq Contes Parisiens, 1905.
Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...
Category
Early 1900s Art Nouveau Figurative Prints
Materials
Aquatint