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Ex Libris - Fausto Moreira De Rato - Woodcut - Mid 20th Century

Mid 20th Century

Ex-Libris - Sebastian Dalmau y Trias is an Artwork realized in Mid 20th Century. Woodcut B./W. print on ivory paper. The work is glued on cardboard. Total dimensions: 20 x 15 cm. ...

Ex Libris RBR is an original Modern Artwork realized in the mid-20th Century. Original B/W woodcut print on ivory-colored paper. The work is glued on cardboard. Total dimension...

Ex Libris is an Artwork realized in Mid 20th Century. Woodcut B./W. print on paper. The work is glued on cardboard. Total dimensions: 21 x 15 cm. Good conditions. The artwork re...

Ex Libris is an Artwork realized in Mid 20th Century. Woodcut print on paper. The work is glued on ivory cardboard. Total dimensions: 21 x 15 cm. Good conditions. The artist want...

Michael Rothenstein RIP - 1967 Print - woodcut   25'' x 30''inches Edition: signed in pencil and marked sixteen / thirty five Michael Rothenstein (1908-1993) Painter of figurative a...

Ex libris Olav Tähe Paper, woodcut, 11x7cm

An untitled abstract woodblock print by Margaret Wenstrup (1930-2008) dated 1958. Wenstrup was a well-known Cincinnati, OH artist who graduated from ...

The print 'Jones Island' is something of a self portrait. In the image, an artist stands before and easel, depicting the docks and buildings on the coast. The title indicates that this is Jones Island in Milwaukee, the peninsula along Lake Michigan that today is home to largely industrial buildings. The buildings and figures in the print suggest that this might be a view of the last of the Kashubian or German immigrant settlements on the peninsula before they were evicted in the 1940s to make way for the development of the harbor. The artist in the image thus acts as a documentarian of these peoples. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures and buildings looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year. 6 x 5 inches, image 10 x 7.13 inches, sheet 13.43 x 12.43 inches, frame Signed "GS" in the print block,upper left Entitled "Jones Island" lower left (covered by matting) Inscribed "Wood Engraving" lower center (covered by matting) Artist name "Gerrit V. Sinclair" lower right (covered by matting) Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding. Gerrit Sinclair studied at the Art Institute of Chicago from 1910 - 1915, under Vanderpoel, Norton, and Walcott. In World War I, he served in the Army Ambulance Corps and later recorded his experiences in a series of oil paintings. He taught in Minneapolis before arriving in Milwaukee in 1920 to become a member of the original faculty of the Layton School of Art. He was also a member of the Wisconsin Painters & Sculptors. Sinclair's paintings and drawings were executed in a lyrical, representational style, usually expressing a mood rather than a narrative. His paintings reveal a great sensitivity for color and atmosphere. His subject matter focused on cityscapes, industrial valleys, and working-class neighborhoods, captured from eye-level. A decade before the popularity of Regionalism, Sinclair's strong interest in the community was reflected not only in his paintings, but also in his encouragement to students to return to their communities as artists and teachers. Joseph Friebert...