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Utagawa Kunisada (Toyokuni III)
Okazaki

1852

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  • The Gothic Spirit
    By John Taylor Arms
    Located in Storrs, CT
    The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
    Category

    1920s American Modern Landscape Prints

    Materials

    Drypoint, Etching

  • Old Colony Statehouse, Newport, Rhode Island
    By Clifford Isaac Addams
    Located in Storrs, CT
    Old Colony Statehouse, Newport, Rhode Island. c. 1931-1933. Etching. Hausberg 187. iii. 7 7/8 x 6 (sheet 12 1/2 x 9 1/4). Printed on the full sheet of cream wove paper with deckle ed...
    Category

    Early 20th Century American Modern Landscape Prints

    Materials

    Etching

  • Guardians of the Spire (Amiens Cathedral Number 2)
    By John Taylor Arms
    Located in Storrs, CT
    Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
    Category

    1920s American Modern Landscape Prints

    Materials

    Drypoint, Etching

  • The Church Across the Way
    By Childe Hassam
    Located in Storrs, CT
    The Church Across the Way. 1916. Etching. Cortissoz, Clayton 66. 8 1/4 x 4 3/8 (sheet 10 1/16 x 6 1/8). A fine impression with carefully-wiped plate tone printed on white laid paper ...
    Category

    1910s American Impressionist Landscape Prints

    Materials

    Etching

  • Relics (Speakeasy Corner).
    By Martin Lewis
    Located in Storrs, CT
    McCarron 74. 11 7/8 x 9 7/8 (sheet 17 1/8 x 13 3/4). Edition of 111. Illustrated: American Etchers: Martin Lewis. A brilliant, luminous impression with rich, velvety burr, printed on cream laid paper. Signed in pencil. Price upon request. Housed in an archival mat and a 25 x 21-inch black wood frame. According to McCarron, page 136, "The popularity of Relics when first issued is clear; the entire edition sold in just a few months, a spectacular achievement for a printmaker of the time." The location depicted in Relics is the intersection of Charles Street and West Fourth Street in Greenwich Village, a few blocks from Lewis's house on Bedford Street. During Lewis' lifetime, Relics was his most popular print, and the entire edition was sold. Relics and Glow of the City...
    Category

    1920s American Modern Landscape Prints

    Materials

    Drypoint

  • Laguna Veneta.
    By Otto Henry Bacher
    Located in Storrs, CT
    Laguna Veneta. 1880. Etching. 5 x 7 1/4 (sheet 8 3/4 x 11 1/4). Venetian series, #22. A rich impression printed on chine collé mounted on white wove paper. Printing fold in the right-hand margin, well outside the image. Signed 'Otto' and dated 'August 23 80' in the plate; "Otto H. Bacher" in pencil. A similar impression is in the Hood Museum of Art, Dartmouth, New Hampshire. Housed in a 16 x 20-inch archival mat, suitable for framing. The view is looking towards the Salute. Laguna Veneta is the bathing ground where Whistler practiced diving. Otto Henry Bacher was a book illustrator and etcher. He joined a colony of American painters established by Frank Duveneck in Polling, Bavaria. In 1880 the 'Duveneck boys', a group that also included John White Alexander...
    Category

    19th Century American Impressionist Landscape Prints

    Materials

    Etching

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  • The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year .....
    By Utagawa Yoshitora
    Located in Middletown, NY
    The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year of the Bunji Era (1185) Tokyo c. 1830 Woodblock print (nishiki-e) with ink and hand-coloring in watercolor on handmade mulberry paper, 14 7/16 x 9 15/16 inches (367 x 252 mm), ōban tate-e, the full sheet. In good condition with some handling creases. Colors are fresh and extremely vibrant. The right panel from the triptych by Yoshitora depicting one of Japan's most storied naval battles. An impression of this work may be found in the permanent collection of the Honolulu Museum of Art. The great naval battle of Dan-no-ura in 1185 was the final climax in a long series of bitter wars between two powerful families in feudal Japan...
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    Early 19th Century Edo Figurative Prints

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  • Toshogu Shrine
    Located in Middletown, NY
    In image of the Tokugawa family paying homage to Tosho-gu Shrine in Nikko. Tokyo: Matsuki Heikichi, 1896 Woodcut in ink with embossing and hand-coloring in watercolor on handmade m...
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  • Japanese Beauty Admiring Kirifuri Waterfall
    By Yoshu Chikanobu
    Located in Burbank, CA
    A beauty turns to admire the Kirifuri Waterfall in Nikko Province. She holds the handle of an umbrella and wears fashionable clothing that is beautifully printed. This series pairs f...
    Category

    1890s Edo Landscape Prints

    Materials

    Mulberry Paper, Handmade Paper, Woodcut

  • Beauties on the Beach with view of Mount Fuji
    By Yoshu Chikanobu
    Located in Burbank, CA
    Shichirigahama, Sagami Province. A beauty in the foreground waves to her young companions, who run towards her on the beach. The beauty at left wears a western-style golden ring. We ...
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    1890s Edo Landscape Prints

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    Mulberry Paper, Handmade Paper, Woodcut

  • Study of Utagawa Hiroshige's "View of Hara-Juku" 53 Stations of the Tokaido Road
    By Utagawa Hiroshige
    Located in Soquel, CA
    Study of Utagawa Hiroshige's "View of Hara-Juku" 53 Stations of the Tokaido Road Hand painted study of Utagawa Hiroshige's "View of Hara-Juku", (by unknown artist), from "53 Station...
    Category

    1920s Edo Landscape Prints

    Materials

    Woodcut, Paper, Ink

  • "Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper
    By Toyohara Kunichika
    Located in Soquel, CA
    "Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper Elegant woodblock print by Toyohara Kunuchika (Japanese, 1835-1900). Three women are in talking with each other inside, while a man waits outside holding a bag of some kind. The colors in this piece are rich and saturated, primarily blues, greens, and purple. Mat size: 16"H x 20"W Paper size: 14.75"H x 9.88"W Born in 1835, Toyohara Kunichika grew up in the Kyobashi district of Edo in the midst of merchants and artisans. In 1848, at age 13, he was accepted as an apprentice into the studio of Utagawa Kunisada I...
    Category

    1880s Edo Figurative Prints

    Materials

    Ink, Rice Paper, Woodcut

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