Victor Di Gesu

'Woman Reading', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA

Circa 1955

'Girl in Red' by Carlo Maria Mariani, 1959. Guggenheim, Los Angeles County Museum of Art, Rome, Academy of Fine Arts, Venice Biennale ----- Signed upper right, 'C. Mariani' for Carlo Maria Mariani (Italian, 1931-2021) and dated 1959. Framed dimensions: 22.5 x 1.5 x 17.5 inches A native of Rome, Carlo Mariani first studied there at the Academy of Fine Arts where he was influenced by the prevailing styles of Hyper-Realism and Conceptualism. In 1994, he moved to New York City where he began to paint figural landscapes in a traditional, neo-classical style. The 1990s brought Mariani wide recognition and numerous honors, as he represented Italy three times at the Venice Biennale. Additionally, in 1998, he received the prestigious Antonio Feltrinelli Award for lifetime achievement in painting. Mariani continues to be best known for his refined and painterly, Renaissance technique. He was a central figure in Rome’s avant-garde in the 1970s and is widely regarded as an influential forerunner of 1980's Postmodernism. He achieved an international reputation, beginning in the early 1980s, for his arcane and, often, controversial paintings...

Signed lower left, 'Hessam' for Hessam Abrishami (Iranian, born 1951) and painted circa 2000. Titled by artist, 'Color Me Music'. Paper dimensions: 28 x 21.75 inches. Hessam Abrisha...

'Figural Interior' by André Dignimont. Paris, Académie Julian, Salon D’Automne, Benezit, Bordello ---- Signed lower right, "Dignimont" for André Digni...

'The Agony in the Garden' by Jais Nielsen, 1938. Paris, Salon d’Automne, Section d'Or, Gethsemane ----- Signed lower left, 'Jais' for Johannes Knud Ove Jais-Nielsen (Danish, 1885-19...

Procede by Georges Manzana Pissarro (1871-1961) Coloured monotype with gold, silver and pencil 24 x 30 cm (9¹/₂ x 11³/₄ inches) Signed lower right, Manzana Artist biogaphy Like all ...

Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression. Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm). ABOUT THIS WORK In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy. In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market. ABOUT THE IMAGE The Hostellerie des Chiens du Guet is a small hotel at the edge of...

Sybil Andrews, 'Rue du Hallage - Rouen', color monotype, c. 1925, edition 3, proof 3. Signed 'Sybil Andrews pinx et imp' annotated 'No 3' and titled in pencil. Printed by the artist....

Lithograph realized in 1970s, after the original work by Toulouse-Lautrec of 1896. Limited edition of 1000. Excellent condition.